She plays it slower and more detailed. We are able to hear some of the notes that are usually not heard when played too fast and too intense.
@raulalbertodoszel14316 күн бұрын
Es vergonzoso que en mitad del concierto lo interrumpan para poner publicidad, ésto es destrozar el concierto, señores esta música es para para el espíritu y no comercial, publicidad antes o después
@nweisel11 күн бұрын
Great performance, but why the cadenza? Beethoven hated that.
@dmitriyatsenko570713 күн бұрын
05:31 definitely foreshadows the middle section of the middle movement of the next (20th) concerto
@bachouvenn356313 күн бұрын
1:08:42 that melody change of the barcarolle is so mesmerizing 1:09:30 he also used the middle pedal there, such detail is so good
@Puran.14 күн бұрын
Masterpiece ✨✨😁😁
@Puran.14 күн бұрын
No words best in best literally 😍😍😍😍
@mariadelosangelescastro163816 күн бұрын
Todo de acuerdo!!👌👏👏👏👏👏👏👏
@starchasing982017 күн бұрын
For my reference: largo 17:55 rondo allegro 27:26
@Warauwater18 күн бұрын
R.I.P. Maestro From Japan🇯🇵
@katttttt19 күн бұрын
1:11:53 why is this part so much replayed lol
@olivierbuard19 күн бұрын
Dans cet impromptu c'est Dinu Lipatti qui offre, et pour longtemps, la meilleur version. Bien sûr Evgeny Kissin est un immense pianiste. Dinu Lipatti avait, ce quelque chose en plus qu'aucun pianiste n'a : la justesse pure, jusqu'à la pointe de l'âme au plus près de Dieu.
@ArmanddesEsseintes-ry7vv21 күн бұрын
What is the best interpretation of this piece? Kissin's, Brendel's or Horowitz's?
@sivakumarvakkalanka493821 күн бұрын
There is a lack of sync between the audio & video which ruins what is a lovely interpretation. Tragic 😢
@gleisonmartins23 күн бұрын
Alimento pra alma!!
@karimyousef683325 күн бұрын
2024 anyone?
@catherinetangalakis720226 күн бұрын
divine
@Trout2826 күн бұрын
RIP Maurizio Pollini one of the best pianists to ever live
@user-vg1rr5rl1x26 күн бұрын
A fene egye meg a KZfaqot, ha képes reklámot belebaszni egy zseni művébe! Az sem érdekel, ha jelent. Ez gyalázat.
@gustavogauna281629 күн бұрын
Es La Sonata para piano de Beethoven y Pollini con una claridad exepcional. Bravo
@lionelthiebaud7081Ай бұрын
Version hallucinante et hallucinée de cette Appassionata de Beethoven, oui décidément Maurizio Pollini restera à tout jamais l'un des plus grands pianistes du 20ème siècles
@wadessirenvideos6750Ай бұрын
One sad fact is that gay people are terribly ridiculed and looked down upon. This is so wrong and against God's will. Being gay is not a mistake to correct, it is like a gift to be treasured. Did you know that Schubert was gay? Yes he sure was, and incredibly musical and creative. I have friends who are gay, and happen to be very talented in art and music. I promise to God to be supportive of them and their abilities. I encourage them to be proud of who they are.
@GTXTi-db5xuАй бұрын
i love you evgeny
@maribelgongoradiaz6284Ай бұрын
Espectacular Gracias ❤
@clairebuy6398Ай бұрын
Merci, Pollini : Perfection. Toute la force de Beethoven. ❤
@LUIZEDUARDO-wd6dyАй бұрын
FORÇA Penso - o que seria, enfim, se eu não pensasse e não cresse ter sua Força dentro de mim?
@lorrainesanie1763Ай бұрын
A man after Shubert's heart❤️
@user-wb6pe5kn2jАй бұрын
生で拝聴したかったです。 言葉に言い表せない。
@dongjincho4606Ай бұрын
0:31
@before711Ай бұрын
주피터보다 이게 좋은거보면 다 취향인가보다. 35년 만의 명곡나들이
@user-qe2yc5cj2eАй бұрын
💖.
@sey5858Ай бұрын
3:30
@anosmianAcrimonyАй бұрын
It doesn’t get much better than this!
@user-qe2yc5cj2eАй бұрын
Now I see where John Williams got his inspiration for the music in Star Wars. I think he's just as much of a genius. Wouldn't that fit perfectly in a Star Wars movie? 💖.
