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@viniciodecheco3433 Күн бұрын
Increíble la magnitud musical de esta fascinante sinfonía de un genio casi desconocido de nuestra lengua...
@michaelgcomposer 6 күн бұрын
Wow.
@norwalltino 6 күн бұрын
Wow!kzfaq.info/love/zPU7cPUFkY5DSsye_DA5xg
@georggeiersdorf1077 19 күн бұрын
I was shocked by this wonderful music, especially by 2, 3, 4 pats. And excellent performance. Ready listen it more and more. Thank you for such a good music.
@AscendedFromSilence 23 күн бұрын
Das Orchester hieß erst ab Januar 1975 Radio-Sinfonieorchester Stuttgart (zuvor "Südfunk-Sinfonieorchester", ab 1998 " Radio-Sinfonieorchester Stuttgart des SWR"). Die Lebensdaten von Wilhelm Barth sind 1914 bis 2004.
@valerieheinderyckx4506 24 күн бұрын
Je ne connaissais pas...sacré symphonie, j'adore. Merci infiniment. ❤
@RechtsstaatBRD 26 күн бұрын
Imposant!
@NickFrostMT Ай бұрын
I love this. Where on earth did you find it?? The only reference to it I can find is... this video.
@fan2jnrc Ай бұрын
We say "Les Girondins" in French, not Girondistes... ;)
@bomcabedal Ай бұрын
I know, but that's what it said on the titles. Perhaps a different spelling in the 19th century?
@Leonid1969-e8d Ай бұрын
Hello! Thank you very much for publishing this rare sound recording! Unfortunately, your time code is incorrect (the start time of the second and third parts of the Concert).
@bomcabedal 26 күн бұрын
This is the form in which I received the recording (ages ago). I haven't seen a score. If you have the correct time stamps, I'd be grateful for them.
@Leonid1969-e8d 23 күн бұрын
According to my observations, it turns out like this: part 2 - 15:25, part 3 - 28:08 (here you have it almost right).
@bomcabedal 23 күн бұрын
@@Leonid1969-e8d That is far more likely, of course, although I'd love to have confirmation in the score. No idea why the people that I got it from cut it this way. Anyhow, thanks for pointing this out.
@JAMESLEVEE Ай бұрын
The tempo of the 3rd movement Scherzo is Molto vivace, per the publisher.
@Summalogicae Ай бұрын
Fairly conservative piece for 1922, but it’s enjoyable.
@ThinkHEAVEN-YouTube Ай бұрын
Could be the best composer ever 🎉.
@JAMESLEVEE Ай бұрын
This is his Op. 44. The movements are: I. Allegro assai II. Andante sostenuto III. Scherzo: Vivace IV. Allegro con brio
@bomcabedal Ай бұрын
That's weird; I have slightly different ones (now in the video description; this video was uploaded at a time where I didn't put in movements yet).
@JAMESLEVEE Ай бұрын
@@bomcabedal There is an entry with the movement information on IMSLP. It provides the information I have given, but not the Andante sostenuto introduction to the finale. That said, listening to the finale indicates you're right. There is a slow introduction. And I'm just as certain that IMSLP is correct that the Scherzo is marked Vivace. I'll see if I can let them know on the IMSLP Forum.
@xavierbordes1373 Ай бұрын
Un grand compositeur français qui n'est pas encore à sa place... Pourtant son style est caractéristique !!!
@user-pw9us5yo4m Ай бұрын
Very charming and with darker touches here and there
@eschiss1 2 ай бұрын
btw this recording is incomplete: since the exposition repeat in the first movement is skipped, we miss the first ending (about 5 min 20 in or so). Don’t know if any of the half-dozen other recordings mentioned in the Musikproduktion Höflich preface survive as tapes or if it will be ever recorded again so that may be it …
@eschiss1 2 ай бұрын
The opening seems a sort of cousin to that of the Parsifal prelude :)
@caIicomoon 2 ай бұрын
ok this BANGS rip robespierre you wouldve thrown it back to this tune
@francispanny5068 2 ай бұрын
The Belgian Liszt.
@marcsetmais7598 2 ай бұрын
Wauw! Wanneer weer eens op het programma in Nederland ?
@radovanlorkovic3562 2 ай бұрын
Schöne Musik!
@user-jz2sx3ij1x 2 ай бұрын
Лахнер-всегда и все прекрасно. Люблю..
@hyperaticism 2 ай бұрын
Where did you see the movement indications? Are you sure the second part is not the cadenza and coda of the first movement? the Exotic Dance may refer to the middle section of the slow movement, I guess......
