I loved it. That fight scene is probably the best in home fight since Barry S2. It’s one of the most precise films I’ve ever seen.

I think you're spot-on about the film being meta, and the killer being an avatar of Fincher. The thing is, I felt it was more likely about the debacle with Sony and The Girl with the Dragon Tatoo, and ultimately the executives at Sony turning on him and the relationship between them souring for good. The bit of dialogue with Tilda Swinton's character seemed to be about Fincher taking the decision to leave Sony despite them trying to get him to stay, him not wanting to go "hunt" anymore, because if he misses he'd get, well, you know... (BTW, that word is a favourite of his in interviews when he talks about studio interference). Hell, Dolores even looked a bit like Amy Pascal... EDIT : typos

my favorite director with my favorite actor. This movie should have been a tad better tbh.

The first half was amazing but it dipped the second half, especially the end.

Interesting, this is his chef(Jon faverau)

This Karsten Runquist ass thumbnail

Anyone that says the first 20 minutes is boring, the killer literally says "if you can't endure boredom, this work(film) isn't for you". That makes sense on a meta angle for actors. The expression "hurry up and wait" is true in that first scene. An actor is waiting for the director but the killer is waiting for his target.

The Killer isn't his best film but it's probably my favourite.

Karsten

I thought it was great, but the start was really boring - 4.5/5