I like the part where guru said "it's blender time" and blended all the audience.

He's got some great points, I think he's gonna be big in the Blender community someday.

All hail the Donut King !!! 🍩

Andrew quickly letting everyone know that he's excited about the laser pointer was the most Guru thing ever.

The motion blur checkbox is actually there if you just want Blender to crash when rendering.

19:25 The shutter value is the percentage of the frame duration that the shutter is open for. At 0.5 shutter value and 24 fps the exposure duration is 1/48th of a second. It's similar to the "shutter angle" for a motion picture camera, but expressed as 0-1 instead of an angle.

That default 0.5 motion blur isn't "made up" at all - It is half the frame rate (also known as a 180degree shutter). A bit like the specular slider on the principled BSDF - you don't want to change this. I think Andrew is coming at this from a stills photography background, where adjusting shutter speed to account for light is acceptable in most cases - however this is not so for moving image. One of the most common mistakes a novice video creator makes is to shoot with a random shutter speed. You should always aim to shoot with a shutter speed half that of the frame rate you are shooting at if you want natural looking motion - Change the ISO, aperture and amount of light in your scene to compensate for exposure, not shutter speed when shooting motion.

The man the myth the legend, Andrew Price

Andrew my man, you're absolutely a beacon of knowledge in the 3D world. Not enough thanks can be given to let you know how much good you've done. On another note : when wearing chinos that tight, absolutely empty your pockets.

Damn Andrew is so happy; you can see it in his pocket.

Congrats to Mr Price for being so successful in the blender community

I was actively working on a project while watching this and those little things he said to do made a giant difference already

That "lamp-face-focus" example is going to change my 3d renders understanding on its own. Thanks a lot for sharing this amazing talk :]

These are great points! I remember using the camera tricks majority of the time, but nothing can take away from the use of lighting to create cinematic scenes.

Of all of this, and I learned a lot from it, my absolute favorite part was the tiny little bit you spoke about Dune. I was GENUINELY wondering what they did to get that very natural motion blur. Good to know! Really appreciated that tiny little tidbit.

Always pleasure to listen to Andrew's speeches, thank you for uploading

Thank you so much, for those basics. You 'll make me dive into photorealism one of these days for sure, just as you did for our Blender immersion and our wish to teach it in school of architecture. Brilliant.

The man that brought me over to Blender way back when, thanks again. 👍

i came across this guy a couple of years ago duri ng my research and from him i have learned a lots and it is also exiting that he always have something to share. We appreciate this guy.

Was really nice to return to this subject! A few notes: there is a way to have multiple planes of focus in a real camera by using a split diopter, which some films have used to the same effect as in Toy Story 4, so even though it seems to go against practical real world situations with a real camera, it's actually a real effect. Metallic surfaces do have albedo, it's just that most of the time those albedo values are quite dark. Pure silver for example has a fairly bright albedo if you cross polarize all the reflections away. Anamorphic lens actually do the opposite of what he described, they capture twice the width in a compressed/squeezed format, and you stretch it back out/desqueeze it in post. The ovals are produced by cylindrical lens elements at the end of the chain of lens elements, as opposed to spherical elements in lenses with circular bokeh.

That slight nervousness in the beginnings. Just goes to show how passionate Andrews is about CG :))

Even after all these years you're still sharing the knowledge. Thanks for everything you've done for the community Andrew 👍🏼

The reason I love Andrews (Andrew Krammer, Andrew Price); Explained nicely & easily! 💚

This was great! I appreciated the concise explanation on light sizes and falloff, very helpful!

From a visual artist and photographers perspective, light is everything, how we manipulate it using the inverse square rule is important for exposure, it is important to understand it to realistically light things.

Management of the exposure is SO underrated in CG. It is pretty much exploited in 2D (especially oil painting, referred to as “value grouping”), and it gives such a lovely naturalistic look that it’s a shame it’s not used more.

