Thanks for the detailet explanation and reharmonization. Everythings sounds very organic and beautiful.

Great lesson! Thanks, Tony!

Pearls of wisdom!

You’re a great teacher thank your for breakin it down always in a simple way

My friend I'm from Amazon Brazil, I don't speak english well, but your class had Help me so much.... Thanks...... GOD BLESS YOU

Lessons always appreciated !(even at age 75) !!!

Genius.

I'm always learning from you Tony. Thank you!

So nice lesson.Thank you very much.

Another great tutorial! Such a great jazz teacher. Keep coming back to your lessons. Appreciated.

Definitivly you are a very good musician, teacher and PERSON! Thank again!!!!!!

Very accessible teaching. Love this tune.

Thank you Tony for great contents! It's very helpful!

Thanks for posting the reharmonization rules and the lead sheet. I downloaded both and will keep the rules handy to apply when practicing.

Very inspiring! Coming from guitar, I love to listen to the ideas of trumpets, sax and piano. Thank you, greetings from west germany.

Fantastic video and playing. Thank you for all your work and contributions.

Absolutely amazing. Can you please do more videos breaking down reharm rules like this one

Wow buenísimo maestro

cheers from Italy Tony!!!!!

Most of this, especially the better bits, directly lifted from Bill Evans' treatment of the tune, eg the B- F7 E- Bb7, is a staple method of his.

from spain...thank you!!! ;)

Great video mr Winston :)

Thanx, Maestro 🌹🌹🌹

I love it when you sing to these as well. Maybe you could do a video about singing and playing at the same time

Love this one. Please do more reharmonization!

beautiful tri-tone substitutions thanks for your jazz piano lesson tutorails

Your live performance was great.

Great to read (and hear) your reharmonisation of this great tune. Thank you! ! Here is one more: in the fourth bar of B try Cm7/F7/.

Thanks to KZfaq algorithm for letting me know about this awesome channel... Subscribed.

Mr. Winston: May I ask that you do a lesson on the FANTASTIC improv in your trio performance? What great stuff. Hope I am not being a bother. And thank you for making our improvisation learning a complete joy.

I love this song Tony (especially Tony Bennett’s version with Lady Gaga) and your arrangement. I think I’ve cracked it - thanks for the tips - it’s beautiful.

😎✨✨ nice

Tony, I'm a bit confused. You are using a tritone sub after the b-7 (F7) but you are playing the b minor without changing it to b dominant 7. Same with the Bb7 following the E-7. I thought you said that you shouldn't use a tritone sub after a minor chord. I know you said you change it in your head but why not just play the b-7 as a B7 and then F7? Same with the e-7 to Bb7. Thank you so much for all the help. It has been invaluable.

💕

That was great! would like to see what you would do with Jobim's "Wave" and/or "One Note Samba."

this video was incredible, I would love to see his arrangement for the song danny boy, grazie maestro!

Paul McCartney used to like C to G minor as the first change. "Hey Bulldog" and "Queenie Eye" but I think there are more. Yes, as others have said.. You're singing is very cool. better with age even.

Tony, is your reharm technology sheet available that was partly shown in the video?

What edition of the New Real Book are you using? My copy of the lead sheet doesn't look like yours.

1:41 Am11 XD

Great vid but hard to follow for me. You need a program that shows each note your playing on screen. Most youtube pianists have them

Hi Tony, two questions: you change the Bmin7 to B7 so you can play the F7 after that. You can change any II-7 to a V7 of the same root which is rule H, but the Bmin7 is not the II-7 right? The piece is in G major if I’m not mistaken? Why are you allowed to change the Bmin7 to B7? Second question: in the rule overview you say “V7 of II: G7 - Cm”. In what scenario is Cm the II? In D major right?