"THREE characters, ONE impossible choice?" | #AskAbbie
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Welcome back to Ask Abbie, where I answer YOUR writing questions and help you make your story matter! Today I'm answering a tricky question: What if you have 3 protagonists and 1 inciting incident? How do you show each character's "impossible choice" moment and make the audience care? In this video, I share my best advice for writing a powerful inciting incident with multiple characters.
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My name is Abbie Emmons I teach writers how to make their stories matter by harnessing the power and psychology of storytelling, transforming their ideas into a masterpiece, and creating a lifestyle that makes their author dreams come true.
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@writer_surabhi_singh Жыл бұрын
As a writer with five MCs, it gets really tough for me to develop all of the characters' backstories along with the side characters' and several villains'. Thank you for this video!
@VickiPetterssonAuthor Жыл бұрын
I'm writing 4 POV for the first time now, and it's completely different than anything I've ever tried before. (1st person past , 1st person present & dual narrative past) Good luck!
@writer_surabhi_singh Жыл бұрын
@@VickiPetterssonAuthor thank you!
@candellina6 Жыл бұрын
This is SPECIFICALLY what I need to pin point in my novel! I have two MCs and an antagonist in third person close POV and they share the same inciting incident.
@sumyhiddlington9515 Жыл бұрын
you are very suspicious
@ouyang5393 Жыл бұрын
I love that you post on Wednesdays AND Saturdays now! Extra layer of goodness 😍
@Garek_George Жыл бұрын
This concept with three POV characters in first person is addressed well in Dark Revenant, Dark Legacy, and Dark Tide by Garek Godrik. 👍🏽❤️
@srinivasansridhar5255 Жыл бұрын
Great, This advice I got at the right time. I am struggling for weeks to get my story started. The characters are standing in line stamping their feet. Thanks a lot, Abbie. Now I am going to bed for a sleepless night😀
@mickeyandclaire Жыл бұрын
My story has a main character, with 3 very important side characters. I’m writing in first person, while switching between each characters povs. Thank you Abbie for all the help!
@FluffinWolffox105 Жыл бұрын
This was the very problem that disrupted my writing the past few weeks. Nothing else I found was very clear on what to do about it. I have a different story I've been developing that I switched to working on. Your video is extremely helpful and may have just saved my others story's life
@utube788 Жыл бұрын
Your killing me Abbie, I'm a wanna be writer teaching myself the craft, and you have me doing rewrites. AARGH!
@peanut3438 Жыл бұрын
Rewrites mean you’re learning! 💪 But it’s so draining on the morale ;-; I’ll pray for your motivation! God bless
@utube788 Жыл бұрын
@@peanut3438 I'll supply my own motivation thank you.
@peanut3438 Жыл бұрын
@@utube788 I’m glad you can do that ^w^ I wish I could :,)
@peanut3438 Жыл бұрын
@@utube788 Ohrats I just realized- I didn’t mean to belittle relying on God or anything btw o_o,,
@Progressive-Boomer Жыл бұрын
Thank you for the profound impact you have made on my writing. ...much appreciated🙏
@billybobboo9543 Жыл бұрын
I was literally just thinking about this and then this came up on my recommendations. How do you always know what I need to know!!!
@hannahewoods Жыл бұрын
I love this! I always get attached to several different characters even if they were intended to be a side character, haha... so this is really helpful insight into how to balance all their internal conflicts/journeys.
@aspiringwriter527 Жыл бұрын
Thank you Abbie!! I always freak out when I see a notification that you uploaded a new video :)) you helped me so much and I feel like I have become really a better writer since I started watching ur videos! Lots of love from a small country in Europe
@levinelson9625 Жыл бұрын
Thanks Abbie! God Bless!
@gentrapp4177 Жыл бұрын
Omg! Thank you, thank you, thank you! I'm currently writing a book with several MCs and was having a hard time trying to figure out how to organize it all. You just helped me a LOT Abbie! Thank you ❤ (ps. sorry I keep saying thank you 😅)
@radianttrails939 Жыл бұрын
I don't know if you've ever played around with story-driven video games or visual novels, but the Legend of Heroes Trails series writing is actually blowing me away. Incredible character development (even the NPCs have side stories throughout the games that are entertainment) excellent conflict and resolve, world building, etc. These games have hit me harder than most books, and just one Trails in the Sky game has over 700,000 words. Alot of reading lol but so much detail and its text boxes so its concise and the payoff these writers reward you with is tremendous
@amyhull8383 Жыл бұрын
Perfect timing, I was just writing about 3 MCs, and this absolutely has helped, thank you!
