J.S. Bach : Cello Suite No.1 In G Major BWV 1007

J.S. Bach : Cello Suite No.1 In G Major BWV 1007 - Anner Bylsma

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9 жыл бұрын

◈ J.S. Bach : Cello Suite No.1 In G Major, BWV1007
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Menuetto I/II
6. Gigue
바흐의 무반주 첼로 모음곡은 모두 무도곡에 의한 모음곡으로 되어있다. 제 1곡은 즉흥적이며 자유로운 형식을 가지고 있으며 2곡은 힘차고 활기찬 주제를, 3곡은 정력적이고 힘차게 도약하는 형식이다. 4곡은 극히 장중하고 힘찬 주제이며, 5곡은 미뉴엣 형식이고, 6곡은 지그 형식으로 되어있다.

Пікірлер: 50

@arcobow97 8 жыл бұрын

I don't get why people are complaining about his interpretation. Anner Bylsma can do whatever the fuck he wants because he's a master. Bach also left very little information on exactly how to play the suites (and many other things). I don't think Bylsma's interpretations are romantic at all, they're very free and rubato indeed, but they are not dramatic and grandiose like the typical romantic manner. I think his interpretations are pretty baroque, I mean he specializes in baroque music. This interpretation of the 1st Suite, and the others on youtube from this performance, are very different from his 1979 recordings, but I think he's discovered a new, more mature and unique way to play the suites.

@m0cker184 3 жыл бұрын

“Anner Bylsma can do whatever the fuck he wants because he’s a master”. This.

@zevyzions 5 жыл бұрын

Wonderful. I saw Mr. Bylsma in concert and he autographed my CDs of his Bach suites.

@davidconnell1959 11 ай бұрын

All through life Anner Bylsma never stopped hearing Bach sing to him. Every recording, every performance - he never stopped listening to Bach’s own voice and making his instrument bring it to full life. The best. Simply the best.

@KylesWorld2.0 4 жыл бұрын

@0:21 Praeludium @3:48 Allemande @10:04 Courante @13:05 Sarabande @16:19 Menuetto I/II @19:20 Giguge

@Marianofrv 8 жыл бұрын

An essential and delightful interpretation the depth and vastness of feeling transmitted is hardly paralleled Thank you Master

@enzocypriani5055 7 жыл бұрын

bylsma is the only who can surpass bylsma... we are lucky to have different recordings from him! he is absolute.

@oisstulane8001 8 жыл бұрын

I love the changes in tempo, I particularly like the slow tempo at the beginning even in comparison to his earlier recordings.

@yasisoufi 2 жыл бұрын

Exactly!

@sage-ok8oh 5 жыл бұрын

Love this performance so much. May he rest in peace.

@robertocattan8078 3 жыл бұрын

Entre tantos intérpretes desta suíte No.1 Anner Bylsma expõe algo ainda desconhecido e maravilhoso. Há interiorização e amor profundo ao tema. Salve Anner!

@juneyang1400 Жыл бұрын

In a deep thought, walking in the woods……meditating effects ❤

@1969bartje 6 жыл бұрын

there is little information, but he studied it. His goal is to try to stay as close to the way bach would have wanted it

@mjcard 6 жыл бұрын

I really like this rendition!!!!

@jacobsmemories2021 2 жыл бұрын

It Made Me Cry A little Knowing The Anner Bylsma Past Away 2019, Because Hes My Favorite Cello Play He's The One Who Inspired Me To Play Cello By Watching Him Play Bach Cello Suites, Thats What Made Me Want To Make My Own Channel Called Jacob's Tradition Of Musical Excellence.

@alfonsogonzalezjimenez2711 9 жыл бұрын

Gracias Maestro!!!

@jacobplaysinstruments2018 4 жыл бұрын

this is great playing sir!

@stickom 4 ай бұрын

I am an amateur horn player and I play Sarabande of this suite on a single B flat horn. It sounds mush better in a high register. I use more appoggiaturas, thrills are subtle, shorter and at the end of A I play pedal tonic in multiphones, basically 4/6 accord. I avidly watch cello performances of Bach where I learn a lot about accentuation and bowing, it helps with air and articulation on horn. Cello and French horn are two beasts, taking us to endless, daring and totally personal ventures, rewarding at each tone played.

