Me vibing while this poor woman’s life gets ruined

i was bopping to this song until i looked at the video and realized it was about human trafficking, im spooked.

as a bisexual, listening to his many voices hits differently.

どっちが主旋律か分からなくなる感じがバケモノ過ぎる。尊敬してます。

When he says "Punishment and poison is to be feared by the likes of horses and deer", it basically means "Only idiots fear punishment and poison" because if you put the kanji for Horse and Deer next to each other it makes the kanji for idiot

1:27 a light feminine voice sings about her captivity. 1:38 the feminine voice is still there but softer as a deeper voice starts singing. 1:44 he tells her to shut up. She does. He sings about keeping her in captivity. Edit: I'd like to add that the soft voice at 1:38 also sounds like it's mocking the masculine voice as he sings. That paired with the "how noisy" and how the feminine voice stops right after it... the storytelling he does with his voice is insane.

At 2:56 you see Gui's beaten body replaced by Kalmia's mother's dead body. The frame after that, Kalmia starts crying, it could be because she realised that she is doing what Gui did to her mother. She doesn't want to do the cruel things Gui did, she doesn't want to 'become' Gui. Then, Kalmia's mother comforts her and she gets the courage to finally finish him off. The frame switches from Kalmia to her mother at the part of the killing, I think Kalmia didn't really want to kill Gui, but after her encouragement from her mother she thought of it as avenging her. Edit: I think that at the end of Kilma, Kalmia realises what she did, instead of trying to turn back she embraces the new way of thinking. That's why in Shama, she shows characteristics of Gui (manipulation, mischief). Using it against Clay in hopes of not getting hurt anymore.

//Song about slavery and prostitution// Us: 🤪💃🕺💃🕺✨✨

I love how she just casually walks through the crowd with a sword then the crowd goes “Oh my bad m’lady here you can walk right in this path.”

you know what hurts? how one of the two voices singing at 3:00 disappears when the woman does

I don't see many people talking about it but can I just say I adore the split second of animation at 2:34 ? The timing with the music and the expression alone with the lyrics really just make you *feel* that righteous anger at all the cruel injustice that's befallen this character as they finally take the first strike at their abuser before they end them. Its so eye catching to me

"therefore there is no love", intentional or not, sounds like "eye for an eye," and I fucking love it

Fun fact: The Kalmia flower is a sign of perseverance, but it can also mean treachery.

2:49 「な"あ”ぁ”！！」って叫ぶところ鳥肌立った

凄すぎてかっこよすぎてなんかもう、聴くたびに「演技力じゃがりこ面接とかやったらドえらいことになりそう」とかいう頭悪いことばかり思ってしまっている

Dude as a SA survivor the end always comforts me so much, to see her finally get the revenge she needed, I wish it was always like that

Many people waiting the fancy translate, but it's better if we also appreciate the person who give us an early translate even its normal.

vinegar_vinegar: [Posts a new Song] Miy_yuu: [Doesn't sleep for the next week]

2:46 I’m absolutely obsessed with how he sings this entire line. It really expresses Kalmia’s emotions.

1:05のとこの「はいはいこれが運命」くん？めっちゃ好き…多分声と顔がものすんごくいいからだな…ありがとうございます。。。

舌で遊んでやがる…… これが 宮 舌 遊 ってやつか。

Finally the victim gets revenge how many times I've seen the victim not being able to kill like *if I kill you I won't be any different* and she's like *if I kill him here this hell will fade..*

【歌詞】 かつて深窓(しんそう)の少女は 無自覚モーション 痛いくらいに溢れた狂気(きょうき)を 吸って 凄惨(せいさん)な修羅場(しゅらば)で 一糸(いっし)も二糸(にし)も 纏(まと)わず 熟(う)れる　獲(え)る　得(え)る 煩悶(はんもん) 下賎(げせん)の面(つら)から 遥々(はるばる)韜晦(とうかい) 外連面被(げれんめんひ) 備えた令嬢(れいじょう)の virgin(バージン) 群衆(ぐんしゅう)は目をつけ 矢鱈滅多(やたらめった)ら 耽溺(たんでき)して 選(え)り択(え)り抜く 先見(せんけん)の明(めい)は 低迷(ていめい)だ 嘆願(たんがん)の甲斐(かい)なく hooligan(フーリガン) 煽情(せんじょう)が 明滅(めいめつ)酩酊(めいてい) 奪って去って嗤(わら)う 今が生涯　最(さい)の底辺だって 憂(うれ)いたくなるよな 都合良く天網(てんもう)なんか 存在しないやって 判明したのよ 隷従(れいじゅう)ⅹ2 はいはいこれが運命だって 吐き捨てる分らず屋 そこに愛は無い 愛は無いと 喚(わめ)いていた 破られたベルベットロープ 宵(よい)ふらふら嘆(なげ)いて 歩いていた 救いなど無いと解っていた 全てを悟(さと)ってしまいそうだった 御伽噺(おとぎばなし)みたいだって 観客様はさぞ楽しいでしょうね 五月蝿い(うるさい) 『熱が潰(つい)えるまで 仕様(しよう)がないから観ててやる』 制裁(せいさい)も毒牙(どくが)も 畏(おそ)れぬ馬と鹿に 付ける薬餌(やくじ)は無い 爛々騒(らんらんさわ)ぐ 有象無象(うぞうむぞう)すり抜けて 淡々放(たんたんはな)つ言動 救いの無い 渇(かわ)いた眼(め)には 業火(ごうか)が咲いた そうね　さよなら 今が生涯　最(さい)の底辺だって 憂(うれ)いたくなるよな 都合良く天網(てんもう)なんて 存在しないやって 判明したのよ 隷従(れいじゅう)ⅹ2 安全策は無い この地獄から 抜け出したいのさ 此処(ここ)に愛は無い 愛は無いと 願っていた　少女は舞った 『仕様がない』ってもう一回ぐらい 言わせてなるよなあ！ 卦体(けたい)な衝動見抜けないで 油断クランベリーに溺(おぼ)れる 不埒(ふらち)なhooligan(フーリガン) はいはい何も問題ないわって 吐き捨てる少女が 故(ゆえ)に愛は無い 愛は無いと 悟(さと)って歌う 断(た)ち切るわ ベルベットロープⅹ2 戻らないベルベットロープ

