😂

😂😂😂 you are watching in a phone, watch it in a TV or a Monitor man,

@@terriblehans i think i need an omni theater for that size of fonts 🤔😁😁 i mean it was fine all along but for some reason the guru juz decided "ahh fudge it.. no more human fonts" 🤭

Yep, it will be well-intentioned, but it's not for beginners. Which nodes do you use and which key combinations do you use for this, and so on. A beginner doesn't know that, does he? Other than that it's a neat tutorial. Mind the pace. If English is not your first language, then you should also have time to translate it in the meantime.

This 👆🙏

ND for the windows 🤣

I was wondering the same thing. Qazi, could you (or anyone else who knows) please answer this question?

If your project is already color managed you dont have to use cst nodes as well unless you have to do a detour to cinelog or something. You may just be doubling up on color spaces. Just crank sat on a node. In fact, you dont need specific project color management at all if you only shoot rec and print rec. Just crank saturation and go from there. Log is matching numbers, post lighting and grading is pushing those numbers. So in short: either use project color management with bells and whistles transforms or do it with individual clips. Dont do both. When using project based color management you may identify individual clips and their respective color spaces)

Thanks for the love. Watch the latest vid on nr you'll have your answer.

@@theqazman i already watched it this morning I just wanted to make sure that I understood it right 😂

Please i'd be really glad if you can reply to my comment.

I believe I mentioned it in this video. If not, watch one of the other ones and I for sure mention it the reason why.

50 seconds into the video he explains how to use color management ( color space transform )

Color management in general settings I guess :-)

Ok so let me explain, Slog 3 and Davinci Wide Gamut are both Color Spaces. Slog 3 is the color space your camera recorded in and DWG is the color space you want to grade in. Simple reason is in DWG you get more range and flexibility when it comes to color. So the proper way to use this CST (color space transform) and DWG method would be to create a node at the beginning of your node tree and convert Slog3 to DWG and then add a node at the end of your node tree to convert it to the Color Space your media is intended to be presented. In this case rec709 . So it would be like this: *First node Slog 3 > Davinci Wide Gamut *Last node Davinci Wide Gamut > Rec709 Gamma 2.4 Then all your color grading happens between these two nodes. That would include exposure, balancing your footage, adjusting contrast and saturation which are your primaries. Reason why is because you want to grade in that DWG color space cause if you started doing your grading after the footage is converted to rec709 you would have far less range and flexibility since its not a wide of a color space like DWG. Hopefully this makes sense:)

@RicardoZuniga Thank you. My usual workflow was - cst node at end of node tree - cst via phantom lut OR davinci cst - slog3 > rec709. I will try via dwg.

@@Evgeniy_Shaman make sure you go to the color management settings and change the Color Space to Davinci Wide Gamut before using this method! Cullen Kelly and Darryn Mostyn have really good videos on this and why is beneficial.