This is incredible!!!! I would love to see a minor version of this or perhaps a level two in major!!! Definitely gonna make a donation after this video.

Hello, i cant stress how perfect this video is This video is a whole new world of harmony for people just exploring tonalities outside of straight major or straight minor -- in 9:30 minutes and seconds, you covered musical worlds of ground, explaining tonalities used by beatles, elton john, stevie wonder, jazz cats, everyone really .. even in pop. This 9 minute video is an absolute gem, and although i know this theory already, ive saved it because of how concise and perfectly you've laid it out. Thank you for all you do

Never stop what you are doing! Of all the theory teachers on youtube, you ate not only the most concise and clear, but also the one monst connected to a generally known and beloved repertoire!!

I'm still waiting for the next video!!!! to look further more of this types of chord progressions!!!

What a gem of a video this is.

Absolutely fantastic. Thank you so much for your channel.

This is opening so many doors to me! Honestly incredible

Great channel! It's lovely how you break down these concepts for a layperson or beginner musician!

Awesome man, you are the first one talking about this in a systematic way. Thank you so much!

My god man! Your channel, on several occasions, has made me appreciate some of the music I have in my collection, stuff I've even forgotten I had. All you're trying to do is help us get into the 'nuts and bolts' of the structure of the music we're trying to play, but somehow it's making me really appreciate tunes on an expanded level.

nice to see the face behind the voice and you are opening a lot of doors for me. thanks

this really gave me peace in the big crowd of YT. please keep doing this. SUPPORT!!

Superb. This material is pure gold. Love your presentation style too. Thank you.

Great stuff. Loved seeing CFG harmonized on the diatonic scale. It’s a game changer concept for me. Awesome presentation as well. Guru. Thank you.

Owuh! Thanks Nick! Beautiful example!!!

This video really opened up my mind to composing chord progressions!

By far one of the best videos I have come across regarding music harmony... Pls don’t ever stop! :)

Amazing stuff as always :) I always find your videos exactly when I need them

I LOVE YOUR VIDEOS! Please make more!

Another excellent and inspiring video that makes you want to practice more

this channel is the GOAT (greatest of all time) of saxophone music theory method

I feel like your videos are reaching a new level of coolness 🔥 Im very grateful for the work you are putting on these, I couldnt tell how much all this few minutes are helping and feeding my musical self. Thank you!! ❤

This video lesson is totally effing brilliant!! It has helped me more than I can tell you!! Thank you!

I'm grateful for a lot of things in life.. This channel for one!! Thank you for these videos!

When you think the last video couldn’t be bettered...and suddenly this new video came across! Amazing. Thanks !!!

Song examples are awesome. Many thanks for that!

Really wonderful! Thank you so much, Nick. You are a gifted educator in my favorite subject!

Maravilhoso como sempre! Cheers from Brazil!

Thanks Nick, I can't wait for the next video as I think this is my favorite subject

I must say your style of teaching is so refined , slowly but properly presented so that people at all levels can understand and learn. A great trip through harmonizing notes of the major scale and its associated notes and chords :) !!! Cheers Jake

You are a true teacher.

Excellent video on all counts. Another A++ . Thanks

The way Lennie does it in Somewhere (dominant I tonicizing the IV) from West Side Story just about tears the heart out of my chest. Something with the sparse scoring, the whole thing, just really gets me. The depth of Lennie's musicianship is colossal.

You are great, man. Thanks for sharing.

You are awesome! You give the absolute best in musical content!

This is just outstanding! Thank you!

I wish I could thank you in person! Thank you for these amazing videos :)

Great video! Thanks so much!

I've studied a LOT of music, but your approach makes things clear that were once foggy! This video is a perfect example! Oh, and thank you for using the word "myriad" correctly ;-)

Enserio, amo estos videos.

Amazing job on this one, awaiting next one !

Finding your channel today has filled in a few chunks of missing info in my mind so thank you very much!

Fantastic as always! Your my new fave tutor. Cheers from NZ

Thank you for this video! We are all waiting for level 2 !

GREAT video! Thank you!

Great video. I'm learning this at the moment and you gave more clarity. Thanks. Keep it going!

Wonderful, thank you!

wow so clear and informative! big thank you! your channel is a pile of gold :D

very good class, nina Simone is beautifull , the change I major to IV minor is great

I loved yours videos !!!

