Splendid! It’s not something you would deduce from the painting without knowing the historical context. Great video!

I like how you lead us through the various points, not just factually but visually. Logically leading us to see through the artist’s eyes as he creates his painting. Well done.

The narrator is exquisite. The painting is as well. Beautiful! Oh so easy to understand

" This not a print " . The Treachery of Images....Absolutely amazing ! Thanks.

7:00 I love this! It’s like he looked at this painting and said “opposites”. Bird cage left, his on right. Rabbit changed to carrots. From dead birds to bird watching. Bird on right changed to fish. Girl on left changed to boy, main subject not looking at you, looking directly at you. people standing to people sitting 😂

Wow! What a stunning work, why is Boilly not a better known artist? His skill is amazing

great video. making a black-and-white painting means that artists don't have to worry about color, green, blue or yellow etc. they can just focus on dark & light.

In one of my first trips to London, at the end of the 90s, I visited the NG. I just loved this painting! I still have a postcard of it and a small phone book with the fishes motive printed all over. I carried it with me on my handbag for many years!

It’s a study he worked up to look like a brilliant print which would sell for more money than paintings at the time.

Absolutely love these deep dives into lesser known works of art, that also becomes a lesson in art history.

Grisaille is and was also used as an underpainting, could this not just be an unglazed grisaille ? Grisaille is how you learn tone; colour comes later as it adds to the complexity...that's 'old school' art school.🙂

Boilly was known for being able to paint a portrait in one hour, a sort of snapshot. I have about 20 or more of his engravings from the period. Karl Lagerfeld used to collect his portraits, sadly they are out of my range !

I believe that the painting includes the artist's signature also on the stone wall beneath the black curtain above the type lettered one noted above the white line. Thank you so much for the informative, educational and enjoyable explanation. Well done.

That made the painting more interesting. Good talk. Thanks.

The satin ribbon on her bonnet is astonishing.

I might be repeating myself a bit here because I've said this about your videos before, but this was yet again a brilliant production. I loved everything about it, from the music to the fascinating history told in such a masterful way and also the skill in filming this. There should be proper KZfaq Video Awards every year, if there were such a thing, these videos on this channel should win a number of them. Please tell every person involved in producing these that these are so appreciated, they will be watched for years and years as people way in the future would appreciate them just as much as they do today, a work of art, like the paintings you talk about. Thank you!

There is also a theme of "confinement" -- the bird is confined in the cage, the fish are confined in their bowl, the carrots are confined by the string they're suspended by, the bottle's contents are confined by the bottle, and the girl is confined by the room, and by the very confined role society allows her. There is also the theme of being inside, looking out. The bird is inside the cage looking out; the fish are inside the bowl looking out, the boy and the girl are inside the room looking out.

Thank you so much for sharing with us such a beautiful view on a beautiful piece of art ❤

I've always adored this painting whenever I saw it, I felt very drawn to it. So its wonderful ro hear some of the context surrounding it. Thanks!

Incredible that in 2024 I can think/say that this is still stunning to look at. It's holding up the test of time really well.

Absolutely marvellous artworks with such great innovation and technical skill !! Paintings done by a true great artist!! Thank you so very much for explaining the artworks and the history behind them so beautifully and in such great details!!🙏🙏👍👍🥰🥰❤️❤️

Thank you. I really enjoyed this episode. I always enjoy hearing the background story behind a painting. The presenter was brilliant & I hope to see more. Once again thank you

This, to me, is absolutely, succinctly, spot on!

I would never have known about this 'print', or even guessed it without your Talk! Thank you very much for sharing your studies.

Great educational video as always! Keep them coming♥️🎨🇬🇧

Superb review of this enigmatic painting - I am loving this series of talks - Francesca is a natural in front of camera and so engaging - more please .

As a dude/scientist/hobby photographer now also a "commentator on KZfaq", this is both fantastic and inspirational.

What an absolutely beautiful painting. I have often given thought to painting a subject using such a limited palette; it is far more difficult than it would seem. I would love to own a print of this painting pretending to be a print.

great interesting story about the background of the picture. Thanks a lot

Always enjoy her talks!

Thank you for introducing me to this work.

Absolutely amazing!! A true masterwork!! The contemporaneous context makes it all the more intriguing!! Excellent work walking us through this!!

Fascinating - a masterpiece of explanation.

Thank you for this deeper look into what we are seeing!! So very interesting :)

Wonderful painting with a good explanation

Thank you for making and sharing this video, it has expanded my knowledge and enjoyment of art ❤️

Fabulous! ❤❤❤

Wonderful art and lesson!

Thank you for the subtitles.

Excellent Presentation...

` Thank you for this wonderful explanation. 🌷🌺

Beautiful 🤩

Thank You! Very interesting video.

The shades of grey depicts the mastery of the artist, from the sheen of the silk, to the scales of the fish... mesmerizing.