Im really started my job with Andrew and still keep it going with him always nice content Im happy to see him every time ❤️

Some observations from a photographer's perspective: The Bokeh is not related to scale of the subject per se, it is a function of the focal distance and the size of the sensor. All other things being equal, a phone sensor will get bigger depth of field, while a medium-format camera gets shallower depth of field. Photographers talk about the medium-format or large-format 'look', which usually means the shallow depth of field with more of the subject in the frame. There's a 'hack' to achieve this look with a regular camera, called the Brenizer method, which is basically faking a large sensor by taking the subject in manual mode with a large aperture, then taking lots of photos in strips around the subject and stitching them all together in Photoshop. The other thing of note: You mentioned the Exposure Triangle and ISO, explaining that ISO 'forces' more light onto the sensor. This misconception comes from every educational photography site or educational video which without fail brings out the Exposure Triangle, and in order to have it make sense, explains that ISO controls the 'sensitivity' of the sensor. Yes, I see this written and said all over the place, even though it is patently false. Exposure consist of Aperture and Shutter Speed ONLY. For starters, digital ISO is NOT the same as film ISO. Camera makers deliberately created this confusion in the transition to digital to entice professional photographers over using concepts they already knew. After all, the first digital cameras simply swapped out the film back for a digital one with a sensor in place of film, hence “full-frame” since the camera body was made for 35mm film. So what is digital ISO? It is a post-exposure signal boost, a combination of analog and digital boosting straight off the sensor, and the noise is a function of the signal to noise ratio. High ISO doesn’t necessarily mean more noise, paradoxically. What ISO does is allow the photographer to deliberately UNDEREXPOSE and the ISO is an internal real-time compensation by boosting the signal, or lightness of the image AFTER the exposure. BTW it is ALWAYS better to use high ISO versus underexposing at low ISO and boosting ‘exposure’ in post when it comes to image noise and detail. In the interest of ‘dumbing down’ and being subjected to the same misinformation themselves in the past, these educational sites perpetuate the myth that ISO controls sensor light sensitivity, and like film there’s a direct correlation between high ISO and noise. In reality digital sensors can’t, and never could, change their ‘sensitivity’. Once the shutter is closed and the sensor is read, THEN digital ISO is applied. The deep-seated belief in the Exposure Triangle drives this misconception despite them knowing better. The Exposure Triangle is not holy writ: the photographer Bryan Peterson first described the concept In his 1990 book “Understanding Exposure” where he called it the Photographic Triangle. As described, he is absolutely correct. Later, others renamed it the Exposure Triangle. All three settings are related as they all use the same logarithmic scale; halving or doubling of one value halves or doubles the brightness of the image. But that’s not Exposure, even though in the days of film it related to the sensitivity of the film. The term ISO (confusingly) was named after the standards organisation itself where the standard is defined (old-timers will remember film speed being called ASA for the American Standards Association); there are several standards, depending on the type of film, such as B&W, Colour negative, or Slide film. Digital ISO is an entirely different standard, which aims to be compatible in use to the old film ISO standards by using the same logarithmic scale and being defined relative to the brightness of film at the same ISO setting. Basically, the confusion is quite deliberate on the part of the camera manufacturers during the transition to digital, as they wanted to entice professionals over who were set in their ways.

That was the perfect length for that talk, great stuff!!

@Blender Guru Great Presentation, mate! I love how all this is capable within a awesome free software @Blender

One of the most informative vids about lighting here on KZfaq. Genius donut guy

awesome info and presentation! I didn't know about the polarizing light and photo idea to take a more neutral photo of materials, that's really nifty!!

Wounderful presentation. Thanks andrew for all your amazing tutorials and work you are doing for the 3d world you are a true inspiration to me.

Great presentation. People keep forgetting that everything is reflective, more or less.

wow, I started with Blender years ago, with a version that today people call vintage (earlier than 2.69). There was not much tutorials that time, community was in early stage, most of the stuff u had to figured out on your own. Despite all the struggle, I enjoyed it very much, and at the same time was quietly dreaming that one day will be able to buy this expensive studio-standard software. Even though for the last few years I neglected Blender, been following all the new versions that's been released, and also learned so much from Andrew's videos. Still enjoy modelling and now even getting into animation. I must say, it's amazing how the community has grown over the years and overwhelmed by changes that all developers provided. I'm too old to find a job in industry, but it's so heartwarming that Blender gives so much opportunity to all people that are interested in 3d and digital art - for free. You guys are truly changing lives, many thanks and happy blending!

WOW! Was not aware of the scale factor when dealing with Depth of Field!!

