😊Gracias profesor eres para mi un gran maestro excelente y músico extraordinario pondré en práctica sus mensajes y ejemplos qué nos envía en cada clase Felicidades desde Girardot tierra 🌏 caliente 🔥 y tropical turismo excelente Colombia 🇨🇴 🖐️ saludos

Why hello there sire

Hey, its the trombone guy

The timo trombone is here!

Yooooo! Timo! This man has quite the socks, eh?

So I didn't imagine that he didn't warm up his F-attachment instrument.

There's no other way.

первые 60 лет сложнее...а потом...😁

Same as any other athlete who to gym and does routine

Good to hear from you. I don’t know of any recordings from that concert. I love “Alfonsina Del Mar”. Beautiful tune!

Your turn to upload your routine ♥️

Eri como vas? Has seguido hasta ahora? Que tal te ha ido? Contame!

I’m gonna try to incorporate this into my warmups once I am back in school, before morning jazz band

I got through the ab sounding terrible and gave up lol

I’m a Trumpet player, and a Trombone player, but more of a Trumpet player (picked up a trombone in march of this year, been playing trumpet for about 12-13 years). The continuous playing is exactly what I need for my trumpet playing to expand my pedal register again, as well as testing my endurance for the legato scales into the upper register

Just go as far as you can. That's how I started and after a few months there was a noticeable difference in my range.

Olá Francisco, você é de Brasília, da EMB ?

Hi im a bass trombonist and im assuming you’re talking about the pedal A below the staff. The key for pedal tones and developing a large clear sound on them think of the following. 1. open the mouth; drop the jaw and open the throat to allow slower more broad air. 2. think the note slightly flat. 3. blow extra air through the horn to put the note back in tune. These steps will help you form a well projected note with a large center. It is necessary to use all 3 steps if you think of the note flat without proper air behind it. It will play flat and you tone will spread. Blowing too much air without the mouth open wide enough will have you play with too much edge. Many people think playing low means to relax entirely but that’s not true. relaxing the center of your embouchure that vibrates while setting your corners will allow for low tones to happen. Practice low/pedal tones daily and let your body and embouchure get used to them (they’re super fun to play!). I hope this information can be of use to you happy to help!

@@andrew11043That's exactly what I needed! Thanks so much for the practical details❤ I just tried your tips on the horn. The low Bb sound improved immediately! The Ab sound finally is coming but I still need to work on it. Thanks a ton! I'm actually those people who thought the embouchure needed to be fully relaxed 😅😢

I just bought it myself! Yay!

I'd say it's a ha attack. Yes I think it's beneficial up the octave.

No they are slurred

same i came here for answers too but at least i'm not the only one with that question haha

so an air start is basically where you just start the note by exhaling air instead of tongueing, where as tongue starting the note is when you (like it implies)start it by tonguieing the note. The point of air starting notes is to make sure you arent relying too heavily on your tongue to start each note and more on the vibration of your lips and your air speed

It looks to be an AEA R84 ribbon microphone (passive version)

@@LowBrassU super thankful to you and Marshall! Love the sound quality ❤

Low brass U Marshal Gilkes collab 👀👀👀👀

@@victormoratuba I was fortunate to get to play with him when he was a guest artist at UNT before you were a student. I wouldn’t call it a collab but it was a great experience.

I used to always do my routine with a metronome but stopped a few years ago. I still turn it on at times. I think it can really help you time your breath and attack. Lately I've been doing long tones with the metronome at 40 and trying to enter as smooth as possible on the upbeat.

The main purpose it to line up your air with your tongue. I find that it also opens up the sound in the low register. I aim to make both notes sound the same when doing this exercise.

I'd say the same air attacks exercise but slow it down a bit. It's a tricky register. The air attacks are what started opening it up for me. Also Bordogni etudes 8vb. I do those almost every day.

most music playing softwares like musescore have it built in, he just recorded the music software going through the music, then recorded himself playing the music, then edited the video to sync them up

In Sibelius you can export the video like that. I exported the midi file from Sibelius to logic with all of the metronome markings, recorded it and then synced the recorded audio with the routine.

It's ok to take breaks between each exercise. Hit pause and take minute.

I didn’t put in key signatures. Just follow the accidentals.

Ok❤

No

I practice all kinds of things and spend a lot more time daily than is in this video. This is just my daily routine. I practice lots of Bordogni etudes ( as written, in tenor clef, 8vb), Marcel Bitsch, Boutry and I've spent a good amount of time with the Arbans book. I'm not sure what specific exercises you're talking about. I also spend a good amount of time practicing standards and working on improvisation as well as my preparation for upcoming performances.

Day 4 of getting shredded by Marshall's routine.

Day 5 of being humbled by Marshall's routine.