I know!!!! What the hell. It was a total distraction.

So That’s what it was ! So distracting from otherwise great content

I barely noticed any minor quirks in the video, I was too busy looking at the graphs and listening to the wealth of information this guy has to so kindly offer. He's an engineer, he spends his time researching the science of sound and making great speakers, not wasting it on becoming a KZfaq diva.

@@sivitriscarzam7306 But the autofocus vibration. It isn't minor. Also, you come across like I have personally attacked this guy. Which is odd. KZfaq diva might be better than a youtube karen. My manager will contact you promptly.

That was purposely done that's called an optical illusion in other words he's talkin about sound waves so to give you a visual he had his videographer used the pan from side-to-side pretty ingenious actually..

8:00 to 27:30

Ah that’s it. I thought I was just having an acid flashback.

Exactly what i am doing also! What do you think of the PJB C4 ?as about to buy one tomorrow!

Hi drew. Can you point me to groundbreaking designs, I can't find them anywhere. Thanks

I’m considering the C4 as well. Did anyone get it? Is it worth it?

Makes you wonder why the foolish person who shot the video didn't bother to spend the whopping couple of minutes to filter out that horrible stuff.

When shooting a video of a subject at a fixed distance, manual focus mode is your friend. Set it once, job done.

The guy who did the video was his first time doing PJB and also his last time!

Maybe they fixed something - Video perfect to me

you really think the video production has anything do with him? do you think he set the camera up and sat down and interviewed himself?

The videographer was fired the next day

The 27 or 47 depending on the room. I have two 27s and they are bitchin

So do you like PJB speaker cabs?

Interesting theory, have you heard a Phil Jones amp/ cab?

They are good enough for Sir Paul mcCartney

I’ve have one, the C8, and can vouch for its great sound. The weird part is you have such clarity among sound, low through high end, but the physical vibration you get with larger speakers like a 15inch is not there nearly as much. A rock band I had played with a few months back did an outdoor gig in a pavilion and we brought our own PA system. Using a 500w bass head with the C8 (it was only hitting at most 300w) they didn’t patch me through the PA because it was carrying so well, they just put some of my signal through the subs. Jaymie Lewis (Deadbeat Studios, sorry if I butchered his name) has a review on them and you can hear a good amount of detail. I based my decision of if that review and some others and was not disappointed.

@@AndrewTannusMusic thanks for sharing. It's quite clear to me now that the lack of 'vibration' could be due to the load-sharing amongst several small speakers as opposed to a single 15. You hear the notes played but the floorboards don't rattle. I suppose this is the clarity that I've heard others speak of. Good for recording as well as technique focused playing where the thump can get in the way.

I think that was Harke? I have a GK cab that has aluminum cone.

Bullfrog, if I recall. They were like Hartke, with gold cones.

That sound is the camera trying to auto-focus.

Yes I am concerned about the lack of spl in the specs . I can't see that 4 miserable 5 inch Chinese speakers are going to keep up with a band in a gig situation. Home and studio stuff, it'll be fine.

@@johnridley1656 Max SPL can be calculated with an efficiency spec and a power handling spec, but they don't publish efficiency, either.

I will never buy from any brand that try to hide technical information of their products. Learn from the genius Genelec manufacture, they have TRUE R&D, real researches with shit loads of published scientific papers. It reflects clearly in their product's specs sheet and performance. The guitar, bass related companies always try to hide a lot of technical information. They look like exactly those audiophile speakers company who can not even provide a freaking frequency response graph!

Expense of manufacturing the box is not a few percent, but a few times more. Expense of lugging the box around. Work for the customer to carry the box around. All 3 are fails when you can now build, like he said, a 1,000 watt speaker for $1,000 and a 800W amp that you can pick up with one hand and stuff into a coat pocket. To build a 18 cubic foot folded horn cabinet now will cost the manufacturer most of $2,000. Takes two men to load it onto a truck. Lot of people have stories of permanent back injuries from hauling bass amps and so hate anything heavy. Need I say more?

Love the gear. Seen video again. Lovely devoted knowledge. Thank you Phil Jones

I’m a Markbass player with a cab 47 coming in tomm , fingers crossed for the low end

i am having a tough time comprehending the speech .

Yeah, we picked up on that too. Really annoying.

It went through a warp in space and time.

