Italian guitarist Carlo Domeniconi composed his 24 Preludes about a year after his popular “Koyunbaba.” Of the Preludes he wrote: “These are 24 simple pictures which each represent a different aspect of the guitar. They’re easy to intermediate short pieces which have become popular with students, as they combine a relatively high degree of musical expression with a very low technical level.”
One may quibble with the composer’s estimation of “very low technical level.” (Advanced players tend to overestimate what students can do.) Nonetheless, if not very easy, these pieces are reasonably accessible. Their main difficulty is in reading rather than technique. They often go up the fingerboard into territory less familiar to students. But there’s something to be said for technically manageable pieces that entice students into higher positions.
In playing Domeniconi’s Op. 20, I’m reminded of the vagaries of fame. Why aren’t these pieces better known? The lack of a complete recording may be a factor. Students gravitate to what they’ve heard. To my knowledge, no concert artist has recorded the full set. (Although German guitarist Norbert Neunzling has posted all but one on KZfaq.) One might argue that Op. 20 isn’t aimed at the virtuoso, and thus doesn’t merit virtuoso treatment. But student works by other composers have been recorded by top tier players. Why not these?
Hearing Op. 20 as a complete set only deepens the mystery. These Preludes are remarkable for their variety, color, and emotional content. Perhaps they’re not virtuoso material-at least not in the technical level needed to play them. But they’re worthy and satisfying pieces. They deserve better.
My recording brings together all 24 Preludes as a set. This, I hope, will convey how effective Domeniconi’s Op. 20 can be. May you find it as enjoyable to hear as I found it to play.
Sincerely,
Tom Poore
www.pooretom.com
edition: Gitarren-Studio Musikverlag, Eleonora & Michael Haas Berlin (1985)
performed by Tom Poore
guitar: Paul Fischer Taut Model (2001)
microphones: DPA 2011C (spaced pair)
preamp: FMR Audio RNP 8380
a/d converter: Apogee Mini Me
0) Opening Credits-00:00
1) Ninna Nanna-00:16
2) Semplice-01:37
3) Minuetto-02:54
4) Dedica-03:43
5) Quasi Notturno-05:18
6) Ruscello-06:59
7) Harem-08:02
8) Ironia-09:12
9) Equilibrato-10:09
10) Sagra-11:06
11) Nostalgia-11:39
12) Danza del gatto-12:57
13) Canto-14:02
14) Danza-15:38
15) A testa in giù-16:23
16) A tre-17:05
17) Fantasia-17:56
18) Pavana-18:53
19) Sonorità-19:57
20) Quasi “A la turca”-21:55
21) Sogno-23:04
22) Primavera-24:02
23) Cammino di notte-24:51
24) Il mercato-26:02