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@fosiaonacloud6936 3 күн бұрын
WHOLE MUSICAL LYRICS "Prologue" [Pierre:] There's a war going on Out there somewhere And Andrey isn't here There's a war going on Out there somewhere And Andrey isn't here [All:] There's a war going on Out there somewhere And Andrey isn't here There's a war going on Out there somewhere And Andrey isn't here And this is all in your program You are at the opera Gonna have to study up a little bit If you wanna keep with the plot 'Cause it's a complicated Russian novel Everyone's got nine different names So look it up in your program We'd appreciate it, thanks a lot Da da da... Natasha! [Natasha:] Natasha is young She loves Andrey with all her heart [All:] She loves Andrey with all her heart Natasha is young And Andrey isn't here [Sonya:] Sonya is good Natasha's cousin and closest friend [All:] Natasha's cousin and closest friend Sonya is good Natasha is young And Andrey isn't here [Marya:] Marya is old-school, a grande dame of Moscow Natasha's godmother, strict yet kind [All:] Natasha's godmother, strict yet kind Marya is old-school Sonya is good Natasha is young And Andrey isn't here And this is all in your program You are at the opera Gonna have to study up a little bit If you wanna keep with the plot 'Cause it's a complicated Russian novel Everyone's got nine different names So look it up in your program We'd appreciate it, thanks a lot Da da da... Anatole! [Anatole:] Anatole is hot He spends his money on women and wine [All:] He spends his money on women and wine Anatole is hot Marya is old-school Sonya is good Natasha is young And Andrey isn't here [Hélène:] Hélène is a slut Anatole's sister, married to Pierre [All:] Anatole's sister, married to Pierre Hélène is a slut Anatole is hot Marya is old-school Sonya is good Natasha is young And Andrey isn't here [Dolokhov:] Dolokhov is fierce, but not too important Anatole's friend, a crazy good shot [All:] Anatole's friend, a crazy good shot Dolokhov is fierce Hélène is a slut Anatole is hot Marya is old-school Sonya is good Natasha is young And Andrey isn't here Chandeliers and caviar, the war can't touch us here Minor characters! [Bolkonsky:] Old Prince Bolkonsky is crazy [Mary:] And Mary is plain [Mary & Bolkonsky:] Andrey's family, totally messed up [Balaga:] And Balaga's just for fun! [All:] Balaga's just for fun! Balaga is fun Bolkonsky is crazy Mary is plain Dolokhov is fierce Hélène is a slut Anatole is hot Marya is old-school Sonya is good Natasha is young And Andrey isn't here And what about Pierre? Dear, bewildered and awkward Pierre? What about Pierre? Rich, unhappily married Pierre? What about Pierre? What about Pierre? What about Pierre?
@fosiaonacloud6936 3 күн бұрын
"Pierre" [Pierre:] It's dawned on me suddenly And for no obvious reason That I can't go on Living as I am The zest of life has vanished Only the skeleton remains Unexpectedly vile I used to be better I used to be better I used to be better I used to be better I used to be better I used to be better [All:] Oh, Pierre Our married feasting crank Our most dear, most kind Most smart and eccentric A warm-hearted Russian of the old-school His purse is always empty Because it's open to all Oh Pierre Just one of a hundred sad old men Living out their final days in Moscow [Pierre:] I drink too much Right now, my friend fights and bleeds And I sit at home and read Hours at a time Hours at my screen Anything, anything Abandoned to distraction In order to forget We waste our lives Drowning in wine... I never thought that I'd end up like this I used to be better And the women, they all pity me Because I'm married But not in love Frozen at the center [Women:] Il est charmant, il n'a pas de sexe He is charming, he has no sex [All:] Oh, Pierre Our married feasting crank Our most dear, most kind Most smart and eccentric A warm-hearted Russian of the old-school His purse is always empty Because it's open to all Oh Pierre Just one of a hundred sad old men Living out their final days in Moscow [Pierre:] There's a ringing my head There's a sickness in the world And everyone knows But pretends that they don't see Oh, I'll sort it out later But later never comes [Pierre & men:] And how many men before Good Russian men Believing in goodness and truth [Pierre:] Entered that door With all their teeth and hair And left it toothless and bald? You empty and stupid Contented fellows Satisfied with your place I'm different from you I'm different from you I still want to do something Or do you struggle too? I pity you I pity me I pity you I pity you I pity me I pity you
