Yeah, it's good he stuck with philosophy after all...
@Granaine11 күн бұрын
quelques souvenirs d'Yvonne Loriod et Olivier Messiaen kzfaq.info/get/bejne/aLaip5Wfr9nTdJ8.html
@Granaine11 күн бұрын
quelques souvenirs d'Yvonne Loriod et Olivier Messiaen kzfaq.info/get/bejne/aLaip5Wfr9nTdJ8.html
@jacquelinesalvin715811 күн бұрын
"je peux tout écrire, mon épouse peut tout jouer"
@MelitonSoupelin14 күн бұрын
Yes, this is very nice.
@nasubi73814 күн бұрын
Hello, after dinner, I've been listening to the opera "Saint Francis of Assisi" on KZfaq for the first time in a while, composed by Olivier Messiaen, conducted by Seiji Ozawa, and featuring the Bari Opera Orchestra and José Van Damme. First of all, when I listen to Messiaen, I feel like the concept of meaning in music is shifting from the concept of the meaning of sound to the construction or form of sound that was popular in Germany and Austria's late Romanticism, to the spirituality added to it, to the sense of color and abstraction of the gradation of sound, which can be said to be a global synesthesia in a sense. If we use a painting analogy, it is something like the concreteness of Rembrandt or Vermeer, or the expressiveness as a creative act of the New Paintings after Pollock. I felt that he made the discovery and fusion of new sounds, such as the rough modern sound that began with Debussy, the new sense of materializing the sound of the meaning of music by Satie and others, and gamelan-like minimalism, the most popular in a sense. The concept of color in the sound of these new musical sounds sometimes seemed like a kind of strange sounding structure, colored by Hollywood-like paranoia, but I felt that by awakening to that sense, I was able to discover new meaning in music. Mr. Ozawa's energy in this performance is extraordinary, and I feel as if he is inviting the listener to the far reaches of space. Although there is still a long way to go, I hope that I can once again immerse myself in the world of sound that seems to come from far beyond Messiaen's flash of light.
@LuisCaparra15 күн бұрын
Magistral interpretación!!
@cslevine15 күн бұрын
... and with my 6 ondea playing CUBASE with virtual diffusers version for the few seconds in "intro"
@henripauly-laubry744615 күн бұрын
Belle interprétation sur l'instrument idéal pour Franck !
@owondrousmachine20 күн бұрын
Thank you
@BrianJosephMorgan23 күн бұрын
Bravo.
@petrusasemicorma9290Ай бұрын
Stupendo
@scottw6704Ай бұрын
Love the bombarde at m.136 - this would be a great showy piece for a pianist transitioning to organ as there's not a lot of technical difficulty particularly with pedal but it sure sounds challenging to the ear!
@user-dg8uo6uu1mАй бұрын
0:56
@alfenitoАй бұрын
Why don't you play the first two eighth notes in tempo each time? I assume you're trying to keep things from getting muddy. But the consequence is exactly the opposite. Not only is it still thick and somewhat muddy, but we lose the one grounding thing we need to pull us from the muddiness, which is the sense of rhythm/time. It's very disconcerting. But I love the piece, nonetheless.
@owondrousmachineАй бұрын
brilliant
@Athanase45FranceАй бұрын
Autre improvisation de Messiaen : "Et les mages offrirent en présent à Marie et à l'enfant Jésus de l'or, comme à un roi, de l'encens, comme à un dieu et de la myrrhe, comme à un homme mortel" (41'05'')
@randomprimateАй бұрын
George Benjamin is clearly such a great teacher! What a treat to have him in this doc.
@user-dl9uf6us1wАй бұрын
Extraordinaire, merveilleuse ; une source d’enseignements, fraîche , admirable. Quelle grande dame, Yvonne Loriod!
@EmiliasoooАй бұрын
Sounds a lot like Lili Boulanger to me
@EmiliasoooАй бұрын
This may be Messiaen's most consonant work
@jacquelinesalvin7158Ай бұрын
Émotion et surprise de l'entendre dans Ma Mère l'Oye. D'autant que l'on sait que Ravel avait songé à une Jeanne d'Arc que la maladie l'a empêché d'écrire, et que la fin de Saint François d'Assise (en Do M) n'est pas sans évoquer la fin du Jardin féerique... Saint François d'Assise c'est à l'Elbphilharmonie On a raté les représentations de Genève, on se rattrape à Hambourg. (On emmène Arthur ! On veut lui faire la surprise 🤫 Maintenant j'espère qu'il se tiendra bien durant les 4 heures que dure la représentation) +++ Vignette de la vidéo, on a choisi Mme Loriod-Messiaen. Avoir cette lettre de sa main (...) kzfaq.info/get/bejne/m9CGZrqKmZe6h3U.htmlsi=FSnHn0jvI9OWUEit
@EwicoCylinderАй бұрын
The Documentary is only in French there is no German spoken word whatsoever.