@jnetwork3232 Жыл бұрын
Holy crap this came at the right time
@caitlyn2905 Жыл бұрын
Hi Abbie, loved the video! Could you possibly make a video on how to make writing a habit. I think one of the hardest things that many writers have to deal with is getting started, but if it is a habit, then it will be easier to get started. Love your content btw Abbie! :-)
@Pranav_Mathur Жыл бұрын
When I face the same problem, I play Abbie's 'Write with me' playlist on my TV and automatically, things start to flow. Just having Abbie in the background working provides such a safe non-judgemental environment for me. I have managed to write stuff I wouldn't have been able to because of her. I think the key is the periodic breaks she makes us take and her soothing voice.
@caitlyn2905 Жыл бұрын
@@Pranav_Mathur Thanks for the idea! I will definitely try doing that. :-)
@phoebea Жыл бұрын
@@caitlyn2905 I have a feeling that she has made a video on the topic already. I vaguely remember her talking about doing writing sprints. Maybe check her video list to make sure.
@AnastasiaCreates Жыл бұрын
I love this section on your channel!!!
@byjulesleclair Жыл бұрын
your tips are always useful! thank you
@HistorywithHannibal Жыл бұрын
Hi Abbie, can you make a video on how to engage your audience and how to push the story forward?
@Anna-B Жыл бұрын
I need advice. I’m righting a Cinderella retelling as a regency romance. I know her first meeting with the prince will be a masquerade ball, but how can I have her continue seeing the prince and going to these events without her stepfamily knowing WITHOUT magic? I have no idea
@sv_q9676 Жыл бұрын
In the 2015 live action movie I'm pretty sure they meet in the woods before the ball? Don't quote me on that. It's been a while since I've seen it lol. But basically she has daily chores to perform and they could be an opportunity for her to meet the prince without them knowing. Alternatively, you could give them a "favorite spot" in common. Maybe somewhere Cinderella goes to when she's done with her chores and wants to escape. You could step out of the box completely and create a situation where the step family needs money and forces Cinderella to get a job to provide for them. Somehow she could get hired as a maid in the castle?
@Anna-B Жыл бұрын
@@sv_q9676 thanks for the great ideas
@phoebea Жыл бұрын
@@Anna-B In another Cinderella iteration, the prince sneaks away from the palace and meets Cinderella in town while in disguise as a commoner. Maybe you can have it so that the prince meets the scullery maid Cinderella disguised as a commoner, and, the made up Cinderella at the ball as the prince.
@peanut3438 Жыл бұрын
Awesome timing and video! Your advice is so valuable and helpful to the story I’m trying to scrape together! I’d love to see an example video of how to merge different character arcs together from scratch (or worse- with a bunch of darling idea spaghetti oh no). Have a great day/night, God bless
@Chivalrytotem Жыл бұрын
i think I watched almost every of Abbie's video, except the paid ones. 😆
@AuthorAnnaHowell Жыл бұрын
Haven’t even finished the video yet and I already have three questions/ video request: 1. Internal conflict with multiple characters, how? 2. How to use the three act structure with multiple (more than two) characters? 3. What resources/books would you recommend for writing for multiple characters first or third person? Thanks Abbie!! You’re vids and podcast are the first things i look at when searching out answers to writing questions I have!!
@LaurArt_UK Жыл бұрын
Hey, I recommend watching Abbie's 'Character' playlist as it covers this well. You can apply what she says about the protagonist to each of your protagonists. For example they will each have a misbelief rooted in their deepest fear, which gets in the way of them getting what they want. She goes into far more detail on this in the videos in that playlist. As a side note, I have head a number of book series with multiple POV characters, and the easiest to follow either had third person, which of course you can just mention the name of the person you are switching to at the start of the chapter, or if it was first person, the chapter title would be subtitled with their name. E.g. CHAPTER 1 SIMON I hope that helps!