I once conducted a one man show of half Black & White fine art photos shot in 4x5 inch negatives of very high quality and the other half in color also 4x5. The staff recorded the visitor preferences. The majority preferred the B&W. 95% of the retina of your eye records only B&W. The richness of perception is greatest without color in the image. I stopped shooting color from then on. That is the secret to the Fine Art of B&W reception among mankind.

Yep this is exactly why comic art contests have you do black and white. Although the problem is sumi iro is a very dark orange.

This is the 18th century "hold my beer" Hard to wrap my head around how easy it is to just dismiss (for lack of a better term) this as a beautiful image in passing, but with context it's an unbelievably masterful work of art

Brilliant!! Inspiring! Thank you so much

excellent commentary and love this painting so much! 0:51 Ps, that’s more like kinda dried foxtail millet pinned on the wall to me, one of the oldest domesticated cereal crops in Eurasia

I love the National Gallery - it's one of the few art gallery's in London that actually shows genuine art.

Another scenario could be that Boilly re-dated a value study for the larger full color painting displayed in the Salon, as well as added the print-referencing framing device. I'm slightly confused by the remark, "...to paint only in black and white as an artist is to set yourself an incredible challenge..", as the value study (grisaille) was so basic to a French Academy education. In fact a student could not graduate to the use of color until they had mastered the technique, as it was essential to indirect painting.

Thanks for the video Boilly was lithographer, designer and miniaturist. Realistic images in black and white and grays that he mastered.

This video and breakdown is really great. Personally I find black and white to be far easier to work with than colour.

Truely, this painting is an eye Tricking, I havent't noticed the blue frame until Francesca mentioned it at 2:20 that it was also part of the picture, I thought The Blue Frame is part of the Golden frame that holding the picture

Louis-Léopold Boilly was a cartoonist and a caricaturist, a sort of artistic dilettante. He had much in common with Henry Fuseli. Both were 'more about their personality' than their craftsmanship. They were both stylists. You can imagine Daumier being heavily influenced by Boilly's work. All of Boilly's oeuvre has that 'uncanny valley' quality ( With his cartoonish faces and elongated limbs ) that was his signature caricaturist style.

Phenomenal

She looks like the very first anime painting in history 😂

thank you for that wonderful analysis. I wonder if there is any actual black or white in that painting or if it's a thousand shades of grey like a pencil or charcoal sketch. But to do that in oils (I presume) is remarkable.

My personal view is the artist may have thought " what if i create an artwork which views the viewer instead ?" The painting is viewing you , which is unique.

Thanks very much.

So interesting!

Thank you

So Lichtenstein was following Boilly's lead? Very cool!

paintings becoming lost sounds absolutely devastating, im wondering how much we are missing out on

Lovely

Inspiring.

Fascinating commentary on this artwork. It actually reminded me of Jean Simeon Chardin's painting "Soap Bubbles," but U found that it was painted in 1733-34. so a bit before Boilly's "A Girl at a Window." Still, I wonder if Biolly might have been inspired by Chardin or at least familiar with "Soap Bubbles?" (Perhaps I'm just looking for a connection that doesn't exist!)

Hmmmm this is a really cultured painting, very very nice

I believe the painting is in color but captures the scene at night, during a full moon. Humans can’t really see colors in the moon light. A hint is in the reflection of the moon that is just partially obstructed by some thin clouds. The moon is reflected by the edge of the fishbowl, the bottle and all shiny surfaces, especially her eyes. The boy is not looking at the moon, possibly at a star, or a planet. She is using the lunette to guide him to set the telescope with a much smaller field of view, but with greater magnification, just as it is done today. A hint of colour is in her blond hair that comes through beautifully on just few strands that even the partial obstructed moon cannot hide. I am amazed, looking from the future into the past moment of astronomical discovery through a window pretending to be just a print of a painting.

So when looking at the signature, I noticed something that looks like a removed bit of text (on the bottom left cornerstone of the window). Maybe a signature..?

You keep the print and I will keep my originals with me.😆

I had the idea that we can see what that boy sees through his telescope. This girl in the window. Otherwise, it looks weird because they don't interact with each other on the painting

I think the best optical trick is that it's supposed to be black and white, yet it's painted with colours. I see a lot of yellows but also some blue and green, very desaturated though.

There's a later Boilly painting called "The Amateur Print Collectors" that shows some nicely-dressed folks looking with interest at a print that they are perhaps considering buying or have just bought. The print is totally obscured behind the subjects so that we can't see any of its content. And the painting, while not monochrome, is in a rather muted palette.

I have been asking myself for some time why an almost perfect illusion of 3D is achievable in “ Grisaille”, but not in colour (often, I can’t even convince people that this is the case). I’m not sure if that question is addressed here.

I like to imagine the color painting isn't lost, just 'made into a print' in too literal terms.

On the topic of "looking", this painting is full of references to the idea! The direct gaze of the woman. The child who observes with curiosity. The telescope pointed outwards, giving a telescopic view. The telescope pointed inwards, which could either represent a microscopic view, or perhaps introspection. An opera glass, which separates spectator from actor. The bird with its bird's-eye view. The fish in the bowl with their fisheye perspective. The whole scene framed within a window. And what is our role in this..? 👀

All the different details make me feel like when I look at an ai image, and at a glance it's kind of whatever, but then you look closer and it's like "hol' up, what's going on here"

Great commentary overall, but as a painter I have to say that painting in black and white is much much easier than painting in color and even famous painters painted in black and white first and then used glazes to colorize them. This technique is also used today by many top illustrators.

