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"Too long breaks is the vibe killer" - Bene Gesserit EDM

I have no idea how I got here and I have no clue what you are talking about, but you are drop-dead gorgeous! Subscribed!

apparently certain people never have been in a proper underground house club

Very instructive as always. Thanks for sharing great content Alice.

For people looking for “exciters” mostly they are called fills / drum fills if you want something from splice or another sample bank

"when and how to remix/re-arrange a track for your DJ set" could also be an interesting video

Excellent video, you explained things so well. Was really super cool to see the effect of the transitions on the audience in the club setting

the octave increase after a release in hi cut fr a drop is actually impressive, sounds lit 🔥

Excellent video skills, this is very well produced!

Always check ur tracks in mono before release!

Can we give a big thumbs up for the track at 3.40... Mayan, that one hits you right in the face and stomach! Really great video, Alice!

Wishing you all a happy easter

This was actually more informative than I expected it to be. I've been producing for about 30 years now and while I knew a few of the subjects you covered from personal experience there were a few points like "the exciters" that I'd previously overlooked. I'd been doing something similar but not quite to the extent you described. This video helped solidify some of my thoughts so thank you very much for sharing this.

OMG the bass on that collab with Andrea sounds amazing!! I hope you release the whole song :)

thanks again for covering this topic again. this is such a stressful topic for me, because I don't have the experience of how the club sound systems react :)

Your videos feel like watching a magician revealing her secrets. That's so awesome, thanks for sharing your knowledge! Love your tracks on Spotify :)

You rock ! I found your guide to structuring the music really interesting ( Subscription left here ) ✌

The “club simulator” idea blew my mind!!

REALLY good video!! using your own tracks to show winners and losers is AWESOME!!

Great vid as always! Simple, effective, straight to the point!

Super useful composition tips hidden here too. the Live footage of how it works is brilliant!!!!!!

Thank you so much for making and sharing these videos with us!! I watch a LOT of educational music production videos, and yours truly provide a unique insight -- very helpful and engaging! I had never heard of you prior to finding one of your videos a few weeks ago, very lucky stumble! -- and your music is absolutely fantastic! That much im sure you already knew, but i was late to the party so i figured id say that here now too 😅🥳

Great advice sir. ty.

WOW. First video of yours that Im watching and I'm blown away by your sound. You immediately gained a new subscriber Thank you for sharing!

Great tips! One other is from deadmau5: keep your bassdrum lowends short or you will end up with resonating boooom boooom booooms in the clubs 😊

This is killer thanks for the perspectives - the music AND video production are top notch!

great tips! never thought about the reverbthing in clubs. nice one!

Im a bit sick of the "silence before drop" i understand the mechanic, it's everywhere, too much. But the thing is that you can do this effect while mixing in live so it doesnt have to be in every track. I know that the build up is important and of course you need it, but there is multiple creative way to create tension so don't fall in the same trick everytime !

Wow. You are amazing. Thanks for all your work and advice.

Hej Alice and everyone. I Said before that i am trying to make music and mixes but it is hard when the music ear is not top notch. So i made like this i take a ( gitarr stämnings hjälp ) i put it on one speaker and voilà it accuratly shows me the Tones so now i can make right Tones when building a mix or reloop. Hopfully this can help other beginners like me also. Best regards Michael. Ps thanks for your work Alice 👍🎶👏

One trick I found, adding on to the club simulating reverb, you can complete your whole song with the reverb on, only turning it off at the end or periodically to check the raw mix. It helps to pick out the sounds that don't really work in that dynamic and remove them before spending time on something that won't work for the club

Great video, it seems like we are all making music with the same 10 vocal samples off splice though ☠️ even loopmaster has all the same vocals haha, I think we need to start giving some singers more business

You should make a club simulator plugin with acoustica or someone of this sort... great demonstration!

Having a strong mono mix will get you 80% of where you want to be, all of the key elements need to be present.

You are wonderful.. because of your high level competence and experience in this field... much respect.. even I'm not a DJ or play in clubs.. it is very interesting and understandible knowledge that I don't want to miss ... I'm just a tech nerd who knows how to program a 303 or 909.. and how a modern sequencer works like cubase or cakewalk... keep up the high qualitry content and what you are doing... it is lovely.. I hope I can see you playing music in a club some day

Is the the track we hear at the 'club reverb' part released? It sounds so good! And thanks for the great tips!