@Friendship1nmillion Жыл бұрын
@@LaurArt_UK I agree with everything you said to Anna Howell ( here ) . Yes , she could make a chapter for each { main } character - then in the middle of the story bring ALL of the main characters together with ( easy ) flow to the story's conclusion . What could help { in her case } is having each of the main character's hopes , fears and misbeliefs brought out in scenes with a counsellor { of some description } , perhaps with each of the main characters not knowing that they could meet each-other by chance { either via the counsellor , knowingly or unknowingly - Or at some other routine event } . Haven't read either book BUT perhaps these two novel titles MAY help as a reference : 1● " The Suspect " - Michael Robtham . 2● " The Silent Patient " - Alex Michaelides. ♑️✍️🇦🇺🇳🇴
@raistlinmcfly7535 Жыл бұрын
Glad you asked these, n. 2 is also my question for Abbie
@raistlinmcfly7535 Жыл бұрын
@@Friendship1nmillion I agree too, but she answered partially. Chapters with the name of the POV Character are a great idea (and actually used by many top writers, like G. R. R. Martin in all the books of "A song of Ice and Fire" saga.). The problem arises when trying to adapt the three act structure to ALL the POV Characters. When does the inciting incident happen? and to whom? How many inciting incident should happen? what if the characters follow different paths and have very different character arcs, and what if they act as an ensamble only in a few plot points? One could argue "then why you chose multiple main characters? you could have written 6 books, each for each MC". Good point. But, taking the above example of G.R.R. Martin and Game of Thrones, Fantasy Novels often are structrured in this way and I'm actually struggling to adapt a three acts structure to a cast of multiple characters. I'd like to hear from Abbie about that, or at least have a suggestion about one of her videos that tackles this issue by obe ov you guys. #AskAbbie
@rand0m_wr1ter 2 ай бұрын
Wait why is this exactly what I needed because I have three protagonists
@sitthichaisiriharnnphinich3768 Жыл бұрын
So great
@photographyguru2135 Жыл бұрын
Hey, Abbie, I love and appreciate your videos so much! I was wondering, where is your merch page? (With the mugs and bags and stuff that say things like "why does it matter?") Thanks.
@VickiPetterssonAuthor Жыл бұрын
They should be visible on her home page (rather than a specific video.)
@lakeshagadson357 Жыл бұрын
the question I have for you what if a book that I really like and I start writing about it and how I see myself being in that position and how I would handle it if it was me
@Friendship1nmillion Жыл бұрын
Your comment is 💯% confusing 😵💫 . Needless to say IF the allegations of plagiarism are true against British author Jk Rowling { about her Harry Potter novels } it's a case of her work should be classified as " Fan-Fiction " and morally shouldn't be published . Your comment makes me think your idea is the same category . Maybe find another { more orgrinal } idea , #GoodLuck 🍀. ♑️✍️🇦🇺🇳🇴
@phoebea Жыл бұрын
I'm also thinking that this may be a Fan Fiction scenario. Usually, stories are told in a specific way so that the character learns a lesson by the end of the story (i.e. Theme/why the story matters.) This means that the character is usually flawed or has a misconception about their world (i.e. a lie they believe is true) that they struggle with throughout the story until they learn their lesson (i.e. the truth) by the end of the story. By writing a "how I would have done it" story may be bland and boring if the actions taken doesn't allow the character to learn a lesson from their experience, or, if the character has no flaws or misbelief to struggle with.
@Thunderrr_ Жыл бұрын
A great example of multiple characters & an impossible choice is in Attack on Titan (Spoiler ⚠️) In the battle to get wall maria back, Erwin & Armin die. The spinal fluid can bring one of them back by turning them into a titan and eating Bertholt. Levi's got the spinal fluid, and he has to decide whether to bring Armin or Erwin back. (That's one character), Also Mikasa & Eren are there, and they are going to have to come to terms with Levi's choice. Though they try to convince levi to choose Armin (that's another 2 characters)
@MarieK36 Жыл бұрын
Hi Abbie!! Do you have anymore advice for publishing (and getting an editor) if you’re not self publishing it? Thanks so muchhh
Жыл бұрын
I'd recommend Alexa Donne and Alyssa Matesic's KZfaq channels for trad publishing 🙂
@VickiPetterssonAuthor Жыл бұрын
Have you finished your manuscript? You'll need an agent and you can't (successfully) query without a finished ms. After that, it's simple research and finding the right fit for you (they work for you, after all!) Good luck!