Holy crap professional lighting of stage. Video great and clear

Great presentation, thanks. Love hearing 3D guys talk about how cameras work in the real world! I make animated and live-action commercial films so use both cinema cameras and 3d software and I loved the principles shared here as well as watching Andrew trip over some of the finer details of real world photography/film making 🤣 Despite this, I learned a lot from this and I know Andrew's scenes are infinitely more photo-real than anything I have created! lol

I also often get confused by the aperture science. Joking aside, this video helped me with a texture I had trouble with. I went and applied his advice and it immediately looked 100% better.

It's very generous of Andrew to grace us with his wisdom whenever he's not too busy shilling NFTs and complaining about how he can't say slurs anymore.

I love and study phyiscs, because no matter what it is an inescapable part of our reality, and this entire talk whether you like it or not is a physics lecture! I was just waiting for the inverse square law to be mentioned.

Damn bro, Blender Foundation made a realistic dude talking about realism in blender for an hour.

These are things we instinctively know and can reproduce but never really think to break down; the light fall-off from the match from the fingertip to the knuckle blew my mind a bit. Especially how the fall-off percentage reduces the further the objects are from the origination point.

Few minutes in and I already know this is the best presentation from BCON 22....Andrew Price is not only a great Blender artist but also a great teacher!

Great presentation, Andrew!

What an amazing lecture. I basically knew about most of these principles from photography but didn’t put them into consideration when doing 3d renders

To add for people interested: Glare is the reflection between two mediums within the camera lenses. As camera lenses consist of various pieces of glass, each of them designed to help with some aspect of light refraction, the incoming light is reflected at the glass to glass boundary. You can see the same effect on windows with multiple glass panes. Lense flares are created by the same principle (the real ones, not the PS plugin ;D ). They are glare from such extremely strong light sources, that you see the boundaries of certain lense elements on the image. That's why every lense has a different looking lense flare. Also don't confuse glare/lense flares with bokeh, that's an entirely different principle, but at times looks similar. Bokeh is unfocused light, where as glare/lense flares can occure perfeclty fine in focus. Even the human eye would have a glare, but usually we're not able to look at light that bright to "see" that effect. (Please don't try it! You can actually hurt your eyes.)

What an amazing concise tutorial! Thank you!

congrats andrew and thanks for all your tutorials😁😁😁

You are an amazing speaker and you get me really interested in these topics even though I don't have a lot if knowledge in 3d animation

Great presentation Andrew!:) - very useful tips explained brilliantly! 🙏😀

such a great presentation, learned a lot

I think it would be okay to touch specular on materials, but only doing so if you know the IOR. In most cases, dielectrics can be kept at .5/.425 (depends on who you ask haha), but metals should definitely have their specular changed. This is what helps bring out the tint desaturating along the Fresnel reflection.

I really appreciate that Pixar treated Toy Story 4 with the dignity that was owed to such a groundbreaking franchise. I’m sure those working on the technical/visual aspects of the film consciously chose to treat the task as an envelope-pushing challenge, rather than a “make-a-quick-buck” chore that most sequels fall victim to.

Extraordinary. Thanks.

This is gem for 3D artists!

Pleasure meeting you at the Lightbox Expo brother. Very informative presentation.

Ngl, toy story 4 was a good choice even though it wasn't live action, the amount of effort and realism that went into it was amazing. Would be hard for a spin-off of 5th movie to top.

The same amount of light falls onto a camera sensor per unit size per exposure. There is no extra light 'forced' onto the sensor. The 'grain' increase is NOISE created through the amplification of the signal. Every camera sensor has what's called NATIVE ISO (Nikon Z7 for eg is 64) so everything after that is amplification. Digital sensors don't magically increase or decrease their pixel size hence the need for amplifying the signal. Speaking of real film, the faster the film, ie. more sensitive, the larger the physical grain crystals on the emulsion to gather more light. That's why grain was more apparent with faster film.

I love it! Special greetings from Sofia, Bulgaria.

So good, to go back for the principles...... Nice talk !.

Proper lighting is a scinece !

I like how the mic clipped when he was talking about the light clipping in the attic in toy story.

I'm not working with Blender and I got zero knowledge about it but this video has been good education for 2D Art as well!

this is a really great video it really clears out so many ways for me to animate in eye catchy way

oh, toy story 4 doesnt just use different depth of field. it use different lenses! They did mimic a Split Diopter lens. It is actually very clever

That's so cool! Thank you!

