That's interesting. The studio is definitely not up to today's acoustics and control room tech standards. I don't think I would go there for a conventional recording session. Personaly, I found Pless a pleasure to work with.

@@onemic-theminimalist he was great the first night. I actually really liked him, but he was pilled out of his head. Couldn’t remember where we had the mics the night before so each night was a nightmare. Set up that ate have the time. We went there to record the old school way. He has no clue what he was doing. The only channels that weren’t distorted beyond use was from that mic and that was good enough to put in a record. All on that one mic. It was my dream to have the place to our selves and we had it for three nights, canceled the fourth. He was just to whacked out. He just seemed to want to talk about his dad. Not make a record. One day, we will go back with our own engineer and do it the way we wanted. Love your content and approach to recording. It’s been a profound inspiration and I’ve learned so much. Thank you. 🫡

@@JacksonTaylorandTheSinners What a shame. Sorry you had to go through that.

@@onemic-theminimalist everyone goes through issues. Pless was going through his. I hope he’s better. We just finished recording at Sam Phillips other studio and they were using the 88 on drums. We’re finishing the record up in OKC and will be loaning them ours to demon. I’m seeing them more and more. You’re definitely spreading the word.

You mean have the band self balance? I assume you don’t mean the microphone technique?

His guitar pickup is in his amp that is set up clean and loud.

Glad to hear you like what I'm doing. Technically, you could use any two microphones that are bi-directional (Blumlein pair)

Thank you! Very happy to hear you enjoy it that much.

Thanks for listening Whitman.

I added some reverb, compression, EQ, and limiting.

No, that's the sound of that mic. Very little EQ was used.

Yes

Thanks a lot!

Thank You!

Thank you. Avery is an amazing performer and songwriter.

Many thanks!

Thank you Garrett, Cole does deliver on this one.

That works for me, thank you!

I think so, thank you for watching.

I could have put it on the other side but the bass player wanted to be near his amp. It's always in the center although some room’s acoustics can off-center the bottom end.

​@@onemic-theminimalistMakes sense from the player's point of view. I was wondering if the kick might be a bit more present if it wasn't covered by the bass amp

It's not for everyone, that's for sure.

I agree, thanks for watching!.

Thank you! Cheers!

Like a car wreck or something.

Yes, because all the performers are on one side. Normally, I use stereo Blumlein, so I have a stereo field to work in on both sides. on the mic.

Wow, thank you!

Glad you enjoyed it!

Thank you! Cheers!

Thank You!!!

Right? Its an ear worm.

@@onemic-theminimalist My favourite.

Art can be ugly for some, thank you.

Thank you Nina!

Thank You!