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I'm so glad I discovered this channel. Excellent cinematography as well. Great work!

Another one bites the dust. Great video. You get into so much detail compared to the usual KZfaq stuff, it's welcome.

OK, so the shot of the handle vibrating was AWESOME!!

Thank you for this video. It was nice to hear the Warm Audio in action. You have that release and attack set pretty well for the riff

Love what youre doing man, right down to the video production style! So well done,Thanks!

I love this channel and the content you provide. Excellent educational content. I'm glad you are doing this. Cheers

Your videos are very instructive and your gear is mouth wattering : )

is he really good at writing backwards? or does he just flip the video?

This is a really great video. Best I have seen on the subject. Thanks for the great content! keep it up.

I love this channel man! keep it up!

Dude!!!! Great channel! I am impressed!

i totally love that falling in on itself tone

my gosh you are a freaking genius teacher, I'm new 2 guitar but 30 years teaching, you freaking rule Sir!!!!!

GREAT VIDS DUDE! MUCH APPRECIATED!

Really good video

Some of the most fun I've had is recording my guitar and vocals live on one of those crappy casette recorders, right in my home office. I'm a "less is more" kind of a guy. lol

I really love your Videos. Very inspiring. I failed to do a good git-recording so i need to reamp. realy wanna get it done this time

Awesome... Thanks!

Great video, great calidad!.

that gresch is a beautiful amp \m/

Cool vids, dude... Thanks!

SUBSCRIBED! All the infos are spot on! Personally, I wouldn't describe this as minimalist; standard, more like, or at least the place to start. Multi-miking and phase manipulation is for when the regular thing ain't workin'.Only quibble, one thing shown, I no longer do; miking the dustcap. If I'm in that close with a dynamic, I'm usually off axis. Most speakers in most cabs are a little brighter toward the edge of the cone. If I can get the amp to sound great in the room, I'm usually not that close and I'll usually mike the room, as well.

i subscribed after the teaser and I'm a tough audience props!!!

Great stuff dude, and great setup. Would you upload a studio tour? It looks great!

whoa! Sweet desk. What is that? Keep on killing it w/the videos. Huge help. When a week comes w/o out, it's sad times.

I watched this video about a year ago and came back to it again. I’d really like to see how you would achieve a classic punk rock and/or hardcore punk guitar tone. That sort of close mic’d single track sound. What guitars, amps, mic, etc.? That is a video I can’t seem to find on KZfaq. You say old punk and you get dudes playing mid nineties pop punk stuff. Lol

interesting idea about patching the DI signal into the compressor before the amp. I'm confused on how that works however, because I have no way to return signal from my compressor to the amp without cracking open the patch bay. Maybe I'll hook up a misc 1/4" out

I stumbled onto your channel looking for tips on live recording of drums and guitar amps. All of the videos I've watched have been awesome! Do you have any suggestions on good avenues of information about live sound specifically? I love your teaching style and appreciate how well you communicate things that have generally mystified me. Thanks!!!

awesome

Makes video called “minimalist approach” Proceeds to start graphing guitar tones

Did you use re-amping to make these tests? Nice video! Subscribed

Do you ever mic the amp in such a way to get more of the cabinet resonance or does that usually come through pretty well already with the close mic?

Great video and technique. But now I have one more mic to buy. Loved that SM7B.

nice trick with the comp pre amp - does that mess with the impedance load though?? kinda sounds like it... but I like how the drive never changes

Great videos! Could you please tell what monitors do you mainly use?

So you had to write backward on the plexi in order for us to see it normal lol ? great clip, great channel, lot to learn !!

Live the videos. Thanks for all your info. So with the signal chain, are you plugging the guitar directly to the compressor first? Almost like a pedal?

I have a jet city 20hv which it's arbitrary gain numbers seem to be 2 is full volume clean, 3 is slight compression maybe a little grit, and 6 is overdrive limit before everything is cooking at all times, but I find I can set the eq all the way down and pick one band I want to overdrive and set that band all the way up and dial the preamp gain so that freq is doing what I want, then add in the other bands and keep them under the overdrive point. So if I wanted a crunchy mid range without the bass overdrivig it might get set at say 4 on the preamp, 3 on the bass, 9(highest number) on the mods and somewhere between 3-6 if I want some sizzle. And I should add, I'll usually set a rough volume I'm after first with the preamp at 2 and dial the power amp to the volume I want, then set drive and compression that way from there. Sorry didn't explain that very well

Great video! Whats the music going on at the soundtrack?

I would say the gain/tone variation is logarithmic, not at all lineal

What if most of these sound really bad to my ear? Is that really how the guitar sounds before mixing with other instruments?

what app your are using for recording?

So would the signal path for re-amping be 1176 - re amp box - mic/amp - pre amp - daw?

Man, could you please do a vid on finding unity gain on the 1176 by warm, how you use both knobs to find it, what -7 from unity translates into in your daw/dbfs with some tips on why unity is important etc. That would be a good one. I bet a lot of folks out there have the wa 1176 and need this info. I have been fiddiling with it recently and ...... could use a video

didnt know you could use a sm7b to mic an amp , sweet :) im a new sub , great vids man

Im impressed he can write everything backwards without even thinking

Would you be able to do a video in the mixing room and show us some pre and post vst's or even pre and post pre amps or rack mount effects? Or something to that effect?

I agree with every part. I always run a DI (extra) from guitar to get a dry signal that can be fucked with at will.

THANKS!!!

one solution to the issue you mentioned of having to re-track guitars because of poor tone is to di and then re-amp. this way if you need to redo something you can use the original di take to save time

I suscribe this channel :)

Interesting to me that you say the 20:1 guitar comp is before the signal hits the amp - I would think the compression would be of the mic'd signal?? That would be two completely different sounds. Your chain here is guitar into Tone Beast - Tone Beast into WA76 - out to amp? I have been going guitar straight into amp and compressing the mic's signal before it hits the recorder.Thanks for your great vids by the way.

What mic do you think will give me the best possible sound for mic ing a Marshall DSL. Right now I'm using a 57, do you think there's any ribbons with a high spl that'd sound better?

Spider ?!

fuck yeah music man amp

reminds me of calculus

Drawing in the dark... Hmm. Helpful.

you can just re-amp to switch settings while mixing.. problem solved...

You can always add more distortion afterwards. Always. But you can not make a clean tone out of a distorted one

everything on 10..make those tubes bleed, baby..

Hashtag Reamping

love the presentation stuff (the style of shooting etc) but that graph business was a bit of a waste - all you were saying was 'louder= better' ... there are quicker ways to say that ...

Those numbers aren’t arbitrary if your talking about a Marshall

i just heard a lot of bs