🔴 Thanks for watching! Let me know below if you found the video useful and any other street photo topics you’d like to see me cover in the future 👌🏻

I have an introverted mindset, and shooting from the hip is great for me, I also don't want to disturb others with a camera. But after some time I realize that it just becomes boring. Shooting from the hip is more like relying on pure luck, it works but you have very limited control of light, frame, or composition. So, it's nothing bad but it has some limitations.

Artists should always be open minded. It doesn’t mean they have to like everything, but at least they shouldn’t be judgmental

So far, you are the only one with realistic advice. I don't say others don't give good advice. They are good but not realistic and not practical.

Really sensible advice - capture the moment and disregard The Rules . Shooting from the hip with a split screen almost makes you 'invisible' and often avoids unnecessary confrontation. Many shots I would nt attempt at eye level

I'm so grateful for your content. I'm an aspiring photographer, and your videos are amazing. This video in particular made me feel both humbled and reassured. I'm currently working with a Sony Alpha and some old lenses, but I really gravitate towards this old Minolta 50mm MD I was given by my father. Thanks to him, I have a good selection of old lenses, and I'm having a great time. I don't really have any photography friends, but the shots I've taken and shared with people seem to really impress. I don't know much (yet) about the technicals of composition, and I'm relying heavily on luck, but I just go with whatever I think is beautiful and I'm having a great time.

I feel like there's the official point of view and there's people just making stuff happen. For years in other parts of business, I was coming up with weird new ways of doing things, being told I was wrong, and then hearing my advice from other people's lips two or three years after people figured it out for themselves. I'm not especially one to listen to the rules people, so I'm glad you published this.

Excellent video containing a nice mixture of solid advice & helpful, inspiring myth busting!

Poverty on the streets, children, minorities... Your shooting intentions are certainly important and should be respected. Conversely, the viewer's perspective when confronted with the photo also needs to be respected for their discomfort. It's a compromise between the two sides, and that's the hard part. People who look at a photograph may project the life of another person in the photograph, but it may also directly touch their own life. Some call it humanity, some call it compassion, and whether it makes them feel happy or sad, it's something we photographers should always think about so that we don't lose sight of it. Thank you for the great story. 👍👍

The Rollei midriff pov is what set apart earlier portraits from todays - even though they were mainly a result of camera limitations of the times. Something that todays tilt screens can do!✌️

While shooting from the hip can be a great method of photography, I wouldn’t consider using your tilted screen or what Vivian did as truly shooting from the hip as you’re able to compose your shot that way.

I always enjoy hearing your sensible and open-minded approach. It’s refreshing.

Coming from iPhone photography, back then I couldn’t do it without compromising the composition. Now I have real camera and I can finally do it. So, those photographers I think came from the era when they don't LCD screen and all they had was viewfinder. They surey can compose a shoot without looking into viewfinder.

Surely, it’s about the final image. It doesn’t matter how you operate your camera or what brand it is. I agree with you too about what you take a photo of.

Sensible words from the beginning to the end ✨🤍 Thank you for this video! A interesting video topic it would be to talk about stepping out of the shadows, to share and show your work to the community and people. I believe this is a struggle most beginners have, even when they are not beginners anymore. Encouraging and talking openly about the pressure of judgement is a huge support ❤ I resonate and I believe other subscribers could too!

Using my smartphone to take photos, I now hold my phone at around my chest height and barely see the screen, sometimes I get an interesting photos

I got offended first when I saw the thumbnail without reading the title

Mr.Jamieson's relevant, well thought-out and clearly expressed views and perspectives are helpful and worth one's attention.

Thank you!

The one I hear is, "You have to shoot in manual mode." Then later they say they use auto ISO. *facepalm* Use the camera's auto modes, they are there to help you. Stop thinking about settings, settings aren't that important and look for compositions.

Sound advice which I try to use .

Hello and thank you for this video. And yes, i admit, i followed all the (wrong) "advices" you told. Its always not easy as an amateur to perfom in photography. And so i always followed the advices you told. This video is important for me to leave my (photografic) past behind me and try something new. New ideas and a lot of inspiration. 😊 Your work is absolutely cool and you are one of my heros on photogtaphy.

Good, good. Ni advices and you tell us : do what you want. Thank Tim

Hello Tim, this is a great insightful piece of video. I’m lately discarding all I’ve learned about composition to be “free” and capture moments. It’s fascinating to see a change in my personality from this simple change. Resonance (I think that’s the right word for it) should be first evaluated with ourselves.

Very Tru love them tips...the manual I feel u leave out for I love aperture and shutter priority..also congrats on the sponsor cudos...also street photography is what we make it..

Great video mate. I agree with your point on the sharpness of photos. I like a bit of soft focus in mine adds character to the frame. There can be some real street photography snobs out there. I just say get out there and shoot what interests you and as long as you enjoy it.....then thats the main thing!

Valid points, Tim. Old saying “free advice is worth every penny paid for it” or something akin😊. We best learn and grow by doing, IMO. Trouble is folks starting out search on-line and get mixed, uncurated info. I prefer hip shooting via LCD but need more practice getting the right perspective when not checking the monitor. Did the twin lens reflex cameras have an eye level feature? Thought by design they did not. I almost always crop, likely because my preferred field of attention is narrower than the frame. (Now there’s a reverse crop AI fill option; go figure.) Was the lady carrying the dog in a pouch your photo. Nice capture. Cheers!

Thanks, Tim. I will give from the hip a go!

Great video man. I'm just returning to photography and street photography is what I'm the moat exited to try again. Any tips to get started?

