love the slower, softer songs

Crying

im so glad other people love dial a cliché as much as me

A time when the youth were not zombies .

right let's go

Moz hates disco.

Love this so much !!!!!!

NO JOHNNY MARR. NO THE SMITHS

2:30-2:57 painfully gorgeous

Não tem um Cantor como Moz é amado idolatrado em 88 os seguranças não podiam fazer nada os Fãs eram mas fortes agarravam beijavam puxavam era demais Moz tem um encanto Amo Moz 💋💋❤️♥️🇧🇷

Sounds like an in-studio performance on MTV, circa 1995 ... you know, back when MTV was still worth watching. Love it.

...don't forget his Cousin, Barking Barry...

12:43 is me doing drunk karaoke. 😂😅

very powerful.

Thank's❤❤!!

Venabals on the cover

Una gran recomendación, de una amiga que hace mucho que no recuerdo cuando la trate y extraño mucho... 🥹🥹🥹🥹🥹

He reminds me of a pussty cat. Playful and naughty. The mouth movements are interesting. 😊.

The mouth movements.

Amazing how he slags off Cilla and her scouse accent. Lulu is even worse, with her newly aquired strong scottish one. She's as false as they come - she also has a bloody awful voice!

You take Marr away, and it becomes a 3rd rate Smiths. Sorry, but it does

Perhaps the greatest rock and roll album of all time.

Love this, only a B side!!!!

Driving down Whittier Blvd late night in 1966 Midnight blue Ford Mustang.

Excellent, thanks for posting

ive been listening to mozzer for nearly 30 years and still stumble onto these demos regularly, i dont understand how

I'm guessing when Marr left, they couldn't use the name 'the Smiths' any longer. Were Mike and Andy happy now being a backing band for Morrissey? Since his name was now technically the name of the band. I know they sued for royalties, but they must have had some admiration for Moz, to continue in the recording studio and on stage. As short lived as it was.

Interesting. Here is Moz with Andy and Mike. He has performed so much with Boz and Alan, it's odd not seeing them on stage. What an interesting period. Compare this, with the 91 Dallas concert video.

In retrospect, kind of the final Smiths gig as well as the first Morrissey one... I didn't go because I assumed I'd never get in. It's cool though, I saw two better Smiths gigs and some competent Morrissey ones.

When this was filmed I would have had no idea who this Morrissey person was. Years later I have now been to 20 plus gigs and saw him in New York on my 30th birthday in 2009 at the Bowery ballroom in downtown NY. Like all Smiths/Moz fans I have stories that will blow your mind. This is an amazing record of what happened to the people who lived through this. I’m jealous but I have certainly made up for this in my own way. There is a special bond throughout the world with being a Moz fan and every gig is like a religious ordeal but super empowering and emotional. I don’t have the words to express my joy but every Moz fan will understand. I thank you from the heart of my bottom✌️

morrissey gets mauled by the audience for 50 minutes straight

Along with the Acoustic Session this is my favourite online release. I do wish both were on CD x

I,d buy this x

I waited forever with great hope of getting in to this his 1st solo concert, all you needed was a Smith's T shirt for free entry but despite being local I hadn't heard in time and after shuffling around Wolverhampton Civic Hall for countless hours numbes were full as i reached close to entry. I'd seen The Smith's in '86 and Morrissey 4 times since but this one escaped me, it was basically a Smith's gig with all in attendance baring Marr. Ahh Wolverhampton... so much to answer for 😢 RIP Andy, long live the Guvnor of melancholic verse.

New to your channel. Fan of Morrissey! Thanks!

What? Maybe I heard this once upon a time and forgot? The drumming is epic. Not quite as powerful as the original but quite nice. My fave Moz song.

Held at Wolverhampton’s Civic Town Hall, the greatest takeaway for any observer was the way fans supported their idol no matter what. Morrissey’s unusual way of doing things as well as his general eccentricity meant that there were no tickets. Instead, concert-goers needed merely to wear a Smiths or Morrissey T-Shirt in order to get past the tuxedo-ed bouncers. A resulting crowd of over 20,000 turned up, far more than could possibly fit into the venue.... Oh I love those days of my youth for Morrissey connected with so many who thought they were on the fringes of society - Being not so cool was the new cool for a while any way.... It was a shame Morrissey would become so reactionary in later life.

love THIS

in the days no one got a phone

Hulmerist 🖤

And not a mobile phone in sight. absorbing everything as it happens, not through a lens on a mobile to see who can get it on Instagram first. all the crowd talking to each other. brilliant times im 52 and have loved the smiths since i was a teen...

Wow..this is great.

The best song of all Time … forever Morrissey my love ❤

I'm not seeing many signs of culturally enriching diversity. How did people drag themselves out of bed each morning without it?

Him talking with birds chirping is dreamy

Piss-poor security. Morrissey is off-key much of the time because he's fighting off those idiots. I'd be disappointed if I had to pay money for a ticket for that concert.

All'attacco di Sweet and tender ho sempre i brividi... SMITHS🖤

Lyrics Nine times fined Never mind Things can only improve We are just stood here Waiting for the next great wound And we just can't wait to make more mistakes And to fluff our breaks, and to stuff our faces with cake All in all, imagine this : Nobody loves us Dab-hands at trouble With four days of stubble, we are Never loosen the grip on our hand Call us home Kiss our cheeks Nobody loves us So we...oh...we tend to please ourselves People think all we do Is lie around and think of how Rich we'd be if we didn't think Life could improve And we just can't wait to make more mistakes And we just can't wait till the whole thing blows up in our face Call us home Kiss our cheeks Nobody loves us Dab-hands at Trouble With four days of stubble, we are So, never loosen the grip on our hand Call us home Make our tea Nobody loves us So we...oh...we tend to please ourselves Call us home Tuck us in Nobody wants us Dreamers and schemers All pie-eyed, and bog-eyed, and cross-eyed Oh, never loosen the grip on our hand Whack us, then Hug us hard Nobody loves us So we...oh...we tend to please ourselves And we just can't stress, oh, how more the mess And complete distress won't make much difference to us Sing us our Favorite song Nobody loves us Born-again atheists Practicing troublemakers Make us our Favorite jam Nobody loves us Useless and shiftless And jobless But we're all yours

Death At Ones Elbow is brilliant here.

You never need to listen to a Morrissey interview. Here he is, six months or so after Vauxhall & I got to number #1 in the UK, trying to work out the next album. I think if you stick the headphones on it's everything you need to know about him. The fact it didn't make it onto the album is madness - it's possibly his greatest lyric.