Hey Alice i really enjoy your content keep it up. I ve got back to producing a bit heavily after a really long life break and when i see a video like this one and i already applied most of these techniques before i checked the video i know im in the right track on learning in a better way. But usually i find a lot of gems in your videos and you help a lot. Thanks for everything

Great video Alice, thank you!

Also, make sure to ram everything in the limiter. Dynamics are to be avoided at all costs. Everything needs to be equally maximally loud. This means any breaks or intermissions without rhythm backing, like a-capella parts or synth buildups, must be turned up to absolutely brain-meltingly, tweeter-coil-smokingly high levels. Corollary, the bassdrum needs to violently flatten everything else audibly with every beat so that said everything else needs to pump back up after every beat. Remember, if sidechain compression isn't yet conveying a sensation of having toilet plungers pumping on your ears, you are not using enough of it.

Interesting topic, Alice, and for me, what's most interesting are the technical differences between mixing/mastering for a living room and a club. You did touch on that with some comments about reverb, but I would certainly like more content in that direction. So, how do you deal with EQ and compression when mixing for clubs, for example?

your stuff is a fresh air out of similar channels on this platform... well done.. i always learn a lot and i enjoy the overal presentation.. very cool... if i ever do a festival again, you are my top priority... thank you

Alice, please release this ID, I totally need it!

"you cant play super energetic all the time" while showing a video from defqon where they play super energetic songs 4 days in a row and people have no issue keeping energy up lmao

i rarely make edm anymore but i watched you when i started (with edm) and i still watch cause you have great info regardless of genre!

THESE ARE AMAZING!!! Two questions if you will=> - Clubs differ around the world, even in the same town. How do you find the optimum mix that would work in all of them or at least all of them? - What would be difference between HOOK and the LEAD? They are boıth melodic elements so, how do you differentiate?

7:50 i wanna know where to find that music plsss

Im in love with your speaking voice 🥰🥰🥰

So your adding a pre build much like I have done with a White noise riser

oh but they dooo lol. great stuff, great vid, that bathroom test never dissapoints...thanks.

Wow great stuff yalcin....Can you also do the How to Prepare a good DJ set topic too.,,thank you

Awesome video as always you a great teacher thank you 🎉

Good info. Subscribed.. will dig through more of your videos later.

the first example, adding the vocal in the break ruins the drop. as the vocal of the song says if want to be my lover, you got to love the bass. an old method is record scratching for the ircha ircha or schra shawich then boom boom boom. but if you ad the vocal there in that place your vocals are now off beat and out of sequence in addition to modifying lyrics. another thing that could be done is a 1/8th bar of full silence for a dead drop... or if you wanted to do an effect, for the tones following a drop, a rewind would be prefect there before the boom boom boom. because the they synth organ already does the - -_ _==_ with the words... so it goes, - -_ _==_ if you want to be my lover... - -_ _==_ you got to love the bass, - -_ _==_ empty, then rewind, bomm bomm bomm. sample it, check it... u'll see im right. 2nd example with the hitat, that is just wrong. as there was no other use of hitat so it is rythmitically out of precusison sequence. because even if you were to have a clash of a symbol in the 2nd example. there is no soft hit, there is no ribbon ringing, as you would need that formerly to build into clash of a big symbol. yes you can do the same thing with a percussion hitat. going tat, tat, tat, tat, tat tat tat, tat tat tat, drop, then tat tat tat tat tat tat, bomm bomm bomm. but not formerly having the buildup, on top of the drop with a delayed to the beat drop. so problem in the 2nd example is drop delay drop. whcih is good if you want to throw off your audiance. so instead of a 96/98bpm too 99-108bpm jump. so instead of doing a 5-10 bpm esseclations to get people amped, the double delay with a bigger drop to faster pace can double going +10-+15bmp being closer to 106-113bmp. where a single drop is a normal beat increase goin up too about 105bpm which can be done between songs or within a song. but where adding something in the double delay breaks the double jump, to hit 109bmp. so the whole point in the double break is a delay to prepair the hearts for going faster, as half way threw the first song you get a double jump and really sets the pace for the show, getitng up too getting up too 122 or 125bpm at the start of 2nd song aka 1st song transitions. then the second song should be shorter then the long first with double break, then by time you hit the 3rd song 2nd transitions you are at 132-134bpm. where 90% of most eletro dance music is in this bpm range. ie. 6min song with 2min intro, 3.2min song, then 4min song. first 15min instead of 20-24min, and ur already at 134bpm. then you do smaller 2.4min song a transition piece with +2 or +5 where its going faster but doesnt seem like it. then when you start song 5, you can scratch song 4 segments into the intro. this is called pushing the top. then you cut loose and let the song run full speed then 22min you are at 154bpm. at the half way marker of a full set. because you dont wanna do a double drop with delay when you get up to high bpm. because it breaks the flow. you are correct about the tone, reverb, and echo effect. as this is something every live performance has to be mindful of pending if it is a airplane hanger, open stadium, or if its in a bombshelter. ect ect. different venues has different effects. something else to also consider is material of the venue. because an airplane hanger is mostly tensile metals and vibrate alot and have different waw effects for base tones and can sound like buzzsaws with too much. where an open field in a stadium with dirt and grass with a stone collusum isnt the same as burning man desert on lime rock. where inside a bomb shelter is vast rebarred concrete and doesnt move. as not only do you need correct tone, reverb, and echo cancelations. but you also need appropriate waw effect to make the walls vibrate with every pulsing beat. where instead of speakers, sometimes the solution if no-cone 1ohm transducers installed into the grounds, to really make the earth shake. where if the walls dont bounce and the titties dont shake... it aint gonna be a good show. where just getting more speakers does not solve the problem, and at times can make it worse. as hearing the music isnt enough, you have to feel the music move you! and that is how you get the binzine and dopamine to flow naturally from the crowds hippocampus. because music, is, a healing element! bomm bomm bomm!

