Hear, hear!

It is not even close.

Great art mastery.

SHIT!!!!!!!! Gary must be At The Leastest ONE of the top 5!!!!!!!!!!! Betty Green

The way he and DeJohnette groove in 2 (or whatever the hell they're doing) before going full four-beat swing is SO funky and out - from 1:30 to 3:09. They are the greatest, man.

May he rest softly

Couldn't' say better.

I absolutely agree. This is a great tune, and easily Brubeck's best.

@@edwardsah3 Wouldn't say easily.. It's a beautiful melody and a great vehicle for improvisation, perhaps the most essential qualities of a jazz tune. But the compositional achievement of the Blue Rondo can't be overstated.

@@rev.wookiemilson817 Yes. Blue Rondo broke new ground. 60 + years after it was composed, and after many listenings it still surprises somehow every time i hear it.

A geniuses

Yes, you get it, friend

89Flobertg Facts 😆

Arlene Corwin . I just love how these guys seem to link minds and produce this piece of excellence .

the bridge starts at 3:29, but thanks anyway for bringing this section to our attention. love the way he seamlessly floats back into the final A at 3:39

I'm loving the undertones, I think that's a kazoo in the back

Comparing two world class jazz legends in terms of who is "better", is as infantile and stupid as it gets. The day that one can play half as well as Keith OR Bill, is the day that they get to compare Keith and Bill.

both required for a healthy diet! lol

I love apples and oranges

More like Mandarins vs. Clemintines

@@zqa12swx yeah!

Don't hate-appreciate! And I'd be willing to bet there are a lot of people who would disagree with you concerning Evans. 2-13-23.

This is music, so the term "dominant" doesnt have any meaning here

@@juanquiroga8933 That’s your opinion

@@chuckc7375 My opinion. too.

Ok boomer

But you'll be definitively considered as a jazz dwarf ... LOL

@@bigPianist99 he's only 31, His dad played Jarrett for him when he was an infantso technically, he's a kinda early millennial, but still, millennial. like you, ya twat.

and he probably gets pissed off when a cell phone goes off at his concert.

When I was in college I bought a Bach recording by Glenn Gould. As I listened to it I noticed prominent low humming and thought "Holy smokes! What kind of sound engineer was working that day?" It annoyed me so much that I wrote to Columbia. They wrote back, a lovely letter that said in part "We keep telling Glenn to keep quiet but he insists on making his humming." Well, this was my intro to the marvel who was Glenn Gould. As for this KJT video, I have to say it does get pretty wacky.

Ha! At five minutes in, it was getting hard to watch. Love the guy… But I agree. I wish he would tone it down. 😂

It's his music bursting outta his body. Or, technically speaking, solfeggio.

There have been some concerts in the past that he did not do the scatting, like the solo concerts - Bremen Lausanne , Koln, or the 10 cd set in Japan, it seems that he got frustrated after his solo brilliance's perhaps, went back to the safety of performing standards with 'singing'.lol

GeoCoppens stfu bitch

Shut up idiot

It sounds like you just like tunes done pretty straight up. That's fine, but many of us love hearing what you can do to a tune and still keep its essence. The first time I heard this tune was on a Kenny Drew trio album. When I go back, these many years later, it just sounds a little constrained. If your familiar with the tune, you don't need to hear it verbatim. I definitely want to hear a complete rethinking of a tune if it works. To my mind this really works. Incidentally, players have been rewriting tunes for a long time. Quasimodo, a tune by Bird, is just Embraceable You completely rewritten. Only the changes survive, and it's beautiful, IMO.

Yes Jim, but do you like this?

Ok boomer

You´re wrong and you know !

Sounds like someone is just jealous of Keith. Obtain some knowledge before you criticize a jazz giant.

Lol no, get educated about music, kid!

Very entertaining rant!

I love them both.