Thank you very much for your support! It really helps 🥰🥰🥰

😃 Good name! And I really like the details about it. Thank you.

Merci pour le retour ! Ça fait trop plaisir à lire. 👍

Merci!

Thank you!

Thank you Sooz!

Thank you for your words and for the name too!

Good choice! I also have 3 Debian at home (1 headless for my home server, and two Gnome on living room) very good O.S!

@@DavidRevoy 🐧🐧🐧🐧

😻

Hey, yes, because I have many automatism that sync at the same time (at silhouette I also take care of anatomy, perspective and design/volumes). But the subtle light I do is not really a directional one, it's a global one very soft and diffuse. It's not thought as a direction yet, or a particular point in space. It's more imanent; by shaping slight variation of grayscale at this step it greats this ambient dim soft light.

Gradient maps are great! But they also have a danger: you can map arbitraly gradients to non-corresponding values (eg. say a blue-to-white on a black and white image). As you saw in my usage, I'm try to preserve my greyscale values a lot − I even don't trust the way Color Balance filter affect the values (that's why I'm using it on a duplicate with a "Color" blending mode, so I'm sure it's affecting only Y part of HSY).

Thanks! Oh, I stopped to count hours :D Probably too much!

Thanks for the name, good one. I have really good propositions on the list. It will be hard to choose!

Yes! About the saturation, I still don't have a super logic way to handle it. I just observed it's good to not saturate much because it's easy to saturate later (but desaturating a piece that screams saturation everywhere is more difficult). So, I build the saturation slowly.

😍 That's a great name. Probably one that would require a big box like a backpack for the design (as for the Saint-Seya armors). I'll keep the idea.

Here I would to first get a colorimeter and calibrate/profile your monitor(s). Then contact your printer or publisher to know what type of CMYK ICC profile they'll use. If you don't have it yet, you can ask author who work for this type of publishing what they commonly use. Then I would setup a sRGB 8bit, with a softproofing to this CMYK profile for my main file. The softproofing will inform me about the color going out of gamut. Once the artwork is completed, I would export a special variant converted as CMYK in the profile of the printer, 8bit. This one would receive special optimisations for not getting cyan dots in the yellow, or deeper blacks, etc...

In general, if you go without reference for the anatomical detail, it will require you to have studied and memorized them. That's something I did (training on my sketchbook), no perfect, but I start to have a good library of volumes in mind. If you are learning them, the best is to open a reference on the side (it can be a body standing, or a character, even with another view angle) and try to read the volume, and them reconstruct it with your view angle. It's a game of sculpting and understanding/knowing the shapes.

Thanks! In this case, I think a little glazing with white and "Overlay" blending mode can solve the issue. But probably with a brush having a gentle opacity or they'll quickly look like a light source :)

@@DavidRevoy Oh that makes sense ill give that a go

Hey, I think a key is to do classical study and anatomy (realistic) to be after in real control of what you stylise and for what reason later. So many things can be stylised: shapes, shading, anatomy, rendering, visible brush strokes...etc... I remember when I was younger I was worrying that studying realism would erase my style. Don't worry about it: from my own (biased) experience, style is like the color of your hair: it's difficult to change it or decide about it. Even you temporary tint it, it will always grow back later with the same good old tonality. Have fun in your experiementations!

@@DavidRevoyok thx

Hello! Cool :) Il peut y avoir tant de 'problèmes' possible sur Linux. Ici, j'utilise l'Appimage fait par les dev (ça reduit pas mal de bug), j'ai aussi une carte video AMD avec le driver libre Mesa, et j'utilise la session X11 uniquement (sous Wayland, Krita est dans une fenêtre XWayland, et ça fait surcouche, je ressent aussi quand j'essai). Avec Fedora qui va devenir Wayland seulement à la F40, je vais déménager. Probablement du coté d'une base Debian ou Mint avec KDE tant que les dev de Krita n'auront pas migrer vers une base Wayland-native.

​​@@DavidRevoyamigo muito bom o vídeo. Falo do Rio de Janeiro, Brasil. Muito obrigado. Ótimas dicas e passo-a-passo. Permita-me fazer uma observação. Não encare negativamente por favor. Sei que você colocou 2 visões, diagonal de frente esquerda e diagonal de trás direita. Porém, na visão de trás o Machado está na posição errada sendo segurado em cima pela mão esquerda, e o escudo também está na posição errada, não aparecendo a ponta inferior do escudo que fica para trás no braço. Gostaria de ver um vídeo seu mostrando como corrigir isso. Sucesso aí!

@@jonataleite Hey thank you! And yes I noticed. I probably wanted to get the two axe on both view parralal for the composition. Fixing it can be a fun video topic. Thanks for the suggestion!

