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किती भाग्यवान आहात तुम्ही ... ताईंना भेटले का तुम्ही कार्यक्रम संपल्यावर?

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Pt. Milind Raikar on the violin

What??... please share this in detail please

+kiryaroy Not really. In Indian classical music high bass in Tabla gives added beauty.

+kiryaroy You are right about the quality of the audio. I would suggest a HiPass Filter at 200 htz would clear up the booming bass - this would smarten up the vocals as well but the dhagga on the bass table will suffer. Still well worth it I think. Apart from the HiPass filter at 200 htz I don't think attempts at anything else will be worth it.

+Anand Ketkar Many thanks for your suggestion - I will try it. I play the sitar and I do understand what a balanced tabla sound is -- anyways on this recording the voice is much more important than the tabla.

its Raag Hanskinkini

I will sing for you haunskinkini. It is supposed to be sung in the evening but insist you listen to it.

@@tvp8686 Thanks a lot, Tanay. Why did everyone smile after she said so?

@@gauravdjgm maybe because she said "it is to be sung in the evening but still you'll listen to it now.." Which was not the right time to sing, but as she insisted the people would no doubt agree so those smiles came upon their faces...

+Swapnil Natu Vidya Bhagwat, on her left, Nandini Bedekar on right..

@@pranjalmandpe माहिती दिल्याबद्दल आभार 🎉

Vocal support - Vidya Bhagwat and Nandini Bedekar. Violin - Milind Raikar Tabla - Bharat Kamath Harmonium - Suyog Kundalkar

When and where was this program recorded?

on Tai's left its Vidya Bhagwat ... you can see her in Jaunpuri (London) and some other videos... u r correct, on left its Nandini Bedekar..

*right Nandini Bedekar

hc408 Goa. She performed at Vid Kesarbai Kerkar Mahotsav

@@jitendramandpe6243 Pranjal ji, do you know where Vidya Bhagwat is these days? Does she teach?

I believe Kishoritai was exceptional. U will have to listen to her concerts carefully & patiently. She always allowed her Supporters to sing with full freedom, but later, her phrases & the rendering of Aalap used to be Touchwood every time. Bada Khyal gayiki with great stability & unfolding the delicate layers of Raaga precisely & to make it simple for learners was her greatest comand over the classical Music technic ( Asthayi Yantra). Continuously doing repeatations of different Aalap & creating environment of positive power were her greatest tools. Let suppoters sing any difficult phrase, she used to appreciate it but immediately she has rendered masterpieces which no one could even imagine of! that too every time in live concert. "Raag Vistar" is one of the important area where Kishoritai has created wonders with same Raag but every time in a totally new Avatar..! In her last few years, i feel she used to sing only for the Devine power she always surrender herself. It looks like whatever she got from devine, she tried to return it back thousands times more by worshipping through her Soulful Classical music. Kirtan, Quawali are always restricted to Taa ( Rhythm), where as Kishoritai never restricted her Swar( notes) to rhythm. Of course she took support of Rhythm to make her concerts more effective but not totally admitted to Rhythm.

That is extremely unfair of you to say. I mean you have no right to pass any judgements on Kishoritai's disciples. If only one person it is Kishoritai as a Guru who is qualified to judge her students. Just because you don't like something, does not mean it is of bad quality, remember this always, don't put yourself above everything else. You are nothing

I thought her students were pitch perfect and did total justice purya dhanasri and their ustaad