@f.w.20548 күн бұрын
John Williams as much of a genius as Mozart? I hope this is meant in jest!!😆
@Alix777.Ай бұрын
why so fast
@sanderson9515Ай бұрын
Dear, dear Chopin -- struggled all his adult life with TB, only to be felled by it at age 39. Hélène Grimaud captures the essence of Chopin beautifully.
@BrianPestellАй бұрын
A beautifully detailed performance as you would expect from Rubenstein
@balentinaliyev5395Ай бұрын
как хорошо, просто чудно..
@mdhk7550Ай бұрын
❤
@hill77276Ай бұрын
6/29/1974 recital program Steinway Concert Hall (teacher Yolanda Jacobson) lists my twin brother Stewart playing this. I didn't get to go. Don't know if he played the whole thing. Great to FINALLY experience it (here) Stew died 6/18/1994, wish we'd talked about this performance and his later judged audition
@azure5697Ай бұрын
someone else saying cringe patethic stuff to get likes?
@volodymyrkarpyak4158Ай бұрын
Bravissimo!
@bweaverlaАй бұрын
What incredible concentration and study he has had for so many years to be able to play these pieces and give them to us. Without them, what would life be like? They are our heaven on earth. What has he given us? His heart, his soul, his spirit, every single dimension in his being, even his very life. I feel such gratitude to him. Very little in this life can compare to what he gives so we can experience this heavenly music.
@pianocitymadrid8358Ай бұрын
La straordinaria maestria tecnica che dimostra Pollini in questa sua interpretazione non è altro, se così si può dire, che un riflesso della profondità di concezione, che espone un materiale sonoro rovente, al calor bianco, al fuoco di una intelligenza non solo passionale, ma anche profondamente analitica, che però non perde mai il filo di una stringente unità narrativa. Pollini ci accompagna per mano nei meandri di questo straordinario capolavoro, dove l'iridescente materiale musicale si sfrangia proprio per dimostrare la sua modernità; il sapiente uso del pedale (che appartiene in tutto e per tutto alla tecnica pianistica), ci trasporta in una dimensione molto più moderna, dove Beethoven pare aprire il cammino alla violenza materica di certa musica novecentesca. Il Beethoven di Pollini è semplicemente inesorabile nella sua logica architettonica e musicale; nessuno ha mai potuto superarlo su questo terreno. Si ascolti il secondo movimento, uno dei vertici dell'intera produzione beethoveniana; forse Richter è più poetico, forse Arrau è più (apparentemente) sensibile, ma nessuno ha la forza trascinante di Pollini, nessuno ci guida verso un mondo espressivo ignoto, verso il quale Beethoven si spinge in maniera del tutto cosciente. Pollini ce lo ricorda con la forza delle cose ineluttabili, così come è ineluttabile la violenza tellurica dell'ultimo movimento, letto in maniera quasi rapsodica ma sempre avendo bene in mente la struttura. In una parola: inarrivabile. La musica ha perso uno dei più grandi interpreti di tutti i tempi.
@StephenLoxtonАй бұрын
Quite so. You are on point with all you say. Thank you
@lionelthiebaud7081Ай бұрын
Félicitations pour votre vision et analyse de l'œuvre, de Pollini et Beethoven. Évidemment entièrement d'accord avec vous, vous devriez être critique dans une revue spécialisée en musique classique. J'ai toujours adoré Pollini depuis mon adolescence pour toutes les qualités que vous avez évoqué. L'un des plus grands maîtres du piano du 20ème siècle.
@samchapa4203Ай бұрын
I would pay top dollar to hear Krystian Zimerman play the ballades in person. His expression and tone for the codas are unmatched.
@Dissonance757Ай бұрын
Every note is distinct and he makes the piano sing powerfully and poetically. I would also pay a high amount to experience it live… what a dream that would be.
@azure569721 күн бұрын
he won't play anymore like this, be sure of that he was in his golden period here, and that comes once in a lifetime
@Shahdmansour44Ай бұрын
2024, anyone?
@Dissonance757Ай бұрын
Hereee, appreciating master Zimerman 😁
@Maestro_1221116 күн бұрын
🙈🙉
@minitademw69136 күн бұрын
Moi aussi d'Mexique🎉☝☺💚🤍❤🇲🇽🤗
@tmdgjs12284 күн бұрын
here
@pavelpalisek1369Ай бұрын
I admire and respect Master Kissin very much. I have been to several of his concerts, in my layman's opinion Kissin is one of the best pianists in the world. Of course, don't be angry with me, this is not Schubert, this interpretation is very bad, Schubert - that's Radu Lupa, the greatest magician of Schubert piano interpretation