Your brothers-in-arm in "特別災害対策本部/Special Disaster Task Force" are following your path! In my case, I've seen the film for 4 times so far, and my next confrontation with the raging sea god will be at the B/W Godzilla -1.0/C, coming next month here in Tokyo!

holy crap dude. there really are more things to life than just screens

DAMN YOU I'VE ONLY SEEN IT 5 TIMES IM SO JEALOUS

IN MY HUMBLE OPINION IT IS THE BEST MOVIE THAT I HAVE EVER SEEN IN MY ENTIRE LIFE. IT IS AN ABSOLUTE MASTERPIECE IN EVERY WAY INCLUDING THE SOUNDTRACK AND THE ACTING WAS ABSOLUTELY INCREDIBLE!!!

Want for my video library now!😃

And I would wholeheartedly second that!

MY FAVORITE SCENE IS WHEN HE LOSES NORIKA HIS ACTING IS AWESOME YOU SEE HIM REALIZE SHE'S GONE, MENTALLY BREAK FROM GRIEF, AND THEN SEE HIM FLIP THAT SWITCH FROM FEAR TO ANGER AS HE FALLS TO HIS KNEES SCREAMING IN THE BLACK RAIN IT WAS A WORK OF ABSOLUTE ART.

ゴジラの鳴き声を録音する時、大きな野球場で大きなスピーカー📢から出る音を録音したらしいです。映画の最後のゴジラの鳴き声はやはり映画館の素晴らしさ再確認でした。

Just watch godizzila one minus color with my girlfriend 1/26/24 going see it again today . The minus color its way better

Except thats not what the script called for “genius “

Godzilla's regenerative power would quickly plugged the 20mm bullet holes so no, he would not have killed it even if he tried.

He didn't have those powers until after the nuked him. @@m.a7473

No the script called for us to feel sorry for that screwup. I didn't buy it.@@nedrini1055

I'm Japanese. I'm really happy that so many people around the world like this work.

what the actual fuck

Judging by your comments, films like this are not for you anyway. Most of what it is about will go way over your head. Stay with entertainment that fits your mental capacity. I'm thinking perhaps some of the childrens' cartoons or maybe rooster fights? You say Japan started the war. It is surprising that there are people even more ignorant than neonazis, some of the stupidest people on Earth. Even they know that WW2 started, not by a Japanese action, but in September 1939 when an army led by a man called Hitler invaded Poland. Japan entered the war a year later. Though the United States, Germany, the U.K. and Japan all did very regrettable things in WW2, as an American, I think it is significant that Japan's surprise Pearl Harbor attack In December 1941 was on ships and military personnel, not women and children in American cities, and further, the women and children in Japanese cities who were intentionally attacked later by American strategic bombing had no choice or responsibility for the Pearl Harbor or other Japanese military actions. Nevertheless, hundreds of thousands of them were killed and injured with napalm, bombs, and nuclear weapons. People who don't care about innocents in whatever country getting slaughtered like that are even worse than ordinary bigots. To me, they're simply garbage. As for the idea that people working on a major motion picture in Japan or other skilled work don't make a "living wage", people who have lived and worked there like myself know this isn't true. The standard of living is higher in Japan than in the United States, and since "living wage" means affording room and board, I'll point to the fact that it is hard to find any homeless people in Japan, while sadly we know of thousands to tens of thousands of documented ones in all U.S. cities of moderate size. Also, apartment and food expenses in Tokyo were less for me living in an apartment in walking distance to an entertainment studio in Tokyo than they were in an apartment in a U.S. suburb with a far, far lower quality of life. People rarely immigrate from Japan to the U.S. of course because of the disparity in the standard of living. Immigrants to the U.S. come mainly from Mexico, India, China, Philippines, Vietnam, Cuba, and some others, but not from Japan. So why can a fantastic movie like GMO be made for such a smaller budget than in the United States? You don't work in the industry, can't read Japanese work information materials and, I have to assume, don't know any Japanese people in skilled jobs. Many of the reasons for the different budget are obvious. You may see ten different companies doing some part of special effects in a U.S. film and they will get a ton of money ($65M for VFX in Avengers: Endgame for example), where GMO had a much smaller, obviously very highly skilled (and well paid) group of people to work on effects. Director Yamazaki himself had three different highly skilled jobs in the film himself. Successful Japanese actors like Ms. Minami Hamabe (Noriko) make enough in their careers so they'll live very well in a wonderful city for the rest of their lives, but wouldn't get paid $10 million just for one movie. The marketing cost disparity is obvious; they pour it on in a tacky superhero film hoping to recoup hundreds of millions, while a film as good as GMO doesn't need all that marketing because everyone knows it's great and wants to see it. Underlying these things is a difference in cultural ideas of what's important in life. In the United States, sadly, many people running companies seem to value making the most possible money to extremes, at all costs, over the joy and pride of providing something special to people. I think the latter was the priority for Toho, Director Yamazaki, and people working on GMO.