@AncestorGaboАй бұрын
Thank you so much for making this available again. RIP Gerardo, and thanks, from the bottom of my heart.
@jacquelinesalvin7158Ай бұрын
40 ans après Messiaen plus vrai que vrai merci
@xavier659Ай бұрын
Je suis vraiment très surpris de lire que la dernière esquisse est jouée par Jean-Baptiste Robin : l'ayant entendu par ailleurs, c'est pour le moins surprenant Le tempo est complètement instable, le patho poussé à l'extrême, des notes traînent, d'autres sont accélérées, mais le pédalier ne suit pas (dans les octaves il y a carrément des notes qui manquent), des silences sont raccourcis, d'autres improvisés, il ne respecte pas la mesure.. bref, tout ce dont Dupré avait horreur. Il doit avoir un compte à régler ici, ou alors il a viré sa cutie ou pété un plomb et a envie de se payer sa tête, je ne vois a priori pas d'autre explication... En tout cas je ne peux pas aimer, désolé.
@semkmusicnetworkАй бұрын
One of the 10 classical music masterpieces of 20th century... At many parts - sensational performance.... Один из 10 шедевров классической музыки XX века... Во многих частях - сенсационное исполнение....
@semkmusicnetworkАй бұрын
Excellent detail work on the notation by Alexander Nemtin from beginning on - e.g. 1:35 ff - BRAVO !
@AllMusicEtcАй бұрын
My orchestra arrangement of this piece as "The Symphony of the Fugue" Woodwinds: 2 Basset Horns 2 Bassoons Brass: 2 Natural Trumpets in D 3 Trombones (Alto, Tenor and Bass) Percussion: 2 Timpani in D and A Strings: Violins 1, 2 Violas Continuo (Cellos, Basses and Organ)
@m.offermans1783Ай бұрын
Beautiful 👌
@jacquelinesalvin71582 ай бұрын
je fais suivre à une excellente harpiste : sa fille
@user-zz8ds8or3k2 ай бұрын
Maurice must have had a direct thread to Our Dear Lord in Heaven, just like the great Johann Sebastian Bach in his days ... Otherwise I cannot possibly understand how a human being should be able to write such heavenly music ... Soli Deo Gloria
@jimswist2 ай бұрын
Difficulty for the sake of difficulty.
@jacquelinesalvin71582 ай бұрын
Merci pour ce post
@jacquelinesalvin71582 ай бұрын
Le thème de Saint François - pas facile sans la partition kzfaq.info/get/bejne/gqhxl5tptr7IZJ8.htmlsi=dPSigyIk3r6tQrxH
@perdresontemps35602 ай бұрын
1:49:52
@user-sz3sn9qk2e2 ай бұрын
Belle Toccata d'un compositeur qui m'était inconnu, merci M.Oberzaucher ! Un instrument digne de cette pièce.
@jmdujardin2 ай бұрын
bien belle toccata ! merci de nous l'avoir fait découvrir.
@perdresontemps35602 ай бұрын
1:59:08
@marccheban1942 ай бұрын
This is a FABULOUS piece! Thank you for bringing it to life....
@lordnolb58962 ай бұрын
wonderful performance
@ZewenShifu2 ай бұрын
very based
@simon-holt2 ай бұрын
Incredibly moving final piece, wonderfully well played. Liberated and unleashed! As it should be, like Pentecostal flames. The whole cycle is marvellous and one of Messiaen's greatest and most original (which is saying something).
@pk99792 ай бұрын
Herr Köhler- Welte wie immer super. Thanks for the great Whitney Houston Tribute Show with you in the Stadthalle Balingen am 9.3.2018, mein Papa wäre 95 Jahre alt geworden. Er wurde am 9.3.23 geboren und ist am 9.12.2017 gestorben, um den Weg für seine nächste Enkelin Alice freizumachen. Auch Elisa wird die Eiskönigin Elsa perfekt singen. Diese Gene (DNA) habe ich weiter gegeben, nicht mein Ex Mann Rolf- Dieter Koch aus Balingen- Frommern. ❤🎉😅
@chronochromie7722 ай бұрын
(I ask respectfully) What is this supposed to mean and what does that have to do with the Welte organ?
@soratonin2 ай бұрын
Isn’t there a Samazeuilh Stradivarius violin
@lebonmunsterdalsace2 ай бұрын
Je suis né en 2001, j'aurais tellement aimé le connaître
@GreenTeaViewer2 ай бұрын
Was unaware of this composer. The piece shows a nice sensibility and is a snapshot of 1890s Paris where Japanese things were all the rage, and a 21 year old composer could produce such a pleasing light work for the salon.
@markhughes79272 ай бұрын
Seems Bruckner is diametrically opposite to Wagner of the Tristan score - takes tonality with him everywhere…