Hi Chris, vielen lieben Dank. Freut mich, dass dir das Video gefallen hat :) Vielen Dank für's Schauen und schöne Grüße nach Bayern, Christian

Vielen Dank :)

Hi Darren, it is just an option and we should see colour theories just as what they are: theories. But I just can say, it is interesting to consider colour in my fine art photography :) Thanks a lot for watching and nice greetings from the mountains, Christian

Hi Trish, thank you so much, this means a lot :) Have a great Sunday, Christian

Hi Ian, thanks a lot, my friend. Just observe the colours out in nature to understand how they can get part of your composition. I hope you'll enjoy it :) Have a great Sunday and nice greetings, Christian

Hi William, thank you so much, my friend. I appreciate :) Have a great Sunday and nice greetings, Christian

Hi Gabor, to be honest, I do so hard to compare the difficulties between black&white and colour photography. They have both their own challenging side, I would say. But also their enjoying one :) Thanks a lot for watching, my friend. Nice greetings, Christian

Hi Mark, thank you so much, my friend :) Yes, right. Considering colours already out on location made really a big difference for me. It is also a bit comparable to seeing lines, shapes an patterns out in the field. Different colours also lead to different visual weights in a composition. It really helps to consider them. Nice greetings, Christian

Hallo Erich, vielen lieben Dank :) Hab ein schönes Wochende, Christian

Hi Adrian, thank you so much :) This is something I find generally interesting: the image size has a big impact on how the image affects the viewer. I know that my images tend to work better on big size, prints in A3, A2, and even bigger, as it makes all the details appear in the compositions. Great to hear that you liked them in big :) Have a great weekend, Christian

Hi Guido, there is nothing wrong with doing it in a way that feels best. I just thought I'd share this video to showcase a different approach that helped me massively to improve my photography :) Thanks a lot my friend, nice greetings, Christian

Hi Thomas, everything we know today about colour psychology in art is based on Goethe's Theory of Colours, actually. So, it's definitely worth reading the book :) Thanks a lot for watching and enjoy your Sunday, Christian

@@christian.irmler First I want to thank you, You have awakened my desire to photograph forests again, I probably don't have the same orientation as you do with skaoping beautiful pictures. I am more focused on conveying feelings and ideas.Second, how do you avoid the need to waste time getting better gear? I have had a break in purchases until a few years ago when my camera D300 12 Mpix broke so now I am only trying to upgrade the bare essentials to D850 45 Mpix standard but I am sensitive to Pixel Peeper videos.Thirdly, if you decide to release a PS video, I would be grateful if you could describe whether you use white point, medium gray or black points in your PS process. I'm going through the basics again in PS and have the assumption that I may have missed something important.

Hi Erich, yes colour is definitely important for all genres of photography unless photographing black and white, and it has definitely the most effect on fine art photography. Fine art photorgaphy is not only to find in landscape photography, but can be achieved also in every other genre. Thanks a lot for the link! Ernst Haas was a good photographer. His roots were also in Austria, by the way :) Nice greetings, Christian