@fosiaonacloud6936 3 күн бұрын
"Moscow" [Pierre:] Raz dva tri! [Natasha and Sonya arrive on sleighs] [Natasha:] Marya Dmitryevna Akhrosimova [Marya D.:] Countess Natalya Ilyinichna Rostova [Natasha:] You must call me Natasha [Sonya:] Marya Dmitryevna Akhrosimova [Marya D.:] Sofia Alexandrovna Rostova [Sonya:] You must call me Sonya [Marya D.:] Welcome Welcome to Moscow Where faded and fading princesses live I'll take you where you must go Pet you a bit And I'll scold you a bit My goddaughter, my favorite, Natasha I will touch you on the cheek [Natasha & Sonya:] My cousin and I Are so pleased to be with you While we wait on our fiancées Fighting in the war [Marya D.:] Bring in their things! What are you dawdling for? Get the samovar ready! You're half frozen, I'm sure! Bring some rum for the tea! Sonyushka bonjour And Natasha my darling You've grown plumper and prettier [Natasha:] My cheeks are glowing from the cold [Sonya:] She said Gazing at Marya with kind, glittering eyes [Marya D.:] Welcome Welcome to Moscow Scruffy and cozy Like an old dressing gown [Sonya:] Countess Natalya [Natasha:] Sofia Alexandrovna [Sonya:] How beautiful you looked in the snow [Natasha:] Cousin dear I love you Trust no one but you But I can't bear this waiting I cry and I cry Andrey where are you? I want him now, at once To embrace him and cling to him No one can understand I love him I know him He loves me only He'll come home one day And take me away I want nothing more I want nothing more [Marya D.:] First thing tomorrow to Madame Chambord's Dresses, dresses, we'll buy what we can afford Then dinner and a game of Boston Then you'll read to me while I knit! How wonderful to have you here Instead of these gossips and crybabies [Natasha & Sonya:] You'll take us where we must go Pet us a bit And scold us a bit [Sonya:] Her goddaughter, her favorite, Natasha She will touch you on the cheek [Sonya leaves] [Marya D.:] Well, now we'll talk I congratulate you and Andrey You've hooked a fine fellow! One of the finest matches in all of Russia I am glad and relieved He'll be the family's saving grace [Natasha:] I blush happily [Marya D.:] But his father, Prince Bolkonsky, much dislikes his son's marrying The old fellow's crotchety! Of course Prince Andrey's not a child But it's not nice to enter a family against a father's will One wants to do it peacefully and lovingly But you're a clever girl Just be kind to Andrey's sister And when the sister loves you So will the father And all will be well
@fosiaonacloud6936 3 күн бұрын
"The Private And Intimate Life Of The House" [Bolkonsky:] I've aged I've aged so very much I fall asleep at the table My napkin drops to the floor I'm full of childish vanities I forget things And I live in the past I've aged so very much People enjoy me though I come in for tea in my old-fashioned coat and powdered wig And I tell stories And utter scathing critiques This stern, shrewd old man A relic of the past century With his gentle daughter Such a majestic and agreeable spectacle [Mary:] But besides the couple of hours during which we have guests There are also twenty-two hours in the day During which the private and intimate life of the house continues [Bolkonsky:] Bring my me slippers [Mary:] Yes father, yes father [Bolkonsky:] Bring me my wine [Mary:] Yes father, yes father [Bolkonsky:] If you're not too busy Fiddling with your incense and icons? [Mary:] No father, no father And I have no friends No, never go anywhere Never invited For who would take care of him [Bolkonsky:] I can hurt you [Mary & Bolkonsky:] I can hurt you [Mary:] But I never ever ever ever would No father I love you father And time moves on And my fate slips past And nothing ever happens to me And Countess Natalya Rostova is coming for tea [Natasha:] I know they'll like me Everyone has always liked me [Bolkonsky:] Natasha is young And worthless and dumb [Mary:] And time moves on And my fate slips past Is this all I'll make of my life? Will I never be happy? Will I never be anyone's wife? [Bolkonsky:] Ah, what's this? A young suitor? Ah, come in, come in But don't sit down, don't sit down I'm cold to you Yes I'm mean to you Now be gone, be gone be gone! And don't come back! Oh, maybe I'll marry someone