...also do you always use 12 - 24 for interiors? some prefer the 16 -35 as it distorts less

nice video. what fps do you shoot at with the A7siii? 50p? 25? what timeline do you edit the final video in? thanks!

I was thinking of picking up one of these as a b-cam because I’ve seen full kits for less than $3000. Crazy to think they were $40,000 at one point. Haha.

I was curious if the K-X was overkill for real estate and I’m convinced it’s not thanks to your video. I want that dynamic range! You got some beautiful scenes. Thanks for making this video!

How do they work with IBS?

Elle ne vaut plus que 5000€ now... le pire investissement possible

The suction cup for mirror will not gonna work for cars, because the surface of the cars is not flat, you not flexyble suction cup

I love the idea!

Awesome, incredible work.

Très beau travail de production, bravo Guillaume !

Hello. I am currently debating between the 14gm and 1224gm underwater wide angle lens for my Sony full frame camera. Although 1224gm is heavier, I don't think it will make much difference underwater, and some people say that 1224gm has more distortion. What do you think? I'm curious what more you recommend.

Bro can you paste your LR photo setting…..

Hello Guillaume comme tu es en focus manuel tu fais ton point sur l'infini j'imagine ?

Im confused about this workflow. Is the LUT you are using a Correction Lut or a Creative Lut? Correction Luts usually go on first thing. Creative Luts go on at the end.

Would love to see a Gemini vs Komodo lowlight comparison !!

phantastic, thanks a lot 😄

Baby gimbal 😂

This was awesome thank you! I only have one question, what if you have the camera LUT to convert it properly, then can you apply a creative LUT on top of that? How would that process work?

Were your shooting raw or ProRes with the Komodo

Also, how do you export your files? Do you use the pro res option or H264? I get a warning when trying to export from h264 but the apple pro res option makes the file huge!

Great tutorial! I was curious where you got your Red conversion luts? The ones I saw on the Red website are different. I didn't see any Rec 709 luts.

C-17 jump is a bucket list for me. What a dream.

Very cool.

Can I please ask if you experienced any ghosting or reflection issues, which is common with front lens filters with light at certain angles ? I stopped using front filters because of ghosting and bad reflections when shooting hand held video with movement. If these clip in filters don't suffer from that because they are behind the lens that would be a very significant difference.

Thank you for making this video! I copied your techniques with minor adjustments, and it made a lion fish in my go pro video look that much more gorgeous 😀🙏

@Guillaume Cornet This is a great video! I have a question, what are the last steps to all of this? Once you've color-corrected things and you're ready to export, what do you do exactly?

Just found your channel! Any update to this workflow now in 2023-2024? Also, What denoise plug in do you normally use if or when you need to use? The one built in the Final Cut (The latest version) kept crashing during rendering. Thanks😊

Touch and hold your screen, then slide your finger left to right it will move the gimbal It also works sliding your finger up and down.

Do these require cropping

incredibly helpful video bro, I learned a lot, ou should have started with the last tool though ;-)

Amazingly done! I have a Ronin S too and was wondering if anybody else uses it to balance heavy telephoto lenses. You nailed it! I can balance relatively well, but I learnt a lot from your video. Thanks and keep posting more.

Thanks for this.

When recording 120 on both cameras does it also record sound?

I installed RED apple workflow. My footage is all glitchy when I upload in FCP. Can you let me know what I could be missing?

Looks like a footage from another planet

Why is my footage already looking so saturated and not flat. What am I missing? I know it should be somewhere in the meta data, but can I reset it project wide, to be able to color correct and grade every clip? I badly need to add some mood to the footage and that is barely possible with everything being so saturated already. 🙂

C'est si inspirant, félicitations, chapeau bas devant tant de motivation, de discipline et de travail dur !

Vidéo clair, précise, et très instructive. Je suis un amateur qui bidouille un peu depuis un peu plus d'un an en discontinu mais depuis quelques temps j'essaye de réellement améliorer le rendu de mes vidéos. Je connaissais un peu tous ces tricks mais je ne pensais pas que l'on pouvait pousser aussi loin la colorimétrie avec tant de minutie. Je n'avais jusque là jamais filmé en dlog/cinedlike etc et je ne comprenais pas pourquoi j'avais des résultats si médiocres à l'étalonnage. Je vais essayer maintenant de tourner en flat et voir si j'arrive à tirer mon épingle du jeu. Merci encore pour cette vidéo, me voilà désormais abonné !

Such a cool insight man! Loved it. Was thinking about that exact same setup with the RS3 Pro and that Digitalfoto Ringgrip since I am still rocking the OG Ronin 1 gimbal and it's starting to die. Cuz of batteries getting very hard to find

Oh who this guy let’s go

thanks for this particular comparison. well done. To me personally Air2s 5.4k resolution is really making a difference. Althou the colors are SO off compared to M2pro. I always liked M2pro footage MORE compared to air2s. It's just more filmic.. look more pro. and has more details in the shadows (in every clip I ve seen). M2pro for me. Despite lack of 4k60 and 5.4k modes.

crushing the game

Nice mate!

Great Tutorial my friend 😀👍

How does the 1/8 diffusion compare to black promist 1/4? I wonder if the diffusion behind the lens has different effects in relation to the density?

Omg, amazing bro !! place?

NICE ONE!!!!

hallo nice job is that high angel good to shoot sport cars ?

Extremely helpful! This deserves way more views. Appreciate it dude 🙏🏻👊🏻