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Paul Gorman’s school report (aged 12) pointed out that “if he knew biology as well as he knew the pages of the NME he’d pass his O level. But he doesn’t and he won’t.” His latest book ‘Totally Wired’ tells the (almost) 100-year story of the music press - in fact he shows us the first Melody Maker from 1926 - and this pod covers the waterfront from a time when a white-hot think-piece was “the role of the banjo in the modern dance orchestra” to the invention of the pop charts, the ascent of the teen magazines, the underground titles, the heyday of the NME and MM, fanzines, the birth of rock nostalgia and how Britpop was both the last hurrah and the death knell. Various key figures appear along the way - Jann Wenner, Gloria Stavers, Chrissie Hynde, Caroline Coon and Nick Logan among them, and lost titles like Sniffin’ Glue and Black Music - all in an era when we read about music before we heard it. The pop press made everything larger than life and propelled us in the direction of records and ideas we’d never have encountered without it. We miss those days and we count the reasons why.
Totally Wired …
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@PJGorman
paulgormanis.com/
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