I also enjoy the fact that you name the books from which you derive knowledge

Good Lord, who does these animations?? The imploding of the unison canon, then the 3d view 🤯

I want a shirt with scowling, eye-rolling Zarlino. No text, no wagging finger, just his grumpy, utterly annoyed portrait. He’s my favorite recurring character on this channel ☺️

13:58 - this is lovely. I played this repeatedly because there are many beautiful parts in it

Super episode! Be great to have a follow-up for the challenges of intabulation on the Lute.

I love this channel..

Thank you for this!

The 3D note thing was amazing! Very informative video too. Thanks

Great video & intabulations

I love your videos! Something that could be interesting to hear about is the history of articulation (the connection between language and music during the early period of music). Best regard

Guten Morgen aus Deutschland 🇩🇪 Thank You. I needed this because I am presently preparing , Organ and Zink, Frescobaldi, Cima und Carlo G works for Ascention Services. Some of our Transkriptions are some what questionable. I will go at it now myself.

Excellent tutorial!!

Moltissime grazie per il bellissimo studio! Il passaggio dalla musica polifonica, fondamentalmente vocale, alla musica strumentale è uno dei momenti cruciali della cultura musicale occidentale. Le considerazioni ispirate di grandi artisti, come fra gli altri il Transilvano o Galilei, avranno sempre profondo fascino per chi vi si accosterà con sentimento. È questo che riconosco in voi ed è per questo, in primo luogo, che mi sento a voi grato!

As always, your videos are jewels.

Thank you very much again for a scholarly but not pedantic presentation.

Magnifique as always ❤

Thanks, excellent content and explanation.

Video molto bello ed esaustivo.❤.Grazie.

Good morning from the USA

Yeah!! New EMS video!!

as a keyboardist, I really appreciate this one

Wonderful and helpful, it made me wonder about keyboard realizations for things that were more accompaniment - choral works and recitative in opera, would love to see videos based on sources for those. Thank you so much.

A practical video from EMS? This is a special day, indeed!

Amazing! :)

Yoooooooooh 100k subs? Congratulations!

This channel is really about music🎉 thanks again ❤

Grazie!

Such a beautiful episode. I loooove your work. Thank you very much!🥰

Very useful and clear, thanks!

Enjoyed this immensely, and since Augusta is a personal friend, especially fun!

This is not very far from modern piano reductions, especially of larger ensembles, where many notes need to be left out. Fascinating nonetheless!

Very interesting and enjoyable episode! Having only studied the basics of the history of musical notation, I love learning this level of detail about the origins of intabulation. Now back to learning Bizet, since I have Les pêcheurs de perles coming up soon.

Very cool, i have been fighting my way through Fiori Musicali in the original notation (based on your recommendation in the video about partitura) and it has caused me to feel sufficiently snobbish to look down on this crass intabulation

Regards from Bydgoszcz!

Oh, man! That eight-lined staff drove me crazy! (Well, to be honest, that was just a short walk.)

How hard is to play left hand in 6, 7 or 8 lines system? I am soooo confused when watching. Good job and thanks for hard work preparing and learning everything to play ! thx for great content :)

Entertaining and highly didactic as always! I would be interested to hear once the Ottavino handed by Augusta Campagne @21:38. Presumably a copy from the one at the Victoria & Albert Museum ?

Another fantastic video, thank you. But at this point I have to beg: more lutes, please! How did the lute players adapt the fundamentals, tunings, cadences, sequences, RO, etc to their fretboards? Wasn't the lute the most common polyphonic instrument, especially in secular music? Didn't the singers adore the lutes? What on earth happened to the lute, too quiet, like the clavichord? I'm hearing some incredible young lute players from your alma mater...like I've never heard before, honestly.

Excellent video, and just what I happened to be looking for having been playing my way impractically through lots of open score vocal motets recently! Has anyone noticed that the second Diruta example at the end (by Mortaro) is the very same subject as Bach's book II E major fugue (especially when you play the latter at baroque pitch)? It's not the first time I've stumbled across the subject elsewhere and perhaps shows why it's such a useful motivic resource and why Bach chose to write that fugue in Prima Pratica style. Though, interestingly, I never would have recognised it if I were shown just the intavolatura instead of the partitura also!

Excellent, thank you! BTW is there a source « legitimising » the heavy rubato, notably of the diminutions, in harpsichord music of this kind?

I have faxes of these books: they are hard to play from as one needs to sight read from partitura and movable clefs.

A quick technical question: What software do you use for nonstandard staves like the ones with 8 lines and multiple clefs? Or is it all drawn by hand?

Had problems adding Paypal and one of my credit cards to Patreon. Both in a loop.

How does Augusta voice her plectra?

One little question: why didn't you make this C sharp? 20:45

Pro tip: You may want to de-ess your vocal tracks before mixing it in with the rest of the audio in future videos.

4:18 So wait, the underlined notes are actually supposed to be played at the same time? Man, I wonder how many renaissance Keyboardists damaged their instruments by bashing their heads against them when trying to read that.

I'm doing this right now, let's see what mistakes I've made ;) very timely Elam! hehe

So a staff with more lines and two clefs is not impossible to read or write, in fact, it was historically recommended; thus the staff for modern guitar should be similarly expanded to fit the range of the guitar and eliminate ledger lines.