I was there too. His voice was everywhere...this doesnt quite capture the brass and power in his voice.

@@mugrad25 Good to know other people there had the same good impression. I went for Elina Garanca, but in the end loved everything in this production.

@@magnabarros7548 i loved everything too but somethings confused me like: the fat old ladies running through the grocery store, child slaves working on computer parts, the victorian garb, the sadistic ronald mcdonald who was always present lol.. the singing was brilliant but i laughed my ass off at times. But yes Yusuf is so underrated. I saw him in Turandot and he was just incredible. His rendering of celeste aida gave me chills and made tear up a bit. Still im curious how he would sound singing quieter. Obviously he has teflon cords to sing so wagnerian all the time but i think he can grow singing lighter

@@mugrad25 I read some harsh critiques on Calixto Bieito's work. I know the production divided opinion... it was even booed on one occasion. I think there was maybe too much social critique towards too many differet targets. I got confused sometimes too. Anyway, I'll see his Lohengrin at the Staatsoper next year.

@@magnabarros7548 - This will be a total failure , this Lohengrin performed by Yusif Ayvazov - don't you have real Wagner performers in Berlin or Vienna - it's a massacre !!!!!!!!!!!!!!!!!!!!!!!!!!!!! Instead of wasting your time and money on some ignorant and overrated Eyvazov , get tickets to see Jonas Kaufmann , he will sing Lohengrin masterfully [ I know because I heard him ] - it's a waste of time listening to mediocrity and vocal bungler !!!!!!!!

L’ hanno scippata, povera signora?

E lei immagino porti lAmplifon...che non funziona

Haha che divertente che e’, povera signora mia! Faccia la comica, che le riesce bene. Cordialità

problem is, there will only one Pav in our lives, he was a one off, have to learn to put it out of your mind when listening to others, the big man had the voice of god, of that there is no doubt, but I agree with you, this aria is difficult listened to by anyone other than him.

What about Corelli? In my opinion Corelli and others overshadowed Pavarotti

Definitely. @@Tin0unoduetre

@@Tin0unoduetre - Franco Corelli is one of my favorite tenors, whom i have heard and seen on stage - a true phenomenon of opera singing. Corelli as a dramatically heroic tenor, had a dark voice and sang with a wide phrase, for which he was famous. Pavarotti was a lyrical and dramatic tenor who sang in a narrow and medium phrase, with a dull voice in the midrange, which from the middle for the scale upwards took on a magical sparkle like a diamond. In my opinion, both F. Corelli and L. Pavarotti were the kings of the high ''C'' probably embedded in the register. Pavarotti's high ''C'' always had a brillant shine, while the same sound in F. Corelli's was nobly metallic, like the finest stell turning into the magical glow of the noblest platinum. Franco Corelli's high ''C'' was always better set in the scale register than Pavarotti's and was therefore much more confident. Comparing Corelli to Pavarotti and other famous tenors such as M. del Monaco, G. di Stefano, C. Bergonzi, J. Bjoerling or P. Domingo is, in my opinion, ridiculous and unprofessionsl !!! As tenors, they all have different voices, are different artistic personalities and have different vocal techniques, so it is difficult to compare them - let's be glad they were there. The world of music and opera is so big that there is room for everyone, even for such undereducated and overrated vocal mediocrities as Anna Netrebko and Yusif Eyvazov - I don't listen to mediocrities because it's a waste of my precious time - best regards.

An uninspiring performance is worse than no performance at all. That's my opinion after listening to a lot of both great and mediocre singers

Perché un tempo si era educati, con la libertà dell’ online molti sfogano le loro frustrazioni.

This is nonsense !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! The voice is unbearably vibrating from the very brginning until the finale of the aria - the singer opens his mouth at full volume untilyou can see '' the contents of his somach'' which proof of total deficiencies in voice emission and vocal technique - in the finale he forcefully attacks the high ''C'' which makes the voice compressed, vibrate and imperceptible - there is no point in applauding - I'm very sorry !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

There is no certainty in Eyvasov's voice from the very beginning - the first phrase of the aria sung on the words ''Nessun dorma''[ Let no one sleep ] is extremely vibrating and not clearly articulated technically - which proves the singer's huge problems with controlling his breathing and breathing. is evidence of incorrect emission of his voice !!! In the next part of the aria it only gets worse - his facial expressions and excessive opening of his mouth when actacking the upper notes only prove that Eyvazov has no control over his diaphragm, which affects his terrible voice emission, which makes the voice compressed and vibrates terribly !!! Nothing is certain here, nor is it sung well - the untrained diaphragm is wandering - I'm very sorry !!!

You must be fun at parties.

Bloody awful, self-indulgent and ignorant comment. Direct me to a link of yourself sing this piece.

Ma cantate voi così, capre invidiose!

Seen him twice. Each time amazing

Yours was an imbecile comment in the other video. Well done.

@@pvandck You seem to like this puppet! It seems that you`re quiet deaf - or you are the Eyvazov himself.

Why this aggressiveness?

@@maxiifarrate523 Because he is hurting my ears.

Това е завист от Ваша страна. Завиждане на таланта му

согласна ! вокал просто ужасный !

ЦЫГАН, ЗАВИДНО?

such a critic

Why should he be anyone but himself?

@@giovanniformisanotenorefor4999 Because you can compare artists on a subjective basis. Why not? Of course he is not on par with Pavarotti. How could he? You have to be tone deaf to not hear the problems in that piece. Quiet flat in range and i am not getting any emotions. Still technically okay. But Nessun Dorma must deliver emotions. I can not NOT cry on Lucianos performances.

@@quecksilber457 I just don’t think it’s fair game to compare them. To me, Corelli is the absolute best but, having said that, I am certainly going to form an opinion on Efayzov just based on his performance, not by putting him up against others. He is not as terrible as people say he is and one can simply say that he/she is not a fan without knocking him in the process.

He is not someone, he is himself - Yusif