@MarieK36 Жыл бұрын
@@VickiPetterssonAuthor yes, I’ve finished the first draft, but I haven’t yet edited anything myself! Do you have any recommendations or anywhere you know of that I could start to find more details? Thank you so much!
@VickiPetterssonAuthor Жыл бұрын
@@MarieK36 yes! I used SELF-EDITING FOR FICTION WRITERS when I first started. I’ve heard good things re. INTUITIVE EDITING, but haven’t used it yet. I’ll read it next month as I’ll be in the revision trenches with you by November. And my personal process involved creating a sentence outline of the whole thing so I can see what I have vs. what I thought I had. Super helpful.
@MarieK36 Жыл бұрын
@@VickiPetterssonAuthor Yes, thank you so much!! (Not sure if I understood you correctly, but when you said “I’ll read it next month…” is that implying you reading your own work or mine? I’m more than happy to let you read I mine if that’s what you meant (I’d probably finish posting it up on Wattpad…maybe) and if not that’s completely alright! Do you have any specific tips on how to get motivated on editing? To be honest, I just recently got into anime and manga and also learning Japanese (ironic) so I haven’t read thru my work, haven’t edited it, and I haven’t read any books (besides like one or two manga). Is it normal to take a break after writing before going straight into editing? It’s been about two-threeish months now (since 7/15/22). Anyway, thanks for all the support and help, it’s very much appreciated!
@multidinero Жыл бұрын
Abbie, I think you glossed over her major problem. She's doing all of this in 1st Person. Three MCs in 1st Person is a nightmare if done wrong. You point to a BBC show, but let's think that through. Television isn't problematic for such a thing because you can't get confused with who she's/he's/ they're talking about because you can see faces and easily distinguish the primary protagonist in the scene. If she's going to write everything in 1st Person, she will need to title her chapters for the name of the character who's viewpoint that the reader is going to be seeing from at the least. The hard part then will be when all three MCs are sharing a chapter. This can be handled similarly, but editing will need to do the heavy lifting, IMO. This story sounds like third person would be a better way to write this, but everyone needs to decide the hows for themselves. Multiple perspectives that share an inciting incident can be quite challenging, but all of them in 1st Person makes it overly complex, IMO. But the attempt is worth a try, eh?
@phoebea Жыл бұрын
I realized the same thing. I agree that writing this would be difficult in 1st Person POV. It might either be complicated if there are character POV changes within a scene/chapter, or, repetitive if going through the same story beats just with different characters (i.e. the characters have similar backgrounds/personalities.) I feel that in order for 1st Person POV to work with 3 different characters, the characters will have to come from completely different backgrounds and have contrasting personalities. And, the other two characters will need to be hinted at in each POV but not yet introduced until the inciting incident where all 3 characters' lives meet/collide.
@joshua376 Жыл бұрын
The game “Xenoblade Chronicles 3” has the same inciting incident for SIX characters. They choose to fight against the system and fight the “true enemy” rather than fighting each other mindlessly.
@milomazli Жыл бұрын
Juhuuuuu ❤️❤️❤️😍😍😍
@The_LuckyFox Жыл бұрын
I'd always loved to make an Story, but I never really got to it, or when I do I usual write in 3rd person ;v; But I do roleplaying and thats enough for me. I usual Roleplay magical roleplays. I'd like to know does 'some' of these tips and tricks work in roleplays for your character(s)?
@dxtamilan9887 Жыл бұрын
Hi abbie
@unicorntomboy9736 Жыл бұрын
How do you introduce your protagonist in your story? I thought it would be to show a core character trait/s or defining character moment. In my script my protagonist is a young, rookie monster hunter, with my story starting with an In-Medias Res beginning with my protagonist fighting a large monster. How do I establish that my protagonist is reckless and arrogant but also determined with a fiery heart? My story is essentially an 'overcome/defeat the monster ' narrative.
