I'm so glad! 😊🙏💛

What is Emma's channel... I also like watching her as well but have never found the link. Technologically challenged.

@@susanl3136 if you just type Emma Chamberlain on the KZfaq search, she will come right up 👍🏼👍🏼

@@AllThingsHouseplants thank you!

@Max Lines I haven’t played with oil at all but I want to so bad! I’m nervous though👀

Thanks Jessica, glad you like!

Thanks! Glad you found this helpful.

Thanks Dennis!

Thanks Ariah! Yes, gotta remember not to go too dark.

Transparency in the shadows helps keep them from looking dull and flat. Glad you found this helpful!

Thanks Donna!

Thanks Christian!

Thanks Kerry!

Good for you! So glad you're finding my videos inspiring. 😊

yes yes yes.! isn't it funny how inspiring Michaels videos are?

😊🙏

Thanks! Glad you found this helpful!

Thanks Karen!

Thanks!

Thanks!

Thanks Rick!

Thanks Margaret!

Thanks Miriam!

Thanks Lesley!

Thanks David!

Thanks Andrew! Although I enjoy painting the occasional cityscape I actually prefer simple subject matter because of the flexibility it allows.

@@chamberlainpaintings simple is sometimes the best. But at the same time good composition and design are critical for cityscapes to keep them coherent.

@@andrewrea2799 Yes, for sure. Composition and design are at the top of the list regardless of the subject.

Thanks Charles!

Thanks!

Thanks Frank!

Thanks Alvin!

Thanks Sophie! Let's paint there sometime!

Thanks Cedric! 😊🙏

Thanks Carl!

Thanks! Your Patreon support is much appreciated!

😊

Thanks Suz!! 😊✌️💛

the wordsmith strikes again! Hi Suz!

@@ariahmyles 🤭

Thanks Angela!

Thanks Roger! I think I started around 10 am and painted for about 2 hours.

Thanks!

I think we will 😊👍

Thanks David!

Thanks Cleve! I almost never paint landscapes or seascapes from a photo. Photographs don't capture the subtle colors in the shadows and they're not inspiring to paint from.

Good morning Mark 😊

Yes, it is , clear weather here too : )

@@markparkey1218 Oh nice! Overcast but warm here in the Bay Area 👍

Michael, you really put the “ kiss of life “ in the tree on the left, the rise in the foreground surface area there, , in it’s blueish hues , , really accent the purple over some dark , mid ground, yes the path sand reflection affects the shadow silhouette there, it’s also touching the branched edges to the tree on the right, also again the under branch illuminations from peering into trunk and foliage, the left tree’s upper shadowed feeling, touching blued water, lighter blue sky deeper within, the path a feeling of taking the viewer outwards. Still looking , imagery of / in the differing ground shadow(s) faceted myriad, beautiful painting. ❤️

I think I used phthalo blue to mix the green to the right. It's a helpful color when mixing saturated greens.

I never paint with direct sunlight on my panel. I always turn the easel so that the panel is in the shade. Direct sunlight on your panel will usually result in a painting that is too dark and desaturated.

Yes, I talked about that in the video. The light was yellow and the shadows were purple.Those compliments create a feeling of light.

@@chamberlainpaintings oops -must have missed that bit - was multitasking:) edit: yeah I did see that at the end actually - I was really thinking about the colour of the shadow - my Mum told me this - so like if an object was red, the shadow would be green...still not sure if this is right or not!:)

Thanks! I sketch with a #2 natural bristle flat. Utrecht 209

Thanks! My plein air paintings are finished on site. Sometimes I'm unable to film some portions of the process. I try to talk about the work I've done off-camera when I show the final painting.

Thanks Olda! It was difficult to see the ocean because of the bushes and the mist!

@@chamberlainpaintings But sounds were nice! lol Cheers!