@hyperaticism 2 ай бұрын
By googling "Hans Wolf Klavierwerke I und Op. 7", you can see photos of the disc contains the other performance, on the back the program list indicates that the second movement is called "Exotic Dance Scene (Exotische Tanzszene)", and the third bears the title "Finale. Burlesque (Burleske)"
@hyperaticism 2 ай бұрын
Is this an orchestration by himself?
@bomcabedal 2 ай бұрын
No idea, sorry. But I would assume so, as he produced quite a bit of orchestral output.
@shadmium3471 2 ай бұрын
it's really unfortunate how inaccessible the scores are for these obscure composers
@bomcabedal 2 ай бұрын
IMSLP has done great work, but particularly work by composers outside northwest Europe remains hard to access. In the case of Del Campo, the Spanish National Library can help you.
@sappclobyt1331 2 ай бұрын
Ehh, ear training goes crazyyy
@shadmium3471 2 ай бұрын
@@sappclobyt1331 well i know that but youre probably missing some of the texture sometimes if you were to transcribe it
@MrBrasmi Ай бұрын
Thanks for sharing!
@dmitrysofronov8624 3 ай бұрын
And the early photos of Nuremberg are nice, too
@donaldauguston9740 3 ай бұрын
What a fascinating work; I like it quite a lot. Thank you for posting. DA
@donaldauguston9740 3 ай бұрын
This is what I found on Wikipedia about him: Karl Hugo Myrtelius , born 11 July 1892 in Nosaby , died 24 October 1977 in Slottsstaden , [ 1 ] was a Swedish military musician, composer and arranger. He graduated as a music director in 1921. As a military musician, he was the leader of Gotland's infantry regiment's band in Visby during the years 1924-1927 and of the band at Halland's infantry regiment in Halmstad 1927-1947. The march The Colonel is dedicated to the regimental commanders over the years. After his retirement, he settled in Malmö where he conducted some amateur music choirs. He was also for a time a teacher of counterpoint and instrumentation at the Academy of Music in Malmö .
@rogermusson4110 3 ай бұрын
Stirring stuff!
@alexstuttgen3070 3 ай бұрын
Thank you for posting this - saving my music history essay
@peterleys550 4 ай бұрын
Dear Mr. Cabedal, it is with admiration that I see and listen to (and like) archive recordings that you post of Flemish composers. Do you have access to the BRT archive or where do you get those recordings? For example, I have been looking for years for the recording of a concert of 17/11/1973 by the BRT orchestra and Ghent choirs conducted by Fernand Terby in the Ghent opera. That concert was then broadcast several times on radio. I would especially like to hear the third work from that concert: 'Als 't bruine veld' by Jef TINEL performed by choirs and piano. Can you find it? An other example, a concert from October 1955 was recorded at the Ghent Conservatory that was entirely dedicated to Jef Tinel (choral and orchestral works conducted by Jef Dispa). I've been looking in vain for that recording for years too.... Thank you in advance for your response and best regards, Peter Leys
@bomcabedal 4 ай бұрын
Hi, my older uploads mostly came from tapes (some dubbed multiple times) that had been circulating in collector circles for years. Mostly, these were radio recordings. More recent ones were things I got through contacts or dubbed myself. Regarding Tinel, I can't find the recording you refer to. I suppose you have been in touch with the Ghent Conservatory? You might also approach Gaëlle Deldime, Tinel's biographer (the bio is from around 2000, if memory serves.
@peterleys550 3 ай бұрын
@@bomcabedal Thanks for your answer.
@ttle18 4 ай бұрын
Thank you for uploading this, I never managed to order the CD. You (and Christopher Muscat) must be right about the Marcia religiosa e fuga. Nothing in this symphony is even remotely close to D minor. The Andante is in A flat major, the Finale starts in C minor and ends in C major, the scherzo is in F minor, so a first movement in A flat major is fairly reasonable.
@bomcabedal 4 ай бұрын
I wouldn't want to compary my knowledge of Maltese music to that of Christopher Muscat - HE is the authority here. I agree, however, that considering the dearth of documentation this is a reasonable assumption - moreover, it is more or less the only way to make sense of this composition.
@JAMESLEVEE 4 ай бұрын
Beniot composed an opera on the same subject. I uploaded its overture a few years back.
@bomcabedal 4 ай бұрын
That wasn't an opera, but theatrical music to a play Emiel van Goethem. Both pieces were written to commemorate the tercentennial of the Pacification. Waelput was something of a Benoit fanboy; the final theme of this piece was directly ripped from Benoit's Oratorio De Schelde.
