That’s super nice thank you

Thanks Jacob!

Thank you

Thanks :)

Thank you 🙌

Not a bad idea at all. Even the fx3 after shooting on it all day gives you a bit of an ache without support

You could also try a sling and use it as a cine saddle. I rest the camera half on my peak design sling to help stabilize and bring the weight into the body. Helps fatigue, for sure. But sometimes a monopod is nice too lol

The Slide Lite is good but the rubber on it can actually make it kind of bind on your clothing (which is by design) but the leash is actually REALLY fast because you can adjust size very quickly and there's no rubber on the strap itself so it easily moves.... I use the Falcam F38 clips on the bottom of the camera and use the Peak Design clips on it (two) .... I suggest not getting the Ulanzi/Falcam quick release magnets -- trust me.

Thanks man

Thank you :)

Glad you found it helpful! Yes I had a second camera for ceremony and speeches. I use an A74, but any camera with auto focus would be fine. I think I probably need to make a video on it. But you need a 3.5mm cable (that’s the most basic one). Then you need a quarter inch to 3.5mm adapter. Lots of celebrants speakers etc use this one. Then for the reception you need a RCA to 3.5mm cable and some way of plugging into an XLR connection. So 3.5mm to XLR adapter would do it. This will mean you can plug easily into a DJs set, or into a speaker. In Australia, a lot of the audio setups (and I would imagine around the world too) are really crap. Lots of feedback, static, popping etc. So don’t feel shy about using a mic strap and putting your mic directly onto the microphone. Here’s what you need -a double DJI mic setup). Great for strapping or just mic’ing people). -2 Tascam DR10L (think they make a pro version now). -and the above cables. That’s it! Not too tricky at all :) Hope that helps!

Cheers

I've been putting off buying an attenuator (so that's probably the best answer for that problem). I'll pretty much always test to make sure it's not coming in too hot. If it is, I usually just change audio sources. I think having mutiple sources of audio gives you the flexibility to not over-rely on any one source too much. But yes, you're 100% right, an attenuator would be the best solution!

@@JessePeacock thanks so much mate really appreciate the help. It’s actually a great idea and I’ll have to try it one day by getting audio through the speaker. Keep up the great work

appreciate the kind words, thanks@@anthonyzammit4399

Thank you :) I shoot in auto these days. I used to be 100% manual, but auto...omg...makes life so easy. Plus it's razor sharp most of the time

Good question. It's totally up to you, but I shoot some of the longer moments like ceremony and speeches in 1080p. Our studio does quite a lot of weddings and the cost to store them is pretty pricey.

I use 2 cameras for the ceremony and speeches, and honestly, depending on the location and how much room I have e.g a small little church, you can get away with just a big wide and a tight shot.

Hey! Yeah good point. I think I need to make a little video about wedding audio as it can be a little complicated. But if you go to your local music/dj shop and explain what you need, usually the staff are really good at letting you know which connecters will work with what plugs etc. Like celebrants speakers etc. Hope that helps!

@@JessePeacock I never thought of visiting a music store to check for some reason. That’s great advice, thanks!

24already slow-motion not change this pr

​@@wantedsvlog7373lol what

I record everything in 4K 50P, except for the longer stuff like ceremony and speeches, cake cutting etc. This give me massive flexibility in post. If you think you're capturing a raw moment, like someone reading a letter, capture that in 25P.

I believe it's this one: Aputure Amaran 100D But honestly any light manufacturer of a certain quality will do. The key is getting it to be a soft light (so a little diffused) and getting a hood for the light so that you can aim it at a speaker and not the guests at a wedding.

2 cameras for the ceremony and speeches. And yep I'm solo.

Hey I'm just using a little GoPro 12 mounted to my camera.

Shooting 50, 60, 120 fps the higher the frame rate the more you'll be able to stabilize it with a stabilization tool in editing. plus FX3 has internal stabilization. Won't be perfectly stabilized like a gimbal but often it will be enough. Technique of course matters too

@@SethWoodsYT Thnx for the response bro

Yeah the internal stabilisation is perfect. I almost never use warp stabiliser. If you're worried about shaky footage you can then select active stabilsation which is super stable.

Yeah it's amazing. You can get away with using the regular internal stabilisation but if you're worried about it you can switch on active stabilisation.

@@JessePeacock I'm very fascinated by the idea of ​​shooting freehand. unfortunately I don't have an FX but a Sony 7III, I don't think they have the same stabilization at all. But when I detach the camera from the gimbal, I feel very free, much more in the scene, the changes of shots and positions are fast, interesting. I like. But I'm afraid of not having professional, fluid and precise scenes like the gimbal has accustomed us to having. I hope I have the courage to dare. Thank you

That's an Anton Bauer titon base. It powers the camera for pretty much 24 hours. I don't really use it except for ceremony and speeches. Some speeches in my country could go for an hour or two, and if it's hot enough, the battery can drain before it finishes. So this is my backup. Always really nice to have one.

Totally up to the shooter I reckon. I prefer to go hand held. I feel like I can get a bigger variety of shots than using a gimbal. But both styles have their moments.

@@JessePeacock I have a wedding shoot coming up... and my setup is similar to yours... but I'm leary of my gimbal being a hindrance during a fast paced wedding day!

@@akbarishmael3551 I reckon leave it at home and experiment with just hand held 👌

I believe it's the Aputure Amaran 100D but any brand will do. You just want to diffuse it slightly and get a hood so you can aim it only at the speaker.

you guessed it