@juneyang1400 Жыл бұрын

unique, personal, and elegant in its own right. Salute!

@Artist_Aejoo 2 жыл бұрын

너무 멋진 연주 잘 보았습니다 최고입니다♡

@bryanslow 11 ай бұрын

한 음 한 음 정성을 다한 연주에 마음 속 깊은 울림을 느낍니다.

@jacobsmemories2021 3 жыл бұрын

This Is Amazing

@JoaoCesarEscossia 9 жыл бұрын

Superb!

@robertocattan8078 3 жыл бұрын

The best!

@jandenie5272 11 ай бұрын

De mooiste uitvoering van deze cello suites!!!😅

@jandenie5272 11 ай бұрын

21:02 the best, ever!

@user-xi7nw6th7c Жыл бұрын

같은곡인데도 미샤마이스키 연주랑 분위기가 다르네요 신기하면서도 아름다워요ㅎㅎ

@marioauteri5999 Жыл бұрын

Great magistero.

@TiagoDioli 3 жыл бұрын

Foda pra caralho!!! Gosto demais das interpretações desse cara! Não tem medo de experimentar andamento, conduções de frases... sempre surpreende quem tá ouvindo!

@TiagoDioli 2 жыл бұрын

@Eduardo Oliveira e é isso que dá a graça! Como eu disse, ele não tem medo de experimentar, e isso faz das interpretações dele únicas

@gasparocelloman9852 4 жыл бұрын

Thanks, KZfaq, for the ad in the middle of the sarabande 🤯🤬

@Music_is_life_to_patty_cake 2 жыл бұрын

BACH BACH

@user-cx5ck1il8q 6 жыл бұрын

17:23

@Music_is_life_to_patty_cake 2 жыл бұрын

J.S

@margaribermejolopez8702 3 жыл бұрын

Interpretación genial.

@2CREATthief 9 жыл бұрын

what kind of Language is that subtitle?

@Dindy_lover 9 жыл бұрын

2CREATthief Korean.

@JBPVIOLIN 2 жыл бұрын

한국이군요.

@Houhou523 2 жыл бұрын

그러게요

@CapeSymphony 4 жыл бұрын

Can you please contact me regarding permission to use a portion of this video content? Please respond to this comment and I'll send you my contact information.

@jamesvanderhoorn1117 Жыл бұрын

Het wonder der meerstemmigheid in Een stem.

@75Chopin 8 жыл бұрын

Why the huge fluctuation on tempo, esp the prelude?? latter is too slow in beginning and then somehow speed up a lot at climax and then really slow. He is using a baroque cello, with what I believe is a late baroque bow but playing style sounds quite romantic, lots of rubato, and old school at times but still some quite nice moment

@alexandersegal4443 7 жыл бұрын

You have to imagine that there is a pedal 'D" sounding while he plays a "fantasia " over it. Fabulous!

@s.l5787 4 жыл бұрын

@c na That's nonsense, you would have zero justifications for such tempo changes in larger works like a symphony. The prelude here is no different, radical tempo changes are simply not a part of Bach's language, in fact this would be radical even for most Romantic era pieces. When Bach's music is played with a steady tempo, the relationship between tension and release becomes clear. Rush and slow down drastically kills the inherent tension Bach is designing in the piece. IN fact Byslma did not even recognize he sped up when he was asked in an interview about the end of this prelude.

@s.l5787 4 жыл бұрын

@paul w He recorded it much younger and he was doing the same thing

@chrishimmelmann 3 жыл бұрын

@@s.l5787 You seem clueless when it comes to baroque preludes. They would generally be played quasi improvisando, for which there is plenty of evidence in literature. This Prélude clearly is divided in three parts, which justifies the three tempi - it needn’t be „taken down“; such was the practice.

@s.l5787 3 жыл бұрын

@@chrishimmelmann Bach wrote improvisatory preludes when he was young since that was the traditoon of the time, here the organization is extremeley methodical as well as virtually all of his preludes after 1720s. Please don't spread your ignorance