It depends on a speaker system. If you have Function1, it cancels oit all the delays and reverbs

Also because soundsystems in clubs are in MONO when producers put too focus on STEREO

Wow! What is that track from The club reverb part? Sounds 💥💥💥

may I add: be conscious about your high end. some crash- or clap heavy parts can really hurt in the club if they got sausaged to the levels you need for your bass. this is a mastering issue, but can also be a DJ mess-up or bad resonant rooms. so not always 100% under your control, yet something to keep in mind.

The tip about club reverb is interesting, but if we force ourselves to not put too much reverb in case the track is played in clubs, there is a risk the track sounds too "dry" when played on radio/CD ? I suppose the DJ's don't play a special version of commercial songs just mixed for clubs?

in the groove example, at 5:00, the track that's more difficult to groove to, doesn't have side chaining on the kick.

The "club simulator" got me! hahaha jokes aside, it's an amazing tool!

hi :) new to your channel.. could you pls share what is the song at 7:00 :) absolutely loved it

I'm still stupid enough thinking that any good track is a success, no matter of technicalities.

Good as always! 😊

Dear Biskuwi, I like your videos...but even much more your music. Could you do more personal videos about your creative process and how you've built some of your masterpieces? Cheers from Paris

Very good video. Thank you.

Great video. Super useful.

Amazing vocal tips

good video thanks for the tips ;)

About the description: What the hell is the difference between melodic techno and trance? :D

What is the song you play in the reverb section?

3:08 sounds like a name for the edit: Trackname (Club Simulator Edit / Remix)

great stuff thanks

How did you maje that Club Simulator that a great idea

Whats the site with the vocals where you chose Tina?

i'd love to attend one of your sets. Im in the UK

Super smart & Super music!

Thanks!

Been awhile Alice, love the hair.

Thanks

Ali this is Genius!!!!!!!!❤❤❤❤❤

Heyy! Audio a little bit off from the video (in ableton), constructive critic😁

You're fn amazing

please show this video to as many producers as possible in all different genres. if i'm partying and straying too much from darker underground sound i'm always bombarded with music that has way too many and too long breaks which totally kills the flow.

Great tips ! When using the club simulator preset, do you listen in mono (preceding it with eg a Utility with mono on). Assuming that most club systems are mono ?

Maybe sometime you could use these sorts of examples on something a bit more house? I like your videos but that example tracks are almost always these melodic techno tracks. Thanks 🙏 ❤

You're looking awesome blonde! Nice video!

Tried to download the preset , it said broken and I couldn’t load it on ableton

what is the name of the track ? DL link ?

Nice tips but very subjectives and related to a specific music genere. Anyway great contet

Have you got a link to your latest Ableton Template with the playground etc. Thank you

Just wondering can you be successsful as a music producer if you don't DJ your own songs ??

Very insightful! 💯

What's that ''you gotta love the bass'' song ?

wow great

when r u coming to Bergen?

Useful🎉🎹👍

Bravissima!❤

Hey, where/when will be your Kate Bush Remix will be released? Thanks in advance!

Can you link your Massano System remix?