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“I cannot believe I’ve been muzzled by my own people.” All Saints Episcopal Church in Pasadena, CA cancelled a concert that was set for June 2nd, 2024 citing the “pain and anguish felt by 18 Black members of the church.” The response was that Michal and the choir, and the music they were set to perform from the African American cultural and musical heritage, was prohibited form being performed at the majority white All Saints until further notice.
I am joined this week by Bass soloist Michal Dawson Connor, who was caught in the middle of this controversy. He tells his side of this frustrating story and pulls no punches. A story that ends, for now, with the church’s “Racial Justice Advisory Board” being in control of what music is or is not allowed in the church, rather than the Music Ministry. When we in choral music preach diversity and inclusion, is this really what we mean?
This topic, in a broader sense, has been explored MANY times on this show going all the way back to some of the first episodes. Namely, what is the role of African American Spirituals and Gospel music in the telling of our American story, and in what ways can the cultural sharing through music lead to unity, healing and reconciliation? What does it mean to be diverse and inclusive? Can these things be achieved while drawing strict lines around categories, and gatekeeping? There seems to be a consensus in music education on these questions amongst scholars of the art form. Experts like André Thomas, Anthony Trecek King, Marques Garrett, Brandon Boyd, and even philosophers and race scholars like Anika Prather, Sheena Mason and Teodros Kiros just to name a small few have appeared on this show to speak on these important philosophical ideas. “Tough Conversations” play list linked above and embedded below.
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