@claytonkoff7893 Жыл бұрын
I would recommend having a more "experienced" either mentor or fellow monster hunter that does things the "proper" way as a sort of opposite side of the coin esque character, or what the MC aspires to become. Show them getting the snot beat out of them repeatedly because they either dont listen or rush in ahead haphazardly without a plan or without the proper resources, but despite all of that they keep getting back up and trying again. Beaten and bloodied perhaps but they still get back up and push forward. Also force them into a position that they cant just fight their way out of and have to think about it in a more complex way to solve the problem. Alternatively absolutely break the character in every possible way, physically, mentally. Emotionally, until they are on the verge of utter collapse and they somehow despite all odds keep going and succede in the end. As for introducing characters it ultimately is chef's choice but there has to be a reason as to why they forsake their old/everyday life and go on the stories journey which is where the "Inciting Incident" comes in and a topic Abby has several wonderful videos on :)
@unicorntomboy9736 Жыл бұрын
@@claytonkoff7893 I didn't mention it but my story has a mentor character, in the form of my protagonists father, who is an old grizzled veteran hunter. The inciting incident has the father gets killed by the main antagonist monster (a large wyvern) during a routine mission, which also severely injuries the protagonist, who is driven off a cliff by said antagonist. The whole story is essentially about my protagonist getting progressively better skilled and experienced as a hunter - in addition to crafting the weapons, armour and resources - to prepare themselves to avenge their father and slay the monster in a climatic showdown. The protagonist goes on a journey from a young, reckless and arrogant rookie to a more experienced, mature and battle hardened warrior that would take place over a five year period. I want to try and throw as many obstacles and complications at my protagonist as much as possible and get them at their breaking point, otherwise it would get too formulaic and boring. I was thinking about introducing a new love interest character at the midpoint of the story to shake things up and keep the story interesting, but I am not sure yet.
@phoebea Жыл бұрын
@@unicorntomboy9736 Maybe have the MC try to avenge his father's death too soon (before his training is complete) because of the MC's hatred for the creature that killed his father. I think that seeing someone you love die before you will make a regular person act more impulsively (i.e. get revenge ASAP) than methodically (i.e. train first, then hunt the creature.) I agree that you will need more interesting story beats to fill in the middle before the climax. Adding the love interest could work, if the love interest distracts the MC from his goal of avenging his father. I could see the MC struggling with wanting to be with his love versus having to risk death to fight a monster.
@unicorntomboy9736 Жыл бұрын
@@phoebea I was intending to have a new mentor character rescue my protagonist from unconsciousness and nurse them back to health in a peaceful village, then have my protagonist wake up and have what happened explained to them via some vital (but brief) exposition scenes about the antagonist wyvern. I was thinking about making the father's death as gruesome and gory as possible, like in the movie Beowulf That "saggy middle syndrome" is something I always struggle with with my work. I am good at writing the beginning and ending parts but not the midpoints.
@phoebea Жыл бұрын
@@unicorntomboy9736 So far, the story has an external conflict for the MC. However, what is the MC's internal struggle? Why should the reader want the MC to win? Why should the reader trust that the MC's way is the right way? The mentor figure would be helpful to explain the situation, however, I think that the situation is already pretty clear: the MC lost his father in a gruesome way and probably wants revenge. The MC's internal struggle has to be conveyed somehow in the story. It's important to deferentiate specifically why the father's death matters so much to the MC aside from the situation being tragic. Maybe the father was just about to tell the MC a family secret just before he died. Or, the father was going to reveal that the MC's mother (someone the MC's been looking for his entire life) is still alive. Or, it could be that the MC thought that his father hated him for most of his life, only to find out in the last moments that his father was willing to sacrifice his life because he loved the MC. The middle could be piecing together that mistery. The MC has to struggle with a misbelief (a lie he believes about the world) throughout the story until the truth (lesson) is revealed in the end. Since you chose to start the story in media-res, after the opening scene, you can go right back to the journey before the climax and show the growing tension misunderstandings between the MC and his father. Maybe the father is too hard on the MC, or, the MC believes that it's the father's fault that he didn't know his mother or believed that she's dead. Meanwhile, you can show part of the story in the father's POV to play up the misunderstanding/conflict between him and the MC. The mid-point conflict could be the father's death, then the mentor can come in for the training montage and the MC wanting revenge while trying to figure out the truth about his relationship with his father. Or, the mentor can be pretending to care for the MC only to be the villain in disguise because the villain wants something from the MC (probably something related to the father.) It would also show a contrast between the MC's relationship with his father and the relationship with his mentor/villain. So as long as you keep tension in the story and explain why the reader should root for the MC (or keep reading) through the MC's internal struggle, I think you will have a good story in your hands. Remember, "show don't tell." Show the reader why this MC is different from the other MC's whose father died in a gruesome way.
@sugarva6455 Жыл бұрын
Hey!!!!! I’m early!
