VIVALDI | L'Estro Armonico | Concerto in G minor RV 578a in manuscript + RV 578, Op. 3 No. 2

Рет қаралды 33,741

Күн бұрын

CONCERTO RV 578a (Dresden manuscript)
For two violins, cello, strings and basso continuo
Ia. Adagio e spicatto (0:00)
IIa. Allegro (1:20)
IIIa. Adagio (3:38)
IVa. Allegro (7:00)
Composed: before 1703 (Sardelli)
Source: SLUB Dresden [D-Dl] Mus. 2389-O-71.
Modo Antiquo, ‘New Discoveries’
Enrico Casazza, violino
Bettina Hoffman, violoncello
Federico Maria Sardelli, direzione
Naïve OP 30480
CONCERTO Opus 3, no. 2 RV 578 (L'estro armonico, Amsterdam, 1711)
For two violins, cello*, strings and basso continuo
I. Adagio e spicatto (9:08)
II. Allegro (10:38)
III. Adagio (12:58)
IV. Allegro (15:47)
Revised: not later than 1711
Source: Le Cène reprint of Estienne Roger No. 50, Amsterdam
Le Concert des Nations, ‘La viola da gamba in concerto’
Manfredo Kraemer, violino solo
Pablo Valetti, violino solo
Jordi Savall, viola da gamba* e direzione
Alia Vox AV9835

Пікірлер: 51

@nazarethmarquezoficial5539 5 ай бұрын

Su canal me llena de emoción... Todos los días lo visito para escuchar algo del gran maestro VIVALDI.. Muchas gracias por existir...!!!

@raquelazocarescamilla2388 5 күн бұрын

Vivaldi, iuncomparable. Qué regalo para el espíritu. Gracias Del Vivaldi por esta maravilla.

@Joachim-dj2em Ай бұрын

Guten Morgen an Del Vivaldi herzlichen ❤❤ Dank für Ihre Einspielung von diesem Komponist ebenso auch alle Musiziernden Orchester,Dirigent. Es grüßt Sie ganz liebe und herzlich Joachim Ehlers aus Schallstadt südlich von Freiburg nach dem schönen Schwarzwald.

@DelVivaldi 3 жыл бұрын

RV 578a is a recent addition to Vivaldi’s catalogue of works. The manuscript has always been in the Dresden collection with the correct attribution, but as the catalogue was originally conceived, a work assigned an RV number would only get an ‘a’ variant if the alternative source contained one or more movements that differed completely from the main source. Since the four movements of RV 578a (the Dresden source) all have their equivalent in the printed version of Opus 3 (RV 578), no distinction was made between the two sources for cataloguing purposes, and the manuscript never got any attention. It was moreover badly damaged in WWII and so conveniently ignored. However, the Dresden version contains very significant textual differences from its published counterpart. I will not attempt to describe them all. The suspended cadence at the end of movement 1 and the tierce de Picardie to end the work are evidence enough that the manuscript preserves the composition in an earlier state. F.M. Sardelli holds that it originated before 1703. I will note that some harmonies in the third movement, combined with the dotted rhythms, for example at 5:20 onwards, seem to me almost unbelievably French, much closer to the real thing than Vivaldi’s feigned ‘stile francese’ of later fame. No doubt Maestro Sardelli was aware of it and directed his players accordingly, reinforcing that impression. In the fourth movement, the ritornello is completely different: it is in fact a gigue, if I’m not mistaken. At least two such dance movements were excised from the works of Opus 4, though Bach knew and transcribed them in their earlier forms. In RV 578 it is striking to hear how the changes made in the published version altered the character of the movements. The later, better known version seems in fact like a rationalization, tighter, less excursive, more monochromatic and harmonically more conventional - as seen from the future; it was progress before it became convention. Such was the influence of L’estro armonico, perhaps.

@katbullar 3 жыл бұрын

I am very impressed by the score. the interpretation is also amazing! soooo beautiful. Thanks for sharing this treasure.

@MrToilet1918 2 жыл бұрын

I gotta say the final published version of RV 578 sounds more polished especially the first movement IMHO ofc!

@marcosPRATA918 8 ай бұрын

Boa elucidação, Vivaldi trouxe inventividade ao barroco, e compôs em em Veneza, as encomendas de Amsterdam e Dresden ou outras na Itália representaram um esforço diferenciado, porém mais influenciou que foi influenciado.