Totally agree, total lack of coverage on this innovative gear, Im a cinematographer and bass player in STL and I’m trying to reach out to them to help show off there products

@@jaron_hayden Good luck with that, the information is invaluable but really tough to get through, re the focus issue.

and the noise/hiss.... Jesus, I love this guy and his products, but what's up with the content they create?

@@emancia Obviously they re not monitoring their socials.

@@idolbass dude said he was home with COVID

Update

It is the autofocus of the lens you are hearing - that said this is the reason to manually focus is this type of situation

Professional audio companies should absolutely be able to produce professional sounding audio in their web content. I agree completely.

If you grew up with Pino I'd want to hear about it too

that's the sound of autofocus in the camera

Every single loudspeaker componet is the world pretty much is made in China and you probably dont even know it. May i ask why you dont like anything from China?

PJ21UK : Well Mr. Jones I feel that we here in the United States need to go back to making products ourselves. In the late 1980’s,I was building guitars in some of the most well known factories here on the east coast. The wood,pickups and strings were all quality products. I didn’t have an issue with our best mahoganies being from Honduras. When I got into building/repairing tube amplifiers. Getting to work and learn from the best the Tri State area had to offer, there was a sense of pride! Today I’ll easily use tubes made in other countries. Depending on the feel & sound myself or customer is going for. So I should recant my statement and say I wish more products were made here? I do however think most tube amps I’ve worked on from Asia were junk. Cheap potentiometers, jacks,switches etc.. As for speakers, Faital Pro series from Italy, some of the Eminence line made here and Jensen from Italy, I’ve been dealing for years. When I first started doing amps I had a Guass 2X12, EV 2X12 and JBL E120 2X12 cab for guys to hear their amps. If the guy hated their amp, id tell’em that was more of their actual sound. Most guys like an inefficient speaker because it distorts a certain way. You know better than anyone, we had little options back then. Now we have option anxiety! Personally I love your amps! I think the amp I tried was on par with an older Walter Woods head I had. It wowed me like the first time I had those Bose 901’s and a set of Altec VOT on the floor. Since I’m not gigging like I did way back, I’m using my old GK400RB with an old 2X12 Bassman cab I loaded with Faital 300PR’s. Smaller gigs 1X12 Bag End with a Faital. Honestly the Phil Jones rig I tried had as much if not more bottom with the 8’s. I liked the 8’s because they actually gave me more of a mid sound I liked? I like a little smooth grit to my sound. What I don’t like about my old GK is I think the power section could be warmer? Loud is one thing and feel is another. I felt your rig even at a low volume. The way an old Trace Eliot AH head would feel? You’re bedroom level but you feel it in your body. Do I break out my old Acoustic 220,320 or 320B heads? Personally I’d rather sell them as cool sounding as they are and get the PJ rig. Don’t know if I’m going to let my pride in the way of getting a “Dream Rig?”

@@theirritatedirishman5440 (I could agree with you more. However it is almost an impossibility. If I could bring my factory back to USA I wpould do it in a heartbeat. If I did it now, it would be sucicide for my business.

PJ21UK : Well,Mr. Jones, I have to tell you that I’m absolutely stunned by the sound and feel of your amps. I will be indulging soon!!! That’s what most guys don’t understand, there’s a difference between “Sound And Feel.” When a rig does both beautifully it’s a must to have. What I’d love to see is an amp like your’s with a simple foot switchable midrange? Someone wants that Jone Paul Jones scooped smily face sound? They step on that switch to defeat the mids. Want more of a “Growl?” It’s there. Merry Christmas Brother,talk soon?

@@theirritatedirishman5440 unfortunately all the American amp brands are under something else now so all these name brands are moving to China. Ampeg has been primarily made in China for several years now, they are currently owned by Yamaha. Mesa was recently bought by Gibson so it’ll probably be moved to increase profitability. Aguilar was recently purchased by Korg. If you want American made amps these days you pretty much have to buy used or stick with boutique level gear. But even the boutique stuff for example greenboy audio uses components made in different countries. Amplifiers are starting to be like cars. Even the cars that are mostly made in America have parts like airbags from China.

Another troll faking knowledge, Ill be nice and just say your ignorant!

I play them. I know and hear rich bottom. Are you somehow experienced ?

Tonight again out People enjoy the sound. I am thankful for clear deep expression

A week ago and tonight great joy from this video. If no video - Last night PJB made lovely sound for me and audience