Grisaille was my thought right away... but you're right... it's the blue border and historical context that proove it.

I'm still working on "why is there a fishbowl on the windowsill..."

🙏

8:29 digital artists do it all the time- We do it to then easilierly color everything afterwards

Actually I suppose before photography people never saw black and white although ironically we associate monochome with historical things

My thought, Moonlight 🎉

The restricted palette, in this case greytones, simplifies painting because it it just a matter of value;

While the lecture is perfect in a technical-art historical sense and perfectly presented, I wondered about what the allegory is that it tries to depict, its metaphors, or storytelling. In the comments before me, @thewol7534 writes about "confinement" and the same day, @Foxweed comments about the "looking" aspect. I would add that, in the context of the French Revolution, this might be referencing the confinement of citizens in their social classes, hoping to be freed by the revolutionary movement from the oppressing yoke of the "noble" classes that keeps them locked in their social class. On the other hand, assuming these two in the painting are of considerable wealth (as per the attributes), they may be "noble" children on the lookout for the revolutionary movement that might confine them, or worse.

he was virtuoso alright!

It is easier to work in just black and white, much harder to manage a full color palette. It seems a strange thing to say that it requires more artistry and is a way to show off his talent.

I don't quite understand why you think painting using only shades of gray would be harder than painting in colour.. With shades of gray you only need two paints on your pallette and combine these in varying levels (though it looks like he used two different white colour pigments since the dress is faintly cream yellow; maybe it was always faintly yellow on purpose or the pigment used to paint the dress has yellowed more with age than the pigment used for the highlights. Maybe the large areas such as the dress used a cheaper pigment that was a little less intensely white and he only used the expensive bright white pigment for the extreme highlights such as the reflexes?) While if you paint in colour you need a bunch more colours; and you need to colour match a lot more.

After viewing the image on the National Gallery website, I can’t get past how much he compromised the anatomy of the far side of her face to make her gaze appear level. If she turned to face the viewer, her left (facing) eye would be an inch or two higher.

Why are some great paintings so small?

The painting is about the fish in the bowl (and the bird in the cage). And the boy and the telescope and the lady vanishes. Seriously, for me, the lady slips out of the painting. Her gaze I think is meant to be central, but it makes no impact. Paintings can look radically different than they do on video, though, so . . .

I feel this is definitely a prank on everyone who wanted copies of this "print".

Boilly was a well instructed men, profoundly conservative, close to the high levels of the society. He painted Laplace, french astronom, giving - not to him directly, but to the bust an artist is making of Laplace, the same gaze he gave to this"young woman" 'She' is Uranie. Muse of of astronomy, one of the seven "arts"'commonly teached at this time. some details have been changed : the bowl is off-centered. the girl was handling a compass, is pinching like if so : they where a terrestrial globe and a compass, traditional attributes of the muse. But at this time, it was so "cheap"... giving HER (the boy clearly don't know how to peep TROUGH a telescope and is clearly here to fill the composition, Boilly didn't even bother to hide one of the "young boys" he already had work on.) giving HER a telescop is modern, and if it don't hide the muse... it's still just enough to put her in a so modern world that no curator saw it ;)

It's actually a lot easier to paint in black and white instead of in colour.

Her face is so much more anime than what comes to mind as classical painting, I could have sworn this was a digital painting from the last 10 years.

Boilly must have felt quite disappointed with the kitch trend upgraded to the status of art, but not to the point of giving up. I also believe he had to think smart on how to compete with a printing machine. I mean, yes, art is for everybody but imagine what an artist 🎨 goes through. Its hours, days, months of creation. Its a mindset, a way of life. And I don't necessarily believe is about keeping up with tradition. Its about adapting in a market that would swallow you as an individual artist when the buyer's taste has changed to drive through order art. Plus, you've got to maintain your originality by not completely succumbing to priorly established modes of painting. So, how can you create an original painting by inspiring self from another artist's idea, make it look like a real print and beat the printing machine in terms of shades 😎 folds and you name what other precision that tool had?! Plus sell it. I think its remarkable the irony of the painting with so much of the details concentrated on vision, binoculars, one occular and side eye 👀. It must have been exhausting to see all those print 🖨 collectors carefully studying a fake 😅, if not a fake, a simple piece of paper, for the stamp of "originality".

But it doesn't look like very much like an imitation of a print to me, in the sense that it doesn't seem really etched I mean, which often is the case with these prints. I think his other illusionist painting is far more convincing in this regard. But if optical devices do so promintently figure in the painting, can't it be an allusion to a defect of the eye for instance? Color blindness or such? (Late neurologist Oliver Sacks mentioned once a case of total color blindness, which is scarce, but nevertheless exists).

She needs a pearl earring.