@alessandro5999 22 күн бұрын

What is Beauty? THIS is beauty.

@ariomcheme 3 жыл бұрын

Thank you so much Del Vivaldi KZfaq channel. What you doing for the musical world of Vivaldi it's truly something else this video it's one of the kind that many other Vivaldi fan would touch deeply, as violinist the chance to get this kind of manuscripts information it's very difficult or imposible for many reasons. And you are doing a true democratization of the knowledge, the true spirit of the humanistic philosophy thanks for this amazing gift!! Greetings from Rio de Janeiro 🙏🏼

@DelVivaldi 3 жыл бұрын

Thank you. I am touched by your words, means a lot to me, and I hope it is as you say. Thank you!

@virginiasarullo8510 Ай бұрын

Semplicemente emozionante ❤

@martineslava8642 3 жыл бұрын

Very interesting. The earlier version has several flavorful idiosyncrasies, even if it is less polished.

@mereyeslacalle 2 жыл бұрын

@Del Vivaldi , tu canal me arranca lágrimas de emoción , de tan sólo pensar que estos manuscritos son los que escribió mi adorado Vivaldi . Cuan afortunados somos de que se hayan recuperado , y que el horroroso bombardeo sobre Dresden no los haya destruído por completo . Gracias por compartir esta joya , un verdadero tesoro. Bendiciones desde Chile !!

@Freawulf 2 жыл бұрын

Both the upload itself and your comprehensive commentary on the 'a' variant are amazing. Your channel is a veritable treasure trove! Thank you so much!!

@daniloapostolov-dacatv1536 10 ай бұрын

,, You're still not ready for this but you're kids gonna love it. "

@SarumChoirmaster Жыл бұрын

The amount of his out put is astonishing.

@Marianofortepiano Жыл бұрын

Quelle merveilleuse musique pour commencer la journée !

@davidvargas7686 3 жыл бұрын

It's almost a miracle! Thank you.

@thehillcefis Жыл бұрын

Grazie, grazie davvero!

@gillianval6791 3 жыл бұрын

es maravilloso el poder ver estos manuscritos!!! como violinista y fanático del trabajo de vivaldi lo disfruto mucho

@DelVivaldi 3 жыл бұрын

Me alegro de que le guste

@Halleynm 5 ай бұрын

A BOP like the ii allegro could lowkey murder tf outta me

@ceciliabrunni1539 3 жыл бұрын

Que belíssima peça!

@MikePapadopoulos 2 жыл бұрын

2:03 It’s beautiful

@harrygreen9804 3 жыл бұрын

Quite an original interpretation

@wielandwittmann9832 3 жыл бұрын

A real surprise. Bravo! 👍 👍 👍 👏 👏 👏 🙋

@georgianagheorghe8848 Жыл бұрын

It was wonderful and inspiring. Thank you for sharing!

@Musica_Vita 3 жыл бұрын

Absolutaly divine

@Kasi23 2 жыл бұрын

1:37 Outstanding!!! LOVE IT ❤

@barroco05 3 жыл бұрын

Thank you. This is sublime.

@danielrodriguez9630 7 ай бұрын

Genius

@PianoAndGuitarNext 3 жыл бұрын

Amazing

@moltzer 3 жыл бұрын

It hurts to see the damaged manuscript...

@mrwolfeyes2955 3 жыл бұрын

Me too

@DelVivaldi 3 жыл бұрын

Many of them are in better shape but some are worse, completely illegible. It is a very large collection. Water was the cause, in most cases.

@moltzer 3 жыл бұрын

@@DelVivaldiYes, it saddens me... Just how many masterpieces have been lost!

@TheOneAndOnlyZeno1889 3 жыл бұрын

@@DelVivaldi It is the same with Jan Dismas Zelenka's music also.. sadly..I have gone through nearly a hundred manuscripts of his works, and transcribing several into urtext editions scores, as he has been so unfairly neglected as a titan on par la Bach - and interestingly enough it is also water damage, from WWII - being contained "safely" in treasure chests in a certain Japanese Palace near the River Elbe of Germany... which of course would flood, and seep into the basement, damaging the manuscripts (as well as other historical documents).