Thanks a lot Donuts lord it was very informative and interesting ! :D

I will say Lighting for Beginners is the best series by blender guru. Highly Recommend.

Thank you for the lecture! I learned a lot of interesting things for myself. A useful presentation. Thanks.

I literally love everything this man says.

God I love Andrew so much, what a king

Great stuff!

I once started making a donut in 3D. Thank you for your good presentation.

20:01 I think that "Shutter" value is equivalent to what they call "shutter angle", just measuring the angle in full rotations instead of usual degrees. You can imagine it as representing what percentage of a disc that spins once per frame placed in front of the image sensor of the camera, is cut out to allow light in. In other words, it's equivalent to exposure time, but using units proportional to the frame-time (1 / frame-rate; in other words, the higher the frame rate, the smaller the exposure time is).

"Leave specular at 0.5" is just plain wrong. It's right for a theoretical perfect surface, which makes it a bit funny as he mentioned porous surfaces - those are not theoretical perfect anymore 😀Some of those specular reflections will end up getting absorbed by the material and never show up as super rough reflections at all; there is a loss of specular energy that will not happen with specular remaining at 0.5. Disney calls this slider an "artistic value" - if the reference material look less reflective (as a whole or in microscopic spots), just lower the specular. Similarly, although not necessarily much applicable to everyday materials, some can have a coating on them that raises the reflectivity. Just as you can have an anti reflective coating on glasses. And specular set to 0? I use this for shadow gaps, i.e. in the cracks between wooden floor boards that will remove specular reflections completely rather than do a very rough reflection. Also, refraction is not absorption. Absorption is the correct umbrella term (vs reflection), and refraction *can* be one of the outcomes but doesn't have to be. An object either reflects or absorbs based on the chance of bouncing off the surface, and refraction is one of the possibilities that can happen as part of absorption. The unity/unreal (?) talk video ages ago describes this far better. Not only metals can reflect non whites. I know what he's getting at, but it's not technically a correct statement. For game stuff, yeah, absolutely true that usually this is good enough for dielectrics. But there are reasons metallic workflow (which only allows colored reflections for metals) is known to have this limitation. Principled has a specular tint that can allow for inter-reflections to pick up base color, but even this is not sufficient to cover all cases. Some of these tints are due to special optical effects, like thinfilm, iridescence, naturally occurring pearlescence, opalescence and so on. So *not always* white. Kudos for getting bump distance more properly set during Suzanne demo, most wrongly just reduce bump effect. Should have been mentioned though. Others have covered shutter speed. I'll just throw in that for better control, you can use cryptomatte/material id/object id to control various levels of denoising and glare effects. This is all just nitpicking though. Great presentation overall and a thumbs up from me. Hmm, I haven't seen Toy Story 4 yet. Damn, that's some fantastic looking anamorphic bokeh.

when he whipped out a donut and said "how's it blending?" i felt that

The king that taught me donut, PBR and lighting.. BlenderGuru!

Very detail and easy to understand,... love love it

Yo its my man Guru and congrats on 1million subs Blender

You're an absolute legend. 👏👏

Great information as always. Thank you

Thank you Andrew, very useful and informative. I've got a lot of information from it. Thank you again🥰🥰

Watched Toy Story 4 to see how good the photorealistic models were and now I am crying my eyes out.

So you're tellin' me the secrets to photorealism are all based in understanding photography. Interesting!

QUESTION: when he talked about how materials are divided into non-metallic and metallic, I was wondering what’s about glass? What property does it hold compare to the others? Such a great talk from Andrew!!!

Thank you for sharing!

Small correction at around 7:25. This would be called scattering scientifically. Refraction specifically, is the change in angle a "light ray" experiences when moving between two media of different optical density.

Honest such a great video. Tbh it made me re~look my art as a whole

Thank you, humble tutorial merchant

AMAZING!

Great light! You're a talent

Cannot Thank you enough man.. completed my first donut 🍩 bit proud of myself But you were my beacon of hope.. Thank you

Thank you, it was a useful lecture.

Wow the 3D artists really nailed the design of that presenter.

Thank you Andrew for a wonderful talk!

Great presentation! Disappointed there wasn't a Q&A afterwards

Very cool! Thanks a bunch!

15:53 the irony of the mic clipping as Andrew says "clip"

Awesome, as a new learner, the info are useful💪