myself Some cheap French thing Oh that offends you does it? Ah, come in my dear Come in my dear, come in [Mary:] And he draws her to him And he kisses her hand Embraces her affectionately And I flush and run out of the room [Bolkonsky:] Come back here Let an old man have his fun [Mary:] But she's just using you papa Wants your money papa! To take advantage of your weakness like that It's disgusting My voice breaks [Bolkonsky:] It's my money and I'll throw it where I want Not at you! And not at Andrey's harlot! Insolent girl! Insolent girl! Where Where Where are my glasses? Where are they? Where are my glasses? Oh God Oh God I'm frightened Oh God I've aged so very much Where are my glasses? Where are my glasses? [Mary:] They are there upon his head The pride of sacrifice Gathers in my soul And he forgets things He falls asleep at the table His napkin drops to the floor His shaking head Sinks over his plate He is old and feeble And I dare to judge him I disgust myself I disgust myself
@fosiaonacloud6936 3 күн бұрын
"Natasha & Bolkonskys" [Servant:] May I present the Countess Natalya Rostova [Mary:] Oh Oh, hello Won't you come in? [Natasha:] Hello [Natasha and Mary awkwardly move to a table in silence] [Mary:] And from the first glance I do not like Natasha Too fashionably dressed Frivolous and vain Her beauty, youth, and happiness My brother's love for her And my father [Bolkonsky:] I do not wish to see her! [Mary:] I know at any moment he might indulge in some freak [Natasha:] I'm sorry the Prince is still ailing [Bolkonsky:] Songstress! [Natasha:] I am not afraid of anyone But such hesitation Such unnatural manners And from the first glance I do not like Princess Mary Too plain and affected Insolent and dry I shrink into myself Assume an offhand air [Mary:] Which alienates me still more [Natasha & Mary:] Constrained and strained Constrained and strained Constrained and strained Irksome Irksome [The Prince enters in his underthings] [Bolkonsky:] Oh! [Mary:] Papa! [Bolkonsky:] Oh, so this is Natasha Not much to look at Says the mean old man in his underthings I never dress for children or peasants Says the mean old man in his underthings [Mary:] And he looked at her once Head to toe And left muttering [Natasha:] I must take my leave [Mary:] Please wait Dear Natalie I want you to know how glad I am my brother has found happiness [Natasha:] Is that the truth? I think it is not convenient to speak of that now Dear Princess [Mary:] She said With such dignity and coldness [Natasha:] What have I said, what have I done? Crying like a child Oh, they were so awful! Oh, it all hurts so terribly Andrey Where are you?
@fosiaonacloud6936 3 күн бұрын
"No One Else" [Natasha:] The moon First time I heard your voice Moonlight burst into the room And I saw your eyes And I saw your smile And the world opened wide And the world was inside of me And I catch my breath And I laugh and blush And I hear guitars You are so good for me I love you I love you I love you I love you I love you Oh the moon Oh the snow in the moonlight And your childlike eyes And your distant smile I'll never be this happy again You and I And no one else We've done this all before We were angels once Don't you remember? Joy and life Inside our souls And nobody knows Just you and me It's our secret This winter sky How can anyone sleep? There was never such a night before! I feel like putting my arms round my knees And squeezing tight as possible And flying away Like this... Oh the moon Oh the snow in the moonlight And your childlike eyes And your distant smile I'll never be this happy again You and I You and I You and I And no one else Maybe he'll come today Maybe he came already And he's sitting in the drawing room And I simply forgot
@LilynKavanagh 7 күн бұрын
One time, my friend and I were texting each other the lyrics of Prolouge, and my friend missed and word and was betrayed by her autocorrect and didn't notice until I mentioned it, so she accidentally sent me "Hélène is a solution, Anatole's married to Pierre"
@unarmed-anarchist 9 күн бұрын
OH HOW SHE BLUSHES HOW SHE BLUSHES MY PRETTY 💥💥💥💥💥💥💥💥💥💥💥💥
@TurtleMan-gy5nf 16 күн бұрын
I needed to share that the first 3 notes of “Pierre Natasha” is the same notes that make up the first chord of “Pierre”. Maybe this is showing that Pierre has found someone that he has connected with and it’s given his life meaning again? I don’t know anything about music theory.
