Beethoven 32 - Over the year 2020, I will be learning and filming all 32 Beethoven sonatas. Subscribe to this channel to follow the project, and visit beethoven32.com for blog posts and listening guides to each sonata.
Beethoven's sonatas Op. 2 were his calling card in Vienna as a composer. At that point - 1795 - he was already famous as a keyboard virtuoso, but the transition to fame as a composer was not obvious, and he took great care with the first works he published, a set of three trios (Op. 1) and three sonatas (Op. 2).
The F minor sonata, opening the opus, is laconic in its musical language and form, but highly expressive in its emotional content. The first movement sets the tone: very personal and sincere; but reserved, its emotional outbursts never overpowering. It is followed by a serene second movement showing Beethoven already on a quest for lyrical, poetic beauty. The third movement is a hybrid minuet and scherzo, starting off as a melancholy, somewhat stylized dance, which changes its character drastically towards the end. And it is the finale which is perhaps the most striking movement of the four. Beethoven takes the closing chords of the first movement and puts them above a stormy whirlwind of sound, at times furious, at times impassioned, at times haunted and driven. A beautiful middle section, repeated twice, serves as a point of calm, but can only delay the inevitable return of the storm and the final collapse.
Boris Giltburg, piano
Filmed by Stewart French
© 2020 Fly On The Wall, London (fotw.london)
Filmed at Jaques Samuel Pianos, London,
‪@FazioliPianos‬ , piano No. 2782273