Again, almost entirely brilliant as always Tim, except one thing... Film doesn't necessarily look better, or more to the point, digital *can look* as good as film as long as you step away from Lightroom and use Capture One instead. At least this is my experience. I started off with film in the 1980's, moving to digital in 2000, and never looking back, particularly after discovering NIK Tools Silver EFex Pro (for B&W) then Capture One for colour. Capture One is capable of results that are IMHO, indistinguishable from that of film. Film is really only more fun if black and white and printing is done in a proper home darkroom, and toning is taken to it afterwards. But it's still hideously expensive (it was hideously expensive back in the 1980's/90's, but then there was no digital, so no choice anyway!) Sorry, it's been a long day and I'm now just wittering. Lastly, we should meet up some time. I'm up in Birmingham. :)

Another great video Tim; well done… I rarely shoot from the hip, however as you say many photographers do, I just feel it can look slightly creepy or shady… But I recognise it is a very popular style, just not mine… I also never capture homeless people, again I agree it's personal preference, I just feel they are having a horrible time as it is, and don’t need me adding to it by pointing my camera at them or looking at them. I will photograph buskers, but always make the point of giving them a quid or two… Photographing children is a tricky one, it has to be a cracking picture, and I’ll always make the parents aware…. There is no right or wrong, we all have different morals and styles… Well done Tim for raising the subject! C.

Elliot Erwitt's famous "segregated water fountain" is a proof that when context and subject is very strong the lack of sharpness can be forgiven.

Here in Italy, while you can make photos of children, you can't publish them in any way without their parents' consent.

Very good advice!

Street photography is street photography... I never understood the attacks of some people to not take pictures of something that is on the streets, in the public eye to view. If is on the streets there is no rule in my opinion. That is the reality and if you try to capture it you should be allowed to capture it as is.

All good stuff Tim, I will skip the film, it's costly and I have done my time in the Dark room.

Hi, thanks for all the suggestions! I wanted to ask you what type of focus do you use on your Fuji? Thank you

Great video! Thanks! On cropping: I have never understood the "no cropping rule". Am I supposed to squeeze everything into a 3x2 aspect ratio? Never made sense to me. In fact, I think modern cameras should have square sensors to make the most of the lens' image circle and offer aspect ratio preview frames.

been doing street photography since the 1970s and always shoot from the hip when I want to be invisible i photograph anything as long as it's in public and ethical

I’ve never heard any reputable street photographer, or even non reputable, say don’t shoot from the hip.

1000% this!

That wasn't click bait at all lol

Overall, good tips, but I'd like to argue a bit. 1) Shooting from the hip only works well if people are sitting or if they're kids. For others, it creates a special look that may not suit everyone and can even make people look uglier. We perceive the world from eye level while standing most of the time, so eye-level photos look more natural. Whether to use a viewfinder or not doesn't matter as much as long as you can see what you're composing on the LCD screen. Also, a real photographer might approach you and reprimand you for hip-shooting. You'll be very ashamed. Just kidding. 2) If street photography is about documenting, you should definitely include homeless people and their everyday life, as well as children (just make sure not to use them as the central subject without parental consent). Otherwise, you might capture a censored, unrealistic version of the world without homelessness and childhood. Some of the greatest photographs have included desperate, homeless people in need and their children too. 3) I've never heard that lie. You can't make a good picture without composing it (only if you're lucky maybe). Although, while shooting from the hip, it's much harder (unless you have a tilting display). 4) It is definitely possible to achieve a film look, and I'm sure everyone should strive for EXACTLY that with their editing. The digital neutral look with plasticky-greasy faces (due to high linearity) and pale colors is boring and not appealing compared to film. This myth (that film is better) emerged because standard profiles in cameras and RAW development software (if you shoot RAW) are overly neutral: not enough vividness, not enough curvature in the middle and highlights, and the black point is too precise. And then there's the grain. In digital, grain is almost like a sin, while in film, it's acceptable. But the thing is, noise often looks better than the result of denoising. Anyway, a film stock with features like the modern digital standard profile would have been a complete failure for a manufacturing company. Who would want that? People picked different films to get different filtering, preferring one over another but loving that sweet distortion of reality. So there's nothing wrong with extensive editing, filtering, color grading, etc. I agree buying film is not worth it today, not only because of the price (for a professional, that's not a big issue) but because of the huge delay in workflow and the higher chance of failures. 5) There are a few kinds of blurriness that need to be restored (I mean, it would be completely fair to restore them). 1) From debayering/demosaicing. It's not your real image that is blurry; it's the result of demosaicing that made it look like that. Some debayering algorithms make up for that to some extent, some do not or not enough. 2) From lens softness. You might like it but technically it is a defect. A soft image still contains information that would help to restore sharpness. Try and compare before dismissing sharpening at all. 3) From a focusing mistake or shallowness of depth of field or motion blur. Same thing - some information is still there, and magically, you can restore the sharpness. I'm talking about restoring to some NORMAL sharpness. This is subjective, of course, but if it does not look overly sharp, consider it "normal". If you do not try sharpening, you will not understand how actually blurry your picture is. 4) From downscaling before printing. (You should also understand your viewing distance and print resolution to make a decision about the pre-print sharpening level.) It is a mistake to omit sharpening before printing. Sometimes it even depends on the paper type and the specifics of the printing equipment/technique. Consider that you applied blur filter to your picture if you didn't apply sharpening! Just please do not use Lightroom's sharpening, use Photoshop's instead (optionally as duplicate layer with blending mode that would affect luminance only).

All red flags went up when this guy mentioned Vivian Maier as “he” did so and do @ 1:03 .

There are no lies or secrets about "street" photography, but there are annoying youtubers using clickbait words like lies and secret !

I purchased my first DSLR camera one year ago. I’m 58 years old. I suffer from anxiety unfortunately my hands shake slightly. I want to do more handheld photography instead of relying on tripod. What’s the best advice people can give me?

Thank you!