“Photography lacks intentionality." | Photographer Paul Graham | Louisiana Channel

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Louisiana Channel

Louisiana Channel

Жыл бұрын

“I always feel I have an artistic collaborator - and it is the world.”
Meet famous British photographer Paul Graham in this personal and in-depth interview about his life, career, and thoughts on photography.
“Photography lacks intentionality. The painter places every mark on the painting. The sculptor every ounce of the form. But photography? Did you really intend that? To embrace improvisation, to embrace that this is the wonder of photography, is a way of accepting the burden of life.”
Paul Graham is a contemporary British photographer living and working in New York City. Born in 1956 in Stafford, United Kingdom, he studied at Bristol University and began taking photographs during the 1970s. In 1981, Graham completed his first acclaimed work, A1: The Great North Road, a series of color photographs made along the A1, Great Britain’s longest numbered road connecting London and Edinburgh at both ends. His use of color film in the early 1980s, when British photography was dominated by the traditional black-and-white social documentary, had a revolutionizing effect on the genre. Soon a new school of photography emerged, with artists like Martin Parr, Richard Billingham, Simon Norfolk, and Nick Waplington making the switch to color.
Graham is known for his sequential color prints of people engaged in daily life. His 12-volume photobook A Shimmer of Possibility (2007) summarizes Graham’s interest in calling attention to overlooked activities or places. “It has steadily become less important to me that the photographs are about something in the most obvious way. I am interested in more elusive and nebulous subject matter,” he has explained. The artist has been the subject of more than eighty solo exhibitions worldwide. Today, his works are held in the collections of The Museum of Modern Art, the Guggenheim Museum, Whitney Museum (all in New York City), the Tate Gallery and Victoria and Albert Museum (both London), the Stedelijk Museum (Amsterdam), Fotomuseum Winterthur, Musee de la Photographie (Charleroi), Det Kongelige Bibliotek (Copenhagen) among others.
Paul Graham was interviewed by Marc-Christoph Wagner at his home in New York City in March 2022.
Camera: Matthew Heymann
Edited by: Signe Boe Pedersen
Produced by: Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2022
Louisiana Channel is supported by Den A.P. Møllerske Støttefond, Ny Carlsbergfondet, C.L. Davids Fond og Samling and Fritz Hansen.
#PaulGraham #Photography #photographylovers
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Пікірлер: 102
@thelouisianachannel
@thelouisianachannel Жыл бұрын
*Watch Paul Grahams advice to young photographers:* ✨ kzfaq.info/get/bejne/huCBes5_2avIqIE.html
@minlee4010
@minlee4010 4 ай бұрын
오늘도 좋은 하루
@seb_steimel
@seb_steimel Жыл бұрын
"Accepting life as it flows rather than trying to control it" - rarely has a description of artistic work fit so well for me. Thanks a lot for this video!
@elenaquintana8176
@elenaquintana8176 Жыл бұрын
He blew my mind and made everything make so much sense. My mind felt like it got a hug because I feel understood somehow and I also feel like I can understand a little bit better as well.
@MargaretWaagePhotography
@MargaretWaagePhotography Жыл бұрын
"Learning to see life, flowing and coming at you and moving past you." Lovely! Beautiful images!
@jeremoe1
@jeremoe1 Жыл бұрын
I've watched this 3 or 4 times, different days, but I keep coming back to it. He sums it up quite well, what photography is about, at least for me. Thanks for a great video !
@janethughes9589
@janethughes9589 Жыл бұрын
Wonderful. It felt like an encounter with goodness and integrity
@AliHasan-hs7dp
@AliHasan-hs7dp Жыл бұрын
I cry as I look at this documentory. Finding a sort of kinship, i wonder why it makes feel a bucket full of emotions, is it the truth of his art? The best cure of lonliness is the possibility of conspiring with the world around you.
@davidxflood
@davidxflood Жыл бұрын
Delighted to see this, love Paul's work and great to hear his thoughts on the medium!
@rolf_siggaard
@rolf_siggaard Жыл бұрын
Love this! ‘Flow of life’ approach and ethos of peace and respect very inspirational. Thanks for sharing.
@asystasyorg
@asystasyorg Жыл бұрын
I appreciate both Paul Graham's philosophy of photography and my profound divergences from it as a literature and philosophy scholar. Thank you, too, for demonstrating that technics such as sharp images, "proper focus," etc. *are not always paramount* and that the image can transcend that. Thank you!
@EnvoyeeSpeciale-ey9bx
@EnvoyeeSpeciale-ey9bx Жыл бұрын
Tout est dit ! Voici un véritable photographe d'une exceptionnelle acuité ! Merci
@OrtoInScatola
@OrtoInScatola Жыл бұрын
Another beautiful short documentary! Thank you! I love how you composed the interview, with the images and the music.
