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This RED Komodo workflow can be applied to any RED camera using IPP2 and the part I talk about color grading is actually applicable to not only RED footage but also other raw capable footage or any other format actually.
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►My favorite LUTs for the RED Komodo : shorturl.at/clEF7
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►Gear us in this video I recommend:
Tilta RED Komodo tactical cage: geni.us/TikYI9
Smallrig low profile nato rail: geni.us/Av2c
Canon 24-70 2.8: geni.us/b2ja
My gimbal: geni.us/DG0uYeA
PM VND filter 82mm 2-5 stop: geni.us/hN2rg
Polar Pro Matte Box System: geni.us/WmPBH
Heavy-duty 12g SDI cable I highly recommend for the Komodo: geni.us/dKHWSW
Heavy-duty Moment magsafe Phone mount for the Komodo: geni.us/5Dmq1ap
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I forgot something important!!! Yes you can grade on proxies and yes it will stay on the original footage when you switch back. You can see the proxies as just a preview option, HOWEVER, 2 things:
1-if you have created proxies and you change any raw setting, fcpx will delete the proxy version of that clip you’re trying to modify. This is because the proxy rendered is only a visual “mirror” of your raw clip including any raw settings applied before you click render but doesn’t contain any raw data, therefore the proxy file is considered as "outdated" you’d have to re-render the proxy for this clip if you change its raw settings.
2- Even though you can color correct and color grade using proxies (except raw settings), I would strongly suggest not to do that if like me you use low-quality prores. This is because you’re applying a grade on a "mirror" clip that doesn’t have any information or “depth” and when you switch back to the original media, the adjustment you have done will be slightly off and in lots of cases, you’ll have to readjust.
In short, unless having rendered high-quality proxies (prores 422 for example), I’d always color correct/grade using the original media view.
Let me know if you have any questions!
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00:00-00:40 - Intro
00:40-01:11 - RED Apple Workflow
01:11-01:42 - Importing the footage
01:42-03:48 - Checking your r3d raw settings, Color space, and Gamma
03:48-04:31 - Apply the RED IPP2 camera LUT
04:31-06:00 - Create Proxies (recommended)
06:00-09:19 - The right way to do any color correction (Most important thing to take away)
09:19-10:23 - Demo footage
10:23-12:01 - Conclusion
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