It really is incredible. I love the 'magnetic pull.'

Wow, right on Yosi! Major words of encouragement! Whatever happens next will be partially your fault.

Glad you enjoyed it!

Right on, thanks so much! Filmed in my Happy Place

Thanks!

Thanks so much!

Of course you are 100% right!! I hoped nobody would notice...

Lol take your thumb off the top of the neck...ugh

It's amazing. And if you really want to get freaked out, listen to the bass note she's playing on the electric piano! She fully ignores the G chord and stays on F all the time. It shouldn't work! AT ALL.

Check out the book "Making Rumours" by Ken Callait, the engineer and co-producer of the album. In addition to writing about the saucy drama surrounding the drug use and interpersonal relationships, he takes you under the hood regarding some of the album production and recalls the tapes wearing out. Fortunately, they had made duplicates of the basic tracking sessions in Sausalito and were able to restore the project combining those parts with the overdubs onto new tapes (without time code no less!). For "Dreams," the drums are actually from a tape loop, which only adds to the hypnotic flair... I love to nerd out on those details, so I highly recommend the book. I've read it a few times, and thanks to Doggface, I'm itching to read it again.

WOOOO!

Never mind the unresolved tension within the band.

P.S. I really enjoyed hearing you sing it over alternate, more traditional chords. That blew my mind. You should record that.

So good to hear!

At least we hope so, right??

Right on! I always wanted to get into this stuff

It never ends

You found me!!

Thanks man!

Wow those are kind words! I don’t know about more helpful than Beato, but I’ll take it as encouragement for sure!

@@JB_Eckl For one thing, you can sing, so you can teach in a more complete, holistic way. Beautifully done.

Hope you have a volume pedal! Haha.

What? How cool! I mean, you could also just use an auto swell, depending. But Lindsay is using the effect two ways here; as a fade-in AND as a slow Rhodes-y tremolo. So volume pedal it is. He’s such a badass.

I do try to make beard care a priority.

I can see looking at it like that, but I strongly disagree. Functionally a I II progression wouldn’t work the way this song does, with the melody hovering around the major VII. It works modally speaking, but the secret sauce here is that it feels unresolved the entire time. I’d love to see another example of a I Maj7-II Maj progression that feels the way this song does… I can’t think of a single one.

It's ALL about these lamps.

@@JB_Eckl I thought it was the bass

Yeah I should have looked at the lyrics first. Wasn’t planning on singing it!

I can dig it

Pretty sure they’re straight up volume pedal moves. That was a huge thing in the mid 70s, like on Joni Mitchell’s ‘Court and Spark’ etc.

ALWAYS.

Interesting. I never heard of anyone being annoyed by Buckingham’s guitar sound, but it’s personal preference I guess! Thanks for watching the video.

@@JB_Eckl would you have ever played hard rock without a pick just fingering .I know it can work in soft rock or country but come on. I use the volume knob curling my little finger around it in the sweet spot and it makes for a great effect. Learned that from yngwie and with a slap back single echo you can perform things like echo etude. It only works on strats so another reason to play fenders.

All of that would make sense to me if we were talking about a metal context… but in Fleetwood Mac I never noticed anything weird about his tone. On the contrary it’s generally perfect for the band. I play with a pick most of the time, but I wouldn’t want, say, Mark Knopfler to use one.

@@JB_Eckl it would severely limit your repertoire of music styles. Even chet Atkins used a thumb pick. Mark knopler is a truistt like you said. More of deep dive explanations of well known classics.