@JAMESLEVEE 4 ай бұрын
@@bomcabedal much appreciated.
@douglasyiuchinglok307 4 ай бұрын
Where can I find the full score of this???
@9827george 4 ай бұрын
I'd rather translate the title as "The miracle of flowers" - the term Wunder is not about anything wonderful and marvelous or delightful but something whimsical, miraculous and fantastic
@bomcabedal 4 ай бұрын
I'm not entirely aware of the background to the piece so can't make statements about the title's exact context, but I think both meanings (and more) can be applied to "Wunder". I can't give the URL to Duden, but do check it out.
@kbhprinsesse 4 ай бұрын
When was this recorded?
@bomcabedal 4 ай бұрын
I haven't the foggiest, sorry.
@kbhprinsesse 4 ай бұрын
@@bomcabedal No worries, thx for the upload!
@kbhprinsesse 4 ай бұрын
When was this recorded?
@jerrycallison6125 4 ай бұрын
Thank you so much for another wonderful find! Another new (to me) composer. One doesn't find that many symphonies from Italian composers as their emphasis tends toward opera. It is a shame they are for the most part ignored by orchestras. They have a totally different, and delightfully different feel than the Germanic symphonic works.
@bomcabedal 4 ай бұрын
Vassallo was Maltese, in fact, and mainly wrote choral pieces for the church. However, he's clearly influenced by Italian sacred and opera music.
@jerrycallison6125 4 ай бұрын
Thanks for the info. I should have looked him up, but was too lazy. I just assumed from the name and the style. Note to self: Never assume!
@bomcabedal 4 ай бұрын
@@jerrycallison6125 'Tis but a short boatride between the two, after all.
@jerrycallison6125 3 ай бұрын
@@bomcabedal True. Hadn't thought of that. I'm going to relisten right now.
@mattbrown5947 4 ай бұрын
Bom Cabsdal, thank you for this and all the other interesting music you upload. Yours is one of my favorite channels on KZfaq. Best wishes
@user-ws6ru6jn4v 4 ай бұрын
ニ長調ですか？ ニ短調ってありますが。
@fortunatomartino8549 4 ай бұрын
The commercials preceding these rare compositions are always these jass teachers who teach a long extinct music
@bomcabedal 4 ай бұрын
Unfortunately, I have no control over whatever YT chooses to insert before and after. The minute they start inserting ads in the middle, I'll close the channel entirely (so do let me know if that is the case, I have ads blocked myself). I obviously don't monetize my channel, that would be highly unethical.
@fortunatomartino8549 4 ай бұрын
@@bomcabedal Love your content Thank you
@TomisHarena 4 ай бұрын
32:40 This area is a melodic jewel
@9827george 5 ай бұрын
wie lauten die Originaltitel auf Deutsch?
@franciscoconceicao3378 5 ай бұрын
É de lamentar que não se divulgue mais entre o povo a música clássica dos autores portugueses. Só a música dos clássicos estrangeiros tem valor ?... Por favor... Ouçamos a boa música portuguesa,,,
@bomcabedal 5 ай бұрын
Não creio que a situação tenha mudado muito. Na verdade, a música portuguesa é mais fácil de obter. Houve boas e múltiplas gravações de obras de Braga Santos, Freitas Branco, Vianna da Motta e outros/outras nos últimos anos. A sala de concertos é um assunto diferente, obviamente.
@donaldauguston9740 5 ай бұрын
This was a very heroic work. Please post more clips of this composer's music. I'm not familiar with him and I'd like to know more. Thank you, DA
@JAMESLEVEE 5 ай бұрын
Full movement information is as follows: I. Allegro. Bewegt, mit erhabenem Ausdruck II. Adagio. Einfach und innig - Moderato quasi allegretto - Ein wenig geschwinder - Plötzlich belebter (aber immer behäbig) - Tempo I - attacca: III. Leidenschaftlisch und stürmisch - Adagio - Tempo I. Kudos to the indomitable, inimitable Eric Schissel.
@eschiss1 2 ай бұрын
You’re too kind!
@zaphbmail 5 ай бұрын
Byl to žák Zdeňka Fibicha, jeho vliv je znát. Dobrá muzika
@salvadorbrotons6450 5 ай бұрын
Bellissima obra. S’hauria de fer cada Nadal per tot el país. Poesia pura!!!
@alekseyforsyte7386 5 ай бұрын
Many thanks for the great music and photos. Love your channel, please keep going.