@BeyondBaito 20 күн бұрын
Gotta love that 1812 club rave.
@xavierjohn2211 24 күн бұрын
Natasha, Pierre, and the Great Comet of 1812 was a beloved musical that captured the hearts of audiences with its dazzling tale set in 19th century Russia. But what if this story was reimagined in a modern 21st century setting, with a twist of thrilling espionage and intrigue?In this retelling, Natasha is a successful entrepreneur and secret service agent, tasked with a dangerous mission that could change the course of history. She is a fierce, independent woman who is not afraid to take risks for the greater good. Natasha's fashion sense is edgy and bold, reflecting her fearless personality - she is often seen in grunge-inspired outfits that make a statement wherever she goes. On the other hand, Pierre is a respected journalist known for his investigative skills and sharp wit. He is always dressed in sleek workwear fashion, exuding an air of sophistication and intelligence. Pierre is drawn into Natasha's world when he uncovers a conspiracy that could threaten national security, and the two must work together to unravel the truth. As Natasha and Pierre navigate the dangerous waters of political intrigue, they find themselves caught in a web of lies and deception. Natasha is wrongly accused of a crime she did not commit, and Pierre is determined to clear her name. The main concourse of their mission is a high-stakes game of cat and mouse, as they race against time to uncover the truth before it's too late. The story unfolds with melodious dance sequences that serve as a backdrop to the intense drama unfolding onscreen. The choreography is dynamic and captivating, drawing the audience into the heart of the action. As Natasha and Pierre face obstacles and betrayals at every turn, their bond grows stronger, forging a deep connection that transcends their differences. But when a police informant leads them astray, Natasha finds herself wrongfully imprisoned, and Pierre must fight against all odds to free her. Along the way, they encounter a cast of eccentric characters, from a quirky photographer with a knack for uncovering secrets to a mysterious interior designer with a hidden agenda. As the stakes rise and the deadline looms, Natasha and Pierre must race against time to uncover the conspiracy that threatens to tear their world apart. The journey takes them on a whirlwind adventure through the bustling streets of the city, aboard a luxury cruise boat that glides across a tranquil lake at sunset. Amidst the chaos and danger, Natasha and Pierre find solace in each other's arms, their love blossoming amidst the chaos of their mission. The liquid of their passion flows freely, intertwined with the sensual energy that crackles between them. But as they delve deeper into the mystery at hand, they realize that their feelings for each other may be their ultimate weakness. In the end, Natasha and Pierre emerge victorious, their bond stronger than ever. The thrilling journey they embarked on has changed them forever, shaping their destinies in ways they never imagined. As they look towards the future, they know that they will always have each other, no matter what challenges lie ahead. The modern retelling of Natasha, Pierre, and the Great Comet of 1812 is a riveting tale of love, betrayal, and redemption, set against the backdrop of a world on the brink of chaos. It is a story that captures the timeless essence of human resilience and the power of love to conquer all obstacles.
@whiskerswv Ай бұрын
So beautiful...I wish there was a better quality shot of Josh when Pierre confesses his love to Natasha. The woman in the audience at 3:33 who is leaning over crying...that would have been me. Denee's cry a moment before wrecks me. (Also, the irony: Josh is the brightest, handsomest, best man.)
