🤣

Thank you! We have an ORIA review in our most recent video on the channel, check it out - it’s worth noting that the NOVA and ORIA are two completely different product genres and so comparing them would be a little bit of apples to oranges :) kzfaq.info/get/bejne/j7qmiJyD3dC0iXU.htmlsi=bdN2tajWUexFoNdu

But the capability would be nice - and you only pay for the channel count you need

Here's a LaRemote video for ya! kzfaq.info/get/bejne/nr9zhZWDzpvFiI0.html

It will cause latency while tracking, but some are more sensitive to that than others. Trinnov are soon to incorporate a hard bypass for those situations. And it will add another stage of conversion if using analogue in an out. But we can’t hear any degradation at all.

There are so many options it would be difficult to pinpoint one that works for everyone, but there is great advice on this on the SOS website: www.soundonsound.com/music-business/insurance-studios-producers-engineers-musicians

We have lots of plans! Just previously haven’t had enough time to make this content :) lots planned for the future! We never intended for the live streams to fully replace the content though.

Great monitors... I have the Mk One's (with the mk2 dsp kit I've yet to install) so also will be interested if the guys reply. Fantastic music on your channel David, I have subscribed :-)

Hi Dave! Any system latency will be taken into account by the Trinnov. So you could do two calibrations, one in tracking mode and one with full DSP and save them as different presets - although the Nova processing latency is around 25ms, so you might want to bypass it for tracking. There is a full hardware bypass coming as a software update in 2024 too. I hope that answers your question! Cheers, Mark

@@molem348 Yes they are a joy to work with aren't they? Really glad you like the music - thank you very much indeed for the channel sub! 😁

@@PresentDayProduction Thank you very much Mark! That has indeed answered my question perfectly 👍🏼

I have a set of Pulsar MK2’s too. I was told by Ex Machina that it’s not recommended to calibrate the Pulsar’s in DSP mode with the Trinnov. They also claim their DSP for the Pulsar is tighter than the Trinnov. Therefore, I would recommend you calibrate the Pulsar with the DSP on and off and providing you can bypass the phase of the Trinnov, see which one you prefer best.

The Trinnov will be leagues above!

Yes, you should be able to form a three way active stereo pair in principle. But let’s see how Trinnov respond!

Maybe as two 5.1 setups

or rather 5.1 and a 6

The main problem with this would be controlling the volume (and telling the second Trinnov what the other six speakers are, you'd probably have to turn the mic around and do it backwards!). We use La Remote and that will only control one unit. Let's hope they come up with a solution soon, because our MC Pro calibrates an Atmos system to absolute perfection in about 2-3 minutes! If the Nova can be upgraded to do that in the future it will be a game changer, and you won't need an interface, monitor controller, or consumer decoder any more.

@@PresentDayProductionI mentioned this in another comment, but it looks like they’re added a Dante option to MC-Pro. So, you can use that instead of NOVA. (Unless I’ve misunderstood something.)

@@PresentDayProduction Defiantly would be a wise move and then they could move over to units using only their own chips

They’re working on an update that provides a hard bypass, yes

I’ve heard a lot of your mixes now, Peter, and your monitors are clearly working for you! So don’t go changin’! Thank you for all your support again this year, and have a wonderful Christmas!

@@PresentDayProduction Thank you ever so much. Merry Christmas to Mark, Sam and you as well.

😂😂😂 Excellent! I share those exact same feelings 101% r.e. my monitors. Uh, and my 4000+ € toilet seat. And the bog roll is wired backwards! 😉

You can’t have out of phase loo roll, that would be catastrophic! 😱

Yes it can

@@PresentDayProductionThanks James

No. Only the calibration has to be done at 48k, but that’s all internal using its own mic. Then it’ll switch back to 96k when the calibration is done.

Awww thanks! I might grow it, White Sea style 😝

@@PresentDayProduction Waitwaitwaitwaitwait, hold on, let’s, let’s just calm down and breathe for a minute….………no, actually, I take that back!!! don’t calm down! Do that, but make it a spiky, pointy hairgel version, like a manga sea witch with big, upwards pointing pointy clumps of white hair that somehow move in the wind even when you’re indoors. A bit like my dong…. yeah, ok, that makes no sense, I’ll see myself out *actually logs out of KZfaq account for the first time in 8 years*

It includes two channels. Otherwise, yes, you have to buy channels in pairs. The same as with every other Trinnov product so far

You have a two channel license by default when you purchase the unit. There’s no paywall for that. The extra channel licenses though, they must be purchased to expand upwards to bigger systems. They have always done this with their older products. It means that you can scale the system up to how big you need it and not pay for unnecessary channels. To clarify, it’s a one off purchase, and it works forever, it’s not a subscription

You have turned a great feature into a problem ... negative mindset.

Indirectly, his hairdresser kindly donated the sweepings 🧹

Your comment makes no sense. Panasonic is massively bigger company than Trinnov. And the consumer camera market itself is huge compared to the professional recording market. (NOVA is not a consumer product--and is even a niche product within the pro recording world)

And it’s also a lot more expensive; and you need another interface in between your computer and the D-Mon. Nova directly into your computer using Dante Virtual Soundcard eliminates another box in the chain, so we’re hoping they up the channel count over Dante as reported when they announced it.

@@PresentDayProductionDVS is a nightmare. The price of this has already gone down compared to the ST2. It's just greedy to complain

It's a one-off purchase, not a subscription. So you'd rather pay £13,800 for a 16-channel Trinnov with no option to only buy two channels? This solution they run is fantastic because you can pay for the channels you need, once, and don't pay for what you don't need. And if you expand your setup, rather than having to buy a new unit, you just unlock more channels, again as a one time payment. It's like buying a new interface but without buying a new interface. I really don't see the issue.

@@PresentDayProductionthey must be making a profit for each unit, regardless of the license level someone buys, ight? So why have the licenses at all? Just sell one version of the unit, with full capability, and it doesn't have to costs 13k, clearly... or are they making a loss on those cheaper units? I feel that if I buy a piece of hardware, I buy a piece of hardware in full. Having licenses means that they are just taking larger margin from those who need more capabilities, but are making a profit on each unit regardless. You can go ahead and read what happened when Yamaha closed down license servers for their DM1000 consoles and one can't get the upgraded effects for the console anymore, no matter how much they want to pay. So all DM1000 consoles are forced to be in that configuration they were before servers were closed even if the hardware itself is still very capable and usable... So it's also an environmental issue. Let's say Trinnov goes under tomorrow and can't provide upgrade licenses anymore... the hardware units are locked into the configuration they were in when they were bought, forever. So they're more readily thrown away when the next thing comes along because they're low spec. So it's an environmental issue as well.

False. You will never sell this unit, decades, so it's a bargain. And the license element is a GREAT FEATURE THAT SAVES MONEY. If you need it.