@judithbreastsler
@judithbreastsler Жыл бұрын
I just played a Goldmund album and looked at his photographs for a solid hour. So evocative
@MarcEllie31
@MarcEllie31 Жыл бұрын
I appreciate your time and effort making this for us.
@cmgreatest7892
@cmgreatest7892 Жыл бұрын
Dear Louisiana Channel, I appreciate the work you are doing, capturing artists/photographers for me to have an intimate look at their work and processes. I thank you and my students thank you.
@thelouisianachannel
@thelouisianachannel Жыл бұрын
Thank you so much for your comment. It means the world to us! Thanks for watching ❤️
@THM531
@THM531 Жыл бұрын
Thank you Paul, I’ve been looking for these words for a long time
@devinford2724
@devinford2724 Жыл бұрын
Brilliant perspective. Thank you.
@vincecosta
@vincecosta 7 ай бұрын
Thank you Louisiana Channel for making these interviews with such great creators. So much to learn. Much appreciated. Cheers!
@ieyucel
@ieyucel 6 ай бұрын
Wow! Absolutely how I seeking for photography, the life it self. Flowing, streaming, changing... thanks for this episode.
@AlOne-xg6dv
@AlOne-xg6dv 13 күн бұрын
Very interesting philosophy of life which resonates completely in his photographic journey. Ride with the flow and then what's next ? We will see ...
@martinhendry
@martinhendry Жыл бұрын
Shimmer of Possibility is such a peerless piece of work, very simple yet opens a door as it relates to the treatment of time in photos which has not been explored enough by photographers to date. It is something that photography is uniquely capable of.
@dylandutson1626
@dylandutson1626 Жыл бұрын
It feels like a rare moment of someone transcending their medium. Like even Photography would be surprised.
@Casualfulltime
@Casualfulltime Жыл бұрын
Brilliant interview. Thank you
@benjaminfargen
@benjaminfargen Жыл бұрын
Love it🙌...thank you for sharing🙏📸💯
@robertclapsadle8552
@robertclapsadle8552 Жыл бұрын
I'm reminded of the paintings of Edward Hopper
@NABloisROTH
@NABloisROTH Жыл бұрын
The A-1 series especially interests me as I get back into photography and find myself shooting automobile and telecommunication infrastructure. Really enjoyed this video.
@omaryohan7694
@omaryohan7694 Жыл бұрын
Such a nicely edited video, thank you for putting this together and for the talk!
@thelouisianachannel
@thelouisianachannel Жыл бұрын
Thanks so much for watching!
@Diaryplan
@Diaryplan Жыл бұрын
Wonderful video. Thank you
@minhrdi
@minhrdi Жыл бұрын
As an architectural photographer, I really appreciate Paul's attention to vertical lines composition in his photographs. Yeah, it's kind of our OCDs in architectural photography.
@andriykovach2736
@andriykovach2736 Жыл бұрын
Wonderfully beautiful video!! I enjoyed it!
@petermach8635
@petermach8635 Жыл бұрын
Very interesting, I used to work with 5x4 but with some medium format when required, the scarcity of film-stock when out on location forced a great deal of thought and consideration over every image made ..... digital largely killed that by making the raw-material of photography free and unlimited, the balance swung from famine to feast, from contemplation before-hand to editing afterwards.
@andrewwilson4733
@andrewwilson4733 Жыл бұрын
Great work! i swear every photographer says they used colour when it was unusual ha
@yeohi
@yeohi Жыл бұрын
NG was using color before he was born.
@andrewwilson4733
@andrewwilson4733 Жыл бұрын
@@yeohi hahaha
@linjicakonikon7666
@linjicakonikon7666 3 ай бұрын
I used color when it was unusual. There, I said it.
@joelk8228
@joelk8228 9 ай бұрын
Great show! Thanks!!
@eugenehvorostyanov2409
@eugenehvorostyanov2409 Жыл бұрын
Really good. Thank you. ❤
@ollotheollo
@ollotheollo Жыл бұрын
Amazing artist. So excited for this interview
@_GhostGarden_
@_GhostGarden_ Жыл бұрын
Very inspiring.
@slimnics
@slimnics Жыл бұрын
so cool !
@davidpharo
@davidpharo Жыл бұрын
Excellent.
@StephaneDesnault
@StephaneDesnault 9 ай бұрын
Thanks for a great video.