@rankitapaul4186 Жыл бұрын
Hi Abbie, it's Mishtu. I'm your viewer and thank you for your vlog. They are really helpful. I have a question. I am stuck at writing best friends to lover. How do they feel to hang out after confessing? Do they get flustered to feed each other? Does the platonic hugs now feel any changes? I want to understand the changes in their feelings and behaviour. Thank you in advance.
@phoebea Жыл бұрын
I think that would be up to you as the writer to decide how the characters will react. It also depends on if one person falls for their best friend before the other. If this is the case, then maybe the friend that has fallen in love will feel different in the scenarios you presented, while the other friend is still oblivious. Usually, best friends to lovers introduce a third character (a possible love-rival) to shake up the friendship to reveal to the friends how they really feel about the other.
@dyingmoonshine Жыл бұрын
Rock ON! Fshhhhhhh!!
@thesamuraiman Жыл бұрын
💜⚡️
@Amy_Mi6 Жыл бұрын
😃😃😃
@crystalwaid518 Жыл бұрын
QUESTION..What if you are a new writer and can’t stick to one idea? I have been stopping and starting for over two years because as soon as I get an idea I get to a point where I stall and then stop. Then I come up with a new idea that I think will go much farther. I’m guessing my problem lies within my plotting abilities which SUCK. I NEED HELP.
@phoebea Жыл бұрын
I think you hit the nail on the head. You need to outline/plot your story so you know where you're going. Abbie offers a pretty good outline template on her website that outlines major story beats. It's a little too constricting for me, but I have used the template before. My idea of outlining is writing the order of events/scenes in the story with very loose descriptions. I like simpler outlines so I can still stretch my creative muscles and make stuff work as I'm writing each scene. Ex. My outline may have the following points: 1. Male MC meets Female MC 2. Mistaken identity 3. Fight 1. I get to choose who each character will be and choose how they meet. If this is a romance, are they on blind dates with other people when their eyes meet from across the room? If a thriller, are they undercover agents making a drop at a meeting? 2. I can write it so that the male MC thought his blind date was with the female MC, but it was actually with someone else. Or, if secret agents, I could write the scene so that the female MC is a spy for an opposing government body and is trying to find out confidential info about the male MC's department. 3. A fight could break out at the restaurant between between the male MC and the female MC's date. Or, one of the agents' cover is blown and they must fight (each other or as a tram against another opponent) to get out of a sticky situation. All I'm really trying to say is that having an outline/map to where you want your story to go helps to keep your story from derailing (i.e. writing yourself into a corner.) It's okay to spend time on an outline and work out the kinks/possible plot holes. Having an outline also makes it possible to write your scenes in any order you want. As for getting tired of your work, I can relate 100%. Sometimes, I get sick of writing a story because for one reason or another, too. What I do is to write part of a scene that I like and write a scene that I'm not as excited about in the same writing session. It's so that I can reward myself with writing a scene I want to write after working on a more difficult scene. I also believe that taking a step back from a project for a few weeks before going back to it with fresh eyes helps.
@VickiPetterssonAuthor Жыл бұрын
It's also possible that one idea isn't enough. I always need to combine 2-3 and even then I have to wait for those ideas to meld and marry. The book I'm writing now only came together once I added a line (that I'd woken from a dream with!) a decade ago.
@VickiPetterssonAuthor Жыл бұрын
@@phoebea I call these popcorn scenes. Yum yum.
@phoebea Жыл бұрын
@@VickiPetterssonAuthor 😅 More like corn ball tropes for example purposes.
@datchu8458 Жыл бұрын
Watch a Foreigner stories in phillipines
@Moonlit-Demon Жыл бұрын
Sounds like Heroes of Olympus lol
@rursus8354 Жыл бұрын
Wha? (Perhaps ? doesn't count as a character)
@jayashreechakravarthy4949 10 ай бұрын
Tell Jagan about the real history of the 20th century.
@nothreat33 Жыл бұрын
Story idea: After a tragic radioactive banana factory built on an ancient indian burial ground accident my wife is cursed. My wife causes people to crave bananas. When there's enough people around craving a banana my wife turns into a banana. The catch is, I can't tell anyone my wife is a banana and I have to save my banana wife from hoards of people that don't understand why I wont just let them eat the banana. Follow me for more great story ideas.
Nikita Zdradovskiy
Рет қаралды 4,9 МЛН