Btw you also have H.265 All-Intra Which is pretty similar to Prores

Chris, not sure you will come back here, but I have a question that is slightly off this topic. I'm new to video, but utilize the Nikon Z9 for my sports, wildlife, action (dance) photography. Clearly, there are a lot of choices when it comes to video recording including 264, 265, ProRes, and internal NRAW. Thanks for explaining the difference of ProRes (Intraframe) vs H264. So here's my seemly simple question that, despite looking, I can not find a simple answer to the following. In my simple understanding, as in photography, there are color spaces/gamut within them. If you shoot JPG, that is baked into the 8bit file. Shoot RAW and you can pick your colorspace (i.e. sRGB, Adobe RGB, ProPhoto) when using the demosaicing software. Is H.264 codec similar to JPG where the color (picture profile) is baked in? and the NRAW LUT is the colorspace for RAW video - with a gamma (luminance) curve to then apply to it? In the compressed codec, I'm having trouble understanding what colorspace is being applied (unless the one expressed in camera settings (i.e. sRGB) and picture profiles is being applied and encoded in the compressed data. Is this correct and if not can you explain this or point me to a video that explains it? Thanks.

What about those problems that you have shows in the beginning????

Legend, making my job easier, thank you

thank u so muchhhhhh

Wow!! Thank you, so now on, all my car shot will be with h.264 and the podcast will be on h.265 (I shoot with a phone so....)

Thank you!

Thanks, prores it is

Instead of transcoding to Prores could you just make proxy files of your video clips? @ChrisOlson

Amazing guide and detailed explanation. It's definitely going to save a lot of people from these settings troubles

Amazing video! 🎥 I finally understood the purpose of codec compression, but I had no idea it could affect editing performance so much! 🤯 #VideoEditing #CodecCompression

What a beautiful explanation! 🙏

I just followed the steps but the thing is the colour of the proxy videos created by Shutter Encoder is still different from my SLOG3 raw videos. Not sure why

Thank you for the proxy tips! Very thorough explanation. I have a ton of full resolution .mov files for a longer video and this will be a big help in edit on my older Mac.

You impress me bro❤

Unbelievably helpful. I've been frustrated with my computer bc I've been always been using H.264 for all editing. Now I know this is why I have scrubbing problems

Nikon does pro res Raw in camera lol

Good thing they made it so simple and self evident. Not convoluted at all.

I've always done interpret footage, because then warp stabilizer works on the clip.

The best video to this topic so far.

saw the channel name and i was like "surely it's not THAT chris olson" it is in fact THAT chris olson

I really wanted to watch the "how to transcode from h264 to prores 422lt" video and when I entered your channel it ends up you stopped uploading videos ;( . Does anyone know how to do this?

Good explanation on Codec 👑

The subtitles for this are soooo wrong.

Just use Davinci Resolve. You can auto create proxies. But also if you have the paid for Studio version £300. It can natively decode H.265 and is butter smooth on the timeline. I shoot 6K open gate on the Panasonic S5ii H.265 and I do not need to transcode anything. I can scrub timelines with many tracks that have been colour graded, tracked and stabilized etc with little to no effort. I do it all on a M18 Alienware Laptop.

love you bro

Hi Chris! Not sure if there is an updated version for 2024 but this method isn't working for me. I have a 24fps sequence and 60fps footage. I already made proxies and right clicked to change duration to 40%. When dropping into timeline, it plays really choppy still. Any suggestions? Thanks!

Good Video...However, I wish there was a tutorial that explained how, when amending or customising MOGRTS you can save that MOGRT place it ' Somewhere ' so you can drag it easily into a new project. Putting it simply, I spent some time making my own company logo by customising an imported MOGRT. I wish to use this MOGRT on many future projects but as it stands, for each project I have to recreate my MOGRT which is very time consuming and Surly there must be a way of importing a saved customised MOGRT ? Any help would be appreciated.

Thank you. I can now save myself from the headaches of editing laggy preview of my videos.

Thank you for your video, Chris. I have some digital files converted from Super8mm color films (1975) with frame width 720 and height 576 data rate 28810kbps, total bitrate 30346kbps, frame rate 25.00 fps (PAL DV format?). No Audio. How do I set the sequence in Premiere Pro CS6 to edit, add audio and export to view on TV screens and KZfaq?

Please do more shorts!!

Thank you!

I would rather use ffmepg before editing my videos converting them to raw format.

hey ! I want to learn more about formats , like really detailed , Can you suggest some sources to look from . and thaks for this informative video

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Thanks nise vedio

Oh my goodness thank you so much this was so helpful I had no idea you needed to do that!! Thank you so much!!

As someone who worked in software engineering for many years and in IT in general for more than that, it boggles my mind that Adobe can't make an update smooth by just pulling over customizations from the previous version.

YAAAAASSSSSSSS the tutorial we needed

1:54 Just call it interframe and intraframe.

4:25 All video formats are compressed, except for a very few, but those are more or less unusable for video editing. So, any pro format, like DNxHR, DNxHD and ProRes are compressed. And these pro formats are usually many times bigger, than e.g. h.264, not just 4 times. They have a fixed bitrate, while h.264 and 265 can have their bitrate set to various numbers.

Best tip ever! Thank you!

Thank you, thank you, thank you!!! I am now a subscriber. You explained it well enough for me to understand what I have been struggling with. You hit all the main points. Thank you! :)

what if you are archiving a production? if i bring it back to a new drive at a later date will it be screwed up due to the displacement of the .prodset file

Thank You SOooooooo much

Great video.

thank you

This is exactly what happens when experience speaks 👏👏👏 to the point and informative video

Is it possible to disallow a single video track from being affected by an adjustment layer on a higher track in the timeline without the need to nest the adjustment layer?

Omgshhhhh you save my life!!! I been looking on internet all day to solve this issue ufffff thank you thank you thank you