@@DavidRevoy obrigado por responder. Foi a intenção, a ideia do vídeo. Falei porque parece também um espelho mas, o escudo destrói essa ideia. Então como sei que seu foco era o assunto da colorização, resolvi dar a sugestão. Novamente obrigado! E aguardo novo vídeo!

Ok, merci, Yep ! Je suis sur X11 aussi, car j'avais vu que les tablettes n'étaient pas encore bien gérées sous Wayland, je vais tester autre chose pour voir.

Oh, good one. Thanks! I had a Lionnelle and a Estelle on the list. Ending with -elle is tempting! I'll debrief that later in a future video.

Bonjour, très jolie!

Hey, yes it's a possible effect if the values of grayscale underneath are or grayish (then it all look grays and saturation pops weirdly) or if the values are too contrasted (lot of burnt black and over exposed white). It takes a bit of practise to aim at a grayscale that has good values for being recolored. It worth the training :)

Le filtre couleur n'influe que sur la teinte, mais pas la valeur. Donc normalement, tu devrais avoir la même teinte mais dans un camaïeu en fonction du niveau de gris qui est en dessous. Pour certains jaunes et oranges, ça peut développer toute la palette des brun/marrons/ocre.

@@DavidRevoy ok merci de la réponse.

32GB; you can find all my spec here: www.davidrevoy.com/article806/review-my-digital-painting-workstation-pc-on-gnu-linux

Hi, the "color" blending mode influencate only on the tint; the darkness you select is not taken into account: it's the gray color underneath that will be 'the value' of the color. A brown can look like a peach color if the gray color is too bright. A orange can look like a brown if the gray is too dark. You need more work in the variation of gray and their values before coloring.

@@DavidRevoy Ah!! OK. I have to train well on values. Do you happen to have a video in your channel where you explain how to understand and obtain the appropriate values ​​as needed. Sorry for the english (use google translate).

@@crisd.4341 No problem with your english, it's good. I don't have a video about it, it's still for me a work in progress about understanding the "weight" in value of colors and how to organise them to get a good brillance of colors. You'll find many videos by other creators on the topic, I hope one day I'll have something I found myself to tell about it.

Désolé, c'est purement économique : le jour où j'ai plus de 50% de donation de la part de francophones, je considérerai. Pour le moment, le budget temps que j'ai pour faire ces vidéos vient des donations de l'audience, car j'ai un crédit, une famille à nourrir et chaque journée coute une blinde, même si je ne fais rien. Pour donner une idée, les français ne représentent à peine que 4% de l'audience qui suit mon travail.

@@DavidRevoy Je comprends tes raisons. MAIS (😅) peut-être pourrais-tu utiliser l'IA pour traduire automatiquement tes vidéos en français et même dans beaucoup d'autres langues. Cela pourrait considérablement élargir ton audience.

@@clem7334 Malheuresement, l'IA ne fait pas ça encore automatiquement (ou bien le fait de manière médiocre et mal, la tradution c'est complexe) sinon tu penses bien que Google/KZfaq l'aurait déjà proposé comme outil pour décupler leur catalogue. En tout cas, du contenu en français voudrait dire une nouvelle chaine, de la relecture/corrections des traduction automatique, j'aime pas les voix des IA, donc réenregistrement aussi. Bref... une journée par semaine de boulot en moins et j'en ai que 7 comme tout le monde 🤓 ... Aussi, je pense que si il y a vraiment une audience large et prête à soutenir un ou une créateur Francophone sur Linux/Krita , je pense que ça serait déjà un créneaux occupé tellement l'offre sur KZfaq est saturé. Il y a pas mal de vidéo Krita en Français avec des Tipees/Utip/etc; mais je ne pense pas que ceux qui ont fait ça soit assez rémunéré pour pour en vivre. Donc une autre option est d'aller leur donner à eux et repartager leur boulot pour aider à les faire connaitre. Après, mon bac à sable est ouvert: toutes mes vidéos, toutes, sont en license Creative Commons Attribution, ou parfois ShareAlike. Si tu y vois vraiment un créneau et que l'aventure te tente, c'est légal de reprendre mes vidéos en respectant la licence et de faire un dérivé avec un audio différent. De mon côté, je préfère garder du temps pour la création de BD 🐱 Merci en tout cas pour les retours et bon dimanche soir !

@@DavidRevoy Ok merci pour ces explications exhaustives. Certaines IA de transcription commencent à être efficaces mais sont relativement onéreuses. Bon dimanche également et bravo pour ton travail.

Ils sont en Creative Comons, si tu veux les télécharger, refaire une voix off en français, c'est permis. Ici, mes moyens ne me permettent pas de pouvoir prendre ce temps. Merci de m'aider sur Patreon/Tipeee; peut-être un jour je pourrai embaucher une équipe comme le fait Kurzgesagt. :