@crazyduck1254
@crazyduck1254 Жыл бұрын
very much enjoyed and watched til the end, thanks for sharing, though the sleeping persons were a bit of a leap for me
@peaou
@peaou Жыл бұрын
Thank you, that was beautifull
@firsthandaccount
@firsthandaccount Жыл бұрын
Hit the nail on the head. Been putting intention into my work for years and love seeing more people notice this shift
@krishnapriyaka3261
@krishnapriyaka3261 Жыл бұрын
this is amazing
@MikeChudley
@MikeChudley Жыл бұрын
This is incredibly interesting stuff. Loved the video.
@thelouisianachannel
@thelouisianachannel Жыл бұрын
Very glad you liked it :)
@hubbert22
@hubbert22 Жыл бұрын
Really interesting!
@bigjohndavid1
@bigjohndavid1 Жыл бұрын
The assertion that naturally awe-inspiring things such as rainbows and sunsets (and autumn leaves) are cliches is truly life-draining and destructive.
@MrGoodpairofshoes
@MrGoodpairofshoes Жыл бұрын
fantastic, So so true when looking back on street photography it will work more effectively if it's the flow which is recorded, this is the now of then. not a staged image this tells me nothing really well not enough.
@primerarbol
@primerarbol Жыл бұрын
Muy bueno!
@csnerd21
@csnerd21 Жыл бұрын
alright I'm off to go shooting now... have a date with Astaire. 📸
@louislapointe8996
@louislapointe8996 Жыл бұрын
I can not but reflect on the work of the great Canadian photographer Jeff Wall for the confluence between the precision of the thought process and the image: so well articulated.
@PovlKvols
@PovlKvols Жыл бұрын
❤️
@R.H12
@R.H12 Жыл бұрын
it's wonderful and beautiful
@roastbeefy0weefy
@roastbeefy0weefy Жыл бұрын
Just when I thought I was out, they pull me back in
@RogerHyam
@RogerHyam Жыл бұрын
Wonderful
@TiltedElix
@TiltedElix Жыл бұрын
ive been making complete verses on a single soft, it seems everyone of these tutorials i find like to put a single instrunt on each
@crazyduck1254
@crazyduck1254 Жыл бұрын
the thing that keeps coming to mind for me is the brilliance of these old large and medium format film cameras. They have the gift of seeing the feelings lingering in a scene that would be rendered useless by modern digital cameras.
@BlazejMarczak
@BlazejMarczak Жыл бұрын
Operator have a gift. Cameras, old or new are just recording devices. Fetishizing and romanticizing film cameras is just that.
@bingbongtoysKY
@bingbongtoysKY Жыл бұрын
🤘
@void.lawyer
@void.lawyer Жыл бұрын
Perfect way to start my day. 7:46 am
@gordonbrown5901
@gordonbrown5901 Жыл бұрын
'Now' is where everything happens.
@TreyVaswal
@TreyVaswal Жыл бұрын
8x10 is the format of the Gods.
@markames3688
@markames3688 Жыл бұрын
Encouraging
@xwhite2020
@xwhite2020 9 ай бұрын
Everyone loves Sean, everyone loves Flea.
@mariogines9331
@mariogines9331 Жыл бұрын
Marketing and advertising is the death of aesthetics
@mrenovatio3739
@mrenovatio3739 Жыл бұрын
snapshots
@supermassivebk
@supermassivebk Жыл бұрын
我书架上好像也有那本砖块封面的摄影集
@johnman5537
@johnman5537 Жыл бұрын
tat
@goldfinch2283
@goldfinch2283 Жыл бұрын
Well, well……
@ohstanley3058
@ohstanley3058 Жыл бұрын
Why is it sad if there wasn’t “diversity “ in the club photos? Does every photo book need to have a mix of every race and gender? I like having a record of different cultures and not everything looking like NYC.
@antonodonnell8238
@antonodonnell8238 Жыл бұрын
Interesting what you said…I feel similar about street/doc photos of San Francisco. I shoot Castro district often for a different flavor.
@edmoore
@edmoore 5 ай бұрын
He lives and works in modern new york, the internet exists, he is probably just pre-empting the question he gets within the first few minutes anyway.
@EduardToews
@EduardToews 3 ай бұрын
Guess it just makes the photo way more interesting to watch
@agomodern
@agomodern Жыл бұрын
I wonder if he eats beans on toast like my mom's husband.
@rynoreeno
@rynoreeno Жыл бұрын
Interesting that Graham found it sad that a place was homegenous and not diverse, I wonder if he has Jewish roots.
@sie11pervan
@sie11pervan Жыл бұрын
"It wasn't a very diverse country" No country really was until 60-70 years ago. People have an intrinsic motivation coming from their instinct to choose an in-group bias. Out-group bias will never be preferred as it has to overwrite instinct. It's just the way it is.