@gigigigi7299 Күн бұрын
That’s Helene
@cjsmith1402 Ай бұрын
Where are the high quality clips from!? Was there pro shot made?!
@gracekeddy Ай бұрын
i cannot imagine a more difficult homemade proshot to put together. you are truly an angel on earth and i hope you can experience the kind of euphoria pierre experiences upon seeing the comet
@hoshihoshiko137 Ай бұрын
She’s so perfect fr
@echoflowernotundertale Ай бұрын
ILL NEVER BE THIS HAPPY AGAIN 👹👹👹
@samvidas9599 Ай бұрын
Sitting down in his father's chair at the end... Mannnnnnnnnnnnn!!!
@animationmusicals Ай бұрын
0:16 DANATOLE KISS
@zackisgreasy4503 Ай бұрын
Denée Benton is FANTASTIC. I initially always gravitated towards the off-broadway cast recording because I felt really entranced by Phillipa Soo’s acting in the recording. I think many cast recordings can water down intense songs so that they are more palatable for albums. (Case in point- Eva Noblezada in the vast album for the revival of Miss Saigon vs the recording for Hadestown.) I am always for embracing those acting choices and letting the recording reflect the the actual show, but I understand that it’s often a production influence or actors choice. I think that’s the case with Denée Benton- her voice is gorgeous but between the two albums I always chose Phillipa’s for the acting. However, this bootleg is outstanding. She sounds amazing in the album but is truly so unfettered and blazing on stage. Love her in this role!!!
@samvidas9599 Ай бұрын
1:00:35 me
@samvidas9599 Ай бұрын
1:30 she totally sees the audience... pft
@carlalamar6193 2 ай бұрын
Just Lovely...really...really... lovely
@funzised2240 2 ай бұрын
I JUST discovered this show, omg it’s so good. I had the privilege of watching a showing done near me because my high schools theater teacher was part of the cast (she played Natasha’s god mother) much smaller cast but tbh I think it was amazing. So being able to watch the broadway version is really great too !!
@HaleyRadiant 2 ай бұрын
Oh myyyyyy 🥰🥰🥰🥰 After knowing Shoba from Hazbin Hotel & now seeing her broadway work, I truly hope to see her star shine even more! Such a beautiful talent! 🥹🩷❤️
@reneeangely8446 2 ай бұрын
As she was singing here after I found out she was going to be Emily, I thought “Oh, my god! Yep, she sounds like the Heaven counterpart to Charlie!” And she was awesome!
@duckens2001 2 ай бұрын
So, I'm reading War & Peace, and I read Natasha as a normal teenager with all of the stereotypical drama of a Teenage Crush on Andrei (and later Anatole) and assorted normal teenage girl behavior. Hearing the Natasha performer sing of her love for Andrei in this production, she makes be a true-believer of her deep and devoted love and longing for Andrei. She is SOOOOOO talented.
@philrodd 2 ай бұрын
I ADORED this show. I'm so glad I got to see it, sat at a table in the front. So fun, got an egg to shake and a cast member gave me something as well. Such a shame it closed so early.
@Uhhhhhhhhhm 2 ай бұрын
Lol, should be called Natasha, Anatole, and the Great Comet. I went in expecting Pierre to play a much bigger role than he did.
@stephenmcdonald7141 2 ай бұрын
The african american lady is from The Gilded Age what you see is the stage.Opening in London later this year.
@cluckcluckchicken 2 ай бұрын
omg thanks for editing this! it's so cool to see all the different angles!
