Thanks for watching! Man I Love that camera. Happy Shooting 🙏🏿💯

Thank you so much 🙏🏿💯

@@Mperrymanstudios BTW, I forgot to subscribe. I took care of that. I think I'm early in liking you. I'm hoping you blow up. I like your energy. I'm more into photography but still think I'll learn from you. I bet you'll be at 10K subscribers before you know it. Good luck.

@@cliftonivey3756 fam I truly appreciate that. Im also more into photography and Ill be sure to keep the topic alive as well. Thanks for the sub and ill use your kind words as motivation to prove you right. Road to 10k 🙏🏿🙏🏿🙏🏿

by tah way. 70 mm on sports :))) you need at leat 200 !

Thanks for the input. Stay blessed 🙏🏿

do yoursel a favour. Mr. I feel sorry for you, remove this vdieo, It mekes yo ulook a total RNowbee . serious ly, wait til you get experiance and knowlendge of you r videoskills to comeout with " revews! .@@Mperrymanstudios

You’re a creator, he’s a creator.. instead of bashing try building others up. Pretty disappointing comment. There’s plenty of grammatical issues with your comments that he could have easily come back at you with and he chose not to. That should tell you something.

Thanks for watching, and yeah that is correct and I was incorrect at the time of this video. Unfortunately I compared files that were shot in 24fps vs 60 fps. Bless! 🙏🏿

Ok! 😅@@Mperrymanstudios

Definitely shoot 10 bit, because I almost always still want to play with it in post.

n3716 10 bit S-cine smaller file size compared to S-log 10 bit I'm assuming?

They do, it's the s709 lut

PP11 is already set to be S-Cinetone by default.

@@Mperrymanstudios Gotcha . Thanks

It’s a full frame lense but you can absolutely use it on APSC body’s and it still get a beautiful shot!!

@@creelvlogs6405 i got the fx30 for business- content. My opinion the best Cam on the market. :-)

I got you, give me a week or so! 💯💯💯 bless

Thanks for watching my guy! Bless up 🙏🏿

@@Mperrymanstudios Thank you and GOD Bless

Appreciate it my guy 🙏🏿

🙏🏿💯 if you know you know 🖤

Thank you, I shit in S-Log and manually graded with FCPX

@@Mperrymanstudios thanks for the info!

Lol I *shot

@@Mperrymanstudios i noticed that, made me smile!

@@Mperrymanstudios funniest auto correct I’ve seen in a long time 😂😂😂, I shit in slog too 😂😂

I absolutely love this camera.

Definitely, the talking head audio came out lower than expected. 🙏🏿💯

Bro spent all the budget on the camera

Thanks Brian I appreciate the sub, and im already editing another one coming soon. 🙏🏿 bless

Mos def my guy, im always down to talk about creative ish, which camera do you use?

@@Mperrymanstudios a7iii and i appreciate you

A7III was my main bitch for a while lol. First thing I do to get good video on the A7III is shoot in HLG instead of Log. Way less noise and great colors with minimal grading needed.

@@Mperrymanstudios ok i just did the s cine setting on it but def going to try the hlg again!

In S-Log 3 I usually overexpose all the way up to 1.7 to get clean footage, but S-Cinetone no need.

@michaelperryman3716 I do 1.7 mm but in low light it's hard to do ...like little noise appears.

This is a misconception. Picture profiles doesn't affect noise floors, ISO does. Gerald Undone actually demonstrated this on his a7s3 review. It's a very comprehensive review but you should watch it properly or you will misunderstand.

So here's the misconception: You need to overexpose Slog3 to have a clean image. Real answer: You actually don't. Instead, use the native ISOs and make sure you exposed properly. For low light situation, use the 2nd native ISO. And this is the 2nd misconception, and most likely due to the misunderstanding of Gerald Undone's video: how to expose properly. ISO actually doesn't expose the image. It doesn't make the sensor receive more light, instead it adjusts gain, meaning it digitally increases the brightness of the image, does creating more noise, no matter the profile used. Instead, you should add more light to the scene if the image is too dark, or use a fast lens and open up your aperture to receive more light. And here comes the 3rd misconception. Noise. ISO is actually a gain. It increases brightness digitally so no matter what the profile is, the higher the ISO you use, the noise it gets. It's best to watch properly Gerald Undone's a7s3 video but to explain it, they actually have the same noise. For example on a7s3, ISO 80 for pp off has actually have the same noise vs ISO 640 for Slog3. It's because that's the native ISO for both profiles. Also they actually have the same brightness. The difference is that PP off (rec 709 including Cinetone) has a lot more contrast baked in vs Slog3 even when transforming the Slog3 to rec709. Because of this, the noise floor is already pushed down on rec709 profiles but at the cost of dynamic range. For lowlight situations, most likely you'll have crushed shadows and overblown highlights whereas Slog3 will have more information on those areas. Due to this, the noise floor for Slog3 is at 10 IRE so noise will be more noticeable if you zoom in the image. Now, try matching the rec709 shadows to a properly transformed Slog3 (transformed either by CST or Sony's official Slog3 to rec709 LUT) . Because rec709 has already a lot of contrast baked in, to match Slog3 you will raise the shadows in rec709 profiles, then the noise will become noticeable because you also raised it's noise floor. Conversely, if you try to match Slog3 with the uncorrected rec709, you will push down the shadows, thus also pushing down the noise floor so the noise won't be noticeable anymore.