Hi

@@kalpanamusicc hello

Really so good, I definitely will attempt to do this. Awesome God Bless Molina

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Really glad you can appreciate it :) We've got some more videos coming from Mr Molina very soon :)

@@PianoteOfficial Absolutely. I'm not new to his virtuosity,, I'm glad that he is getting more exposure on a bigger platform..

@@PianoteOfficial How do I sign up for Jesus' mprovisation class. Is it an exclusive class that he has or is it through Pianote? If so, could you put up rhe link? Thank you.

@@PianoteOfficial pls do bring him more often!

I know, right, this is probably the most prolific statement of the musical Era!!! He spoke volumes in that one sentence, BRAVO!!! 👋👋👋👋👋👋

Well, I can't sing so I guess I'm too technical 😅😅

@@minigamescenter4632 he's referring to playing what you're hearing in your mind. Rather than the other way around*

@@shangee2275 oh, I see, well I guess I'm doing that all the time 😅

Makes a lot of sense😄

beautiful vision of this lesson :) thanks lisa!!

hahahaha he really does make it seem effortless

@@PianoteOfficial Everything is effortless for The Maestro 👌

Lol

Feel you right here

Try both too! Even as a total beginner. Not separate melodies for each hand. Just one melody, with chord notes for support and embellishments if you can do that, otherwise you can start with one note at a time with each hand (and rests obv). The secret to bringing your hands together as a beginner is to bring them together literally, right next to each other. Then it's easier to feel both hands as "one unit" if they're close dancing up and down the keyboard. Even if you start out playing one note with each hand, so at most 2 notes happening at a time, but often 0 or 1, that's plenty to get your hands moving together. That can also help you get a feel for the different intervals (the pitch relationship between 2 notes is called an interval). It helps if you have a drum machine or eventually both harmonic and rhythmic accompaniment, so you don't feel the need to fill out the sound rhythmically and harmonically as part of your improvising if you're not ready to do that yet (or if you're practicing to be in a band and don't want to step on anyone's toes, whereas solo you can play all the notes, who cares). What I mean, essentially, is for both your hands to play a single lead line, with embellishments, but working/dancing together on the keyboard. Then, in addition, you can do bass in left hand, solo in RH, or arpeggios in RH, solo in LH, and so on. And then bring it all together, mixing it all up however you feel. Also, if you're practicing improvisation, don't be afraid to hit wrong notes. That's ear training. Imperfect timing, no worries. But record yourself, and listen back. Then you can decide later, with a clearer mind, what you liked, what you want to work on or try next time. This is a different mindset from learning songs... more like rough mining ore rather than polishing gemstones. Like they say, all work and no play... balance is good. I think the most important thing... like when someone you know very well comes up and touches you from behind, and you know who it is? Jesus's playing feels like that. You can tell it's coming thru his filters and mood, and I think that's important, even for "composed" music.

@@GizzyDillespee nice Adam, appreciate that thoughtful response! It's a funny thing with the YT algorithm, because shortly after posting that I started getting suggestions on 'chord clusters', or playing out the chord with both hands....what you're telling me will both encourage me to learn exactly what's making up the chord, but also all those sweet jazzy chords. Yeah I think I got stuck in "mirror mode" with left and right hand, basically duplication. Tough as a self learned working off YT videos. However good I think I'm getting there's years of theory I'm skipping over, I'm certain. As a guitar player for 20 something years, it's definitely taken me less time to learn the basics of piano, but wishing I'd started years ago when my fingers were more flexible. Good luck to you in all things music and beyond!

you are very welcome!! Got some great stuff to come with Jesús!!

beautiful perspective!!

What do you mean when you say wild chops

@@hithere2426 Basically piano slang for fast and accurate playing which I'm sure you can find in many other of his videos. There are plenty of classical and jazz pianists that can already do that. I personally prefer musicality where speed is really just used to convey the art in a particular way if the artist deems it necessary but there's an audience for everything

@@jimmynguyen227 thanks Jimmy. That's right what you said about musicality over just speed, and Jesus Molina seems to have it both well in sync! I met him at Berklee yesternight, after his band's concert at our berklee caf, such an honor to watch him play from like a few feet away and then meet him. It's funny how when I asked him what advice he would give me for practice if it was just one he could share. "Practice really REALLY slow", says the fastest piano player I've seen in my life. Despite having been given that advice so many times in the past, the same coming out of his mouth came out as so convincingly touching. Edit: spelling errors lol

So glad this found you :)

we are so honored to have him with us!

music is feeling!!

You're very welcome! Glad it was helpful

you are very welcome----- lots more cool stuff to come too!

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We had so much fun filming these lessons with him!

🏆🏆🏆🏆🏆

and fun to make too!

We are very very lucky to have him with us!!

you got it!

We were hoping that would get you!!

it was such a beautiful location to be at too!!

Really glad you can appreciate it!

we are so very lucky to have him!

right!!!!

Realy glad to get it to you :)

still cant believe we managed to get him! Cory henry would be amazing!!

Maybe we should do a Pianote Coaches album!

Ill make sure he knows!!

Sounds great to me!

we think so!

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he is a genius!

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