@pianolover3711 2 ай бұрын
some of my favorite parts :) 0:17:24 0:29:51 0:33:00 0:38:32 0:45:32 1:10:59 1:15:29 1:17:20 1:21:57 1:34:15 1:36:32 1:41:45 1:53:27 2:07:12
@pianolover3711 3 ай бұрын
Timestamps because i'm like that Act I: 0:00:10 Prologue 0:04:45 Pierre 0:08:51 Moscow 0:13:16 The Private and Intimate Life of the House 0:18:58 Natasha & Bolkonskys 0:23:00 No One Else 0:27:29 The Opera 0:37:32 Natasha & Anatole 0:42:09 Natasha Lost 0:44:55 The Duel 0:52:31 Dust and Ashes 0:59:29 Sunday Morning 1:01:37 Charming 1:06:08 The Ball Act II: 1:12:08 Letters 1:18:40 Sonya & Natasha 1:22:47 Sonya Alone 1:26:56 Preparations 1:30:44 Balaga 1:33:26 The Abduction 1:42:09 In My House 1:45:21 A Call to Pierre 1:47:45 Find Anatole 1:49:55 Pierre & Anatole 1:53:58 Natasha Very Ill 1:55:09 Pierre & Andrey 1:58:10 Pierre & Natasha 2:06:09 The Great Comet of 1812 Curtain Call: 2:11:20 Curtain Call
@awambangwono1570 3 ай бұрын
При чём тут негры вообще?
@pianolover3711 3 ай бұрын
grace mclean my beloved 😍
@pianolover3711 3 ай бұрын
what i wouldn't give to see a production of this 😔
@mavis.riley.johnson 3 ай бұрын
you are the single best person on this planet
@pianolover3711 3 ай бұрын
3:25 i love the guy in the audience absolutely digging this song
@volatilemolotov667 3 ай бұрын
i had the privilege of seeing this show twice in its run, once with josh and on closing night. still the best theatrical experience i've ever had
@sarahprado9698 3 ай бұрын
I love the chaotic energy the Abduction has 😂
@pianolover3711 3 ай бұрын
AMBER GRAY AND GRACE MCLEAN IN THE SAME MUSICAL⁉️⁉️⁉️
@Starlysh 3 ай бұрын
I'm so glad KZfaq randomly recommended this video to me. Fantastic work putting it together! What an incredible and unique show. Thank you!
@reyzorwolf5633 3 ай бұрын
I am so grateful for this video, because I’m in the show right now and this is fantastic reference! So thank you very much!!!
@martinfreeman6491 3 ай бұрын
Waked out. Front row and could see NOTHING. Josh,s head once. Was looking forward to this
@badlucksparrow40 3 ай бұрын
I hope all the musicians and the ensamble are having a good day
@thefinalfrontear 4 ай бұрын
lmao is sonya asleep when they cut back to her and natasha?
@YourLocal._.TheatreKid 4 ай бұрын
Imagine Josh Groban going up to you like that 😭 I would DIE
@whiskerswv 2 ай бұрын
Yes! I know.
@pianolover3711 4 ай бұрын
HANDS DOWN BEST SONG (also the guy who plays the gather is amazing)
@Sofarinrunning 4 ай бұрын
The high note on "Natasha and ANATOLE KURAGIIIIIN" is so fun
@kkat42069 4 ай бұрын
I had to sing Sonya Alone when I was in a Musical Theater program and I’m so glad I can finally have context
@drmowinckel 4 ай бұрын
how do i put you in my will
@wildcatste 4 ай бұрын
Distance and finances kept me from seeing this live so I’ve watched different slime tutorials over time. But this- just wow! Thank you on behalf of everyone who loves this show and people who will be able to discover this show through you! Your labor to preserve this gem is the Lord’s work. All the good things to you my friend!
@itsjustayden7458 4 ай бұрын
“WHAT?!” - 🧍♂️
@m76000 5 ай бұрын
3:17 - 3:32 is my favorite. The “I stay awake” is just 🤌
@PuffyOne1898 5 ай бұрын
Bruh that one guy that filmed RIGHT NEXT TO an accordion player.
@josephinethompson8357 5 ай бұрын
I think it’s really cool how you put in German subtitles! I’m currently in the process of learning German, and this is my favorite song in the show (I don’t know if you have it on all of them, but either way, vielen Dank)!
@pianolover3711 5 ай бұрын
2:15 HER LITTLE LAUGH AFTER SHE SAYS "it's our secret" OMG SHES SO CUTE AND PURE