@williambolton4698
@williambolton4698 Жыл бұрын
This guy's hypocrisy took my breath away. He is clearly an old gentile, London, liberal- left wing, middle-class, punk rocker who hated Thatcher. His quietly spoken bigotry against capitalism is irritating. He mentions all of the assets that the UK government sold off but he fails to point out that they had been run into the ground by civil servants who couldn't run commercial enterprises. The state was paying huge, unaffordable amounts of money to sustain vastly inefficient corporations. The UK was "the sick man of Europe". Adam Smith who Thatcher idolized was Scottish not American. However, the absolute clincher was when he told us that he went into self publishing and independently sold books of his own work. That is exactly what Thatcher wanted people to do and it looks like he has done well out of it. I'm not a fan of Thatcher, I'm not even a Tory but I hate half truths and hypocrisy.
@borderlands6606
@borderlands6606 Жыл бұрын
The A1 photographs were original as art and documentary. The large format street photographs don't work as "street" or "art" photography. Photographic series have to have something compelling about them individually and as a sequence. To me the photographer seems creatively lost and is hoping the saturation and clarity of large format colour film will rescue the image. Or I could simply be missing what Paul Graham is trying to achieve.
@borderlands6606
@borderlands6606 Жыл бұрын
@@cansagarri6749 I should have said individually *or* as a sequence. The sequence has to be more than the sum of the parts.
@skwirl828
@skwirl828 Жыл бұрын
Why is the lack of diversity sad? If that’s how it was then that’s how it was. It’s not sad
@edwardferry8247
@edwardferry8247 Жыл бұрын
It’s sad how he doesn’t address the long time failure of the neo-liberal project and the damage it’s done to the planet and the human spirit. There feels a middle class nostalgia for working class decay here. The fact he isn’t antagonistic toward Thatcher weighs heavy on the long term value of A1. It’s creator needed to be more than an aesthetic observer trying to prettify the submission of a culture in 10x8 negative grandeur. An important interview in the political context of how images should ultimately be evaluated.
@matthewrideout255
@matthewrideout255 Жыл бұрын
Beautiful interview. But please don’t Ken burns the photos, it’s so cheesy and distracting.
@AnonAnono
@AnonAnono Жыл бұрын
What in the vocal fry
@low3242
@low3242 Жыл бұрын
His work is contrary to punk(which is Dionysian) and quiet boring with the basis of boomer core Walker Evans/Eggleston looking at the mundane bs life aspects of working class with their dead ass bougie Apollonian gaze and sensibilities. Martin Parr is way more closer to Punk due to his usage of humor(which is Dionysian) in his photography. The scope of these photographs(outside of UK) are totally limited by their cultural, historical, geographical and political signifiers. At least you can laugh at clever photographs of Martin Parr even if you live outside the UK. The punk of photography(both in spirit and ethic) was in Japan, specifically The Provoke magazine and co. 60s and 70s on the whole were totally crazy years for Japanese photography in general.
@kenmarten6049
@kenmarten6049 Жыл бұрын
I think I get the gist of what you're saying. I don't know his work much, but I was quite underwhelmed by the photography I saw presented in this film. There is an insouciant quality to his work that made me feel uncomfortable.
@low3242
@low3242 Жыл бұрын
@John Slye "forced compositions" what a dumb phrase. whenever an artist makes art with his name on it he kill everyone by saying that he knows the truth and everyone should look at it and acknowledge it. no one can never escape this subjectivity and heightened egoism of being an artist. in art we don't look at the work of an artist for "objectivity" but rather how he views the world so every photo is literally a "forced composition" because it's the photographer subjectivity which told to to pick up a certain camera and lens, go to certain location at a certain time, choose a certain subject, choose subject placement, choose the angle so on and so on. but you're are impregnated by this age old disease of representation in straight photography who are apostles of a chimera called "how things are". "deeply cynical and dehumanizing" why he shouldn't be? people are cynical, irrational, self destructive, selfish, deceivers, they dehumanize each other, they kill each other, they bully each other, they steal, they lie etc. that's the other the side of humanity which is also "humanity", only cowards don't want to face and represent this side. Graham's photos are dehumanizing, the way he present his subjects makes me feel like they're Mannequins, he is a one liner photographer. "instead of trying to force a hierarchy of success of success" because whatever art i like is superior, simple as. and i am not """forcing""" hierarchy, it already exists everywhere, that's why you're simping for Graham rather than some no name now dead and forgotten photographer, that's why academics favor few photographers over millions of others.
@MikeKleinsteuber
@MikeKleinsteuber Жыл бұрын
Not a great photographer
@MontyCantsin5
@MontyCantsin5 6 ай бұрын
He certainly is.
@lionstandingII
@lionstandingII Жыл бұрын
One word- "Eggleston".....now go back to microbiology.
How does Bruce Gilden photograph people close-up?
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