the song: dark topic me: *the character designs are so well done and the way they smoothly do the anatomy they must have been drawing for a while mm their mind is very creative to come up with such characters that fit the story line wow*

The scream. *AAAAAAAAAAAAAAA*

anyone like extremely attracted to everyone in this animation

最近考える。遊さんになぜ海外ファンが多いのか。 声という表現で感情と世界観を表してるから、言葉がなくても伝わるんだ。 その作者と遊さんの描く世界が。

Romaji Lyrics cus I couldn't find any in Comment Section : katsute shinsou no shoujo wa mujikaku mooshon itai kurai ni afureta kyouki o sutte seisan na shuraba de isshi mo nishi mo matowazu ureru eru eru hanmon gesen no tsura kara harubaru toukai kerenmen hi sonaeta reijou no virgin gunshuu wa me o tsuke yataramettara tandeki shite eri eri nuku senken no mei wa teimei da tangan no kainaku hooligan senjou ga meimetsu meitei ubatte satte warau-u-u-u ima ga shougai sai no teihen datte ureitaku naru yo na tsugouyoku tenmou nanka sonzai shinai ya tte hanmei shita no yo reijuu reijuu hai hai kore ga unmei datte hakisuteru wakarazuya soko ni ai wa nai ai wa nai to wameite ita yaburareta berubetto roopu yoi furafura nageite aruite ita sukui nado nai to wakatte ita subete o satotte shimaisou datta-ta-ti-ti-ta-ta-ta-ti-ta otogibanashi mitai datte kankyaku- sama wa sazo tanoshii deshou ne urusai "netsu ga tsuieru made shouganai kara mitete yaru" seisai mo dokuga mo osorenu ba to ka ni tsukeru yakuji wa nai ranran sawagu uzoumuzou surinukete tantan hanatsu gendou sukui no nai kawaita me ni wa gouka ga saita sou ne sayonara ima ga shougai sai no teihen datte ureitaku naru yo na tsugouyoku tenmou nanka sonzai shinai ya tte hanmei shita no yo reijuu reijuu anzensaku wa nai kono jigoku kara nukedashitai no sa koko ni ai wa nai ai wa nai to negatte ita shoujo wa matta "shouganai" tte mou ikkai gurai iwasete yaru yo naa ketai na shoudou minukenaide yudan kuranberii ni oboreru furachi na hooligan hai hai nanimo mondainai wa tte hakisuteru shoujo ga yue ni ai wa nai ai wa nai to satotte utau tachikiru wa berubetto roopu berubetto roopu modoranai berubetto roopu Done ;> Basically all of this is just from the Fandom page, so you can look at that too

2:57くらいイヤホンしてたら左の子が消えたとこから声が右しか聞こえなくなるの泣く

「歌」というよりはもはや「語り」のような表現力と感情ののせ方。最近は海外勢が増えてきていますが、彼の歌う歌詞を聞きこの「歌」の意味を噛み砕くことが出来るのは、日本人の特権ですね。

2:41 probably my favorite part I've read the comments saying that "ai wa nai" sounds like "eye for an eye" That and the way "The girl danced" was sung sounded so hopeful and magical in a way i can't describe And finally the powerful emotional scream, dude really just went all out and i appreciate that I'm just really obsessed with the song at the moment, gonna listen to this on repeat

サビ以外は儚い女性の様な繊細な声なのに、 サビは少年の様ながむしゃらに叫ぶ声なの好き...

「言わせてやるよなあッッッ」が カルミアの表情に合いすぎてて びっくりした。。。 カルミアが本当に叫んでるみたい。

So everyone just comments how talented he is. I mean, no denying, but he is so much beyond talented. I remember his covers eight, six, even five years ago, and he was everything but strong as he's now. Cute, creepy, but not THAT god-like for sure. I'm scared even to think how much effort is behind every cover these days. Some day he mentioned on twitter that every cover takes him about 40 hours. That's fucking dedication