Very interesting and helpful, thanks so much!

Great work, thank you!!

Great simple explanation of very important harmony theory.

really love all your videos, you are so inspiring... many thanks from Perú! :)

Very revealing approach 👌

That's cool, tank ya for all your efforts

Love it!

Khachaturian, great! Support from Armenia

Always inspiring, Nick. Always exciting...

Excellent !!

Awesome vid again! Thank you

AMAZING Channel... Thank you very much!

You are currently my favorite. The best. Working on ''My Romance'' from Waltz for Debby and Ray Brown Trio 3 Dimensional

I LOVE it....

Very helpful. Thank you.

Yes..thank you.

Cmaj scale harmonised with C F & G chords. This is so helpful! I've only watched the first minute here. 9 minutes to follow.

this video is very excellent

Excelente explicación amigo

great work!!

I took great interest in this because when i first started puting chords together I just used my ears and knew even less about theory than I do now. I saw some debate on the Internet: "can a song consist of only minor chords". I knew the answer was yes because of my own experimenting and the all-minor progression in question was also not diatonic. I sort of discovered the diatonic system myself by looking at the notes and deriving chords contained in the scales but then I knew it was just a foolproof way of coming up with progressions that required you didn't change scale, which wasn't necessarily what you wanted to do. I'm now studying harmony and synthesizers, mainly on KZfaq and it's baffling how many tutorials fail to do what you do here, which is relate the concepts to several real and non-obscure musical examples so people can really internalize the sounds of each move. Also awesome that you illustrated your point with both classical and modern styles. One could even do a special series on harmony or synthesis where the first thing identified in the tutorial is the sound created, through well-known music examples.

tis is some quality teaching!! thanks man :)

Brazil thanks, great my friend

Wonderful lesson.....bravissimo

I wish this channel had tens of milions of subs!

Thanks again 👍🏻

Super.. thanks for this..Getting on patreon

I maj. I maj7 I flat7 IV maj = Raindrops keep falling on my head (B.Bacharach) Fabulous video as always! Many thanks

Nuevamente festejo un video de mí admirado Nick Homes!!

Amazing !!

Great video man!

thanks bro..very usefull

Amazing fun thanks.

Perfect 👍

Very interesting...

The familiar song examples perform 'ear training' exercises that can be adapted to personal music collections . While I play flutes mainly, having a keyboard showing location of chords in a display provides a steep learning curve. My Yamaha is the best 25 bucks I ever spent.

I love secondary dominants!

Fantastic content in this one! I - III: All of Me. 1:21 - "pilars" ought to have two 'l's

Bluegrass tends to use "V/V chords in some cases to provide some out of key spice, usually with some great group vocals. "Love Please Come Home" uses V-IV-I-V-I-V-V/V (Played in the key of C Major, tonic being G if seen as Mixolydian).

THANK YOU.

C->Cmaj7->C7->F is just walking the root down. I use it all the time to add movement to a chord that stays there too long. To replace a 4th by a II7 is more interesting. Use of IV and iv and v and V interchangeably is, to my ear, to soften or to brighten it a bit. The others seem to be like passing secondary dominant chords to me.

Usted sabe demasiado!. Saludos!.

II7 is definitely Make You Feel My Love - Adele

< Enlightment ¡! ( as always) >

My favorite example of VI7 is, "it's a beautiful day in the neighborhood," by Fred Rogers.

3:28, Beethovens Waldstein sonata mvt no1 has a i-ii7 intro and it is the main memorable motif played numously in the piece. Its also my favourite sonata so please check out tne first movement. Its not a huge time installment . Its chaotic and times then calm , emotional and nostalgic at other bits. Especially towards the end . It has a really satisfying ending too. LISTEN TO BEETHOVENS WALDSTEIN SONATA 1ST MVT!!!!!!!

❤️👍 from Italy

Simple twist of fate by B. D. has in the Beginning the Major chord, than a major 7 an then the dominant7; thank you for this Tutorial

Another stella video. You explain in such a clear manner and make the topics both easy to digest and very interesting. I really do appreciate your hard work and top content. Are there any books/materials you would recommend for studying harmony. I particularly like the use of example you use, makes the theory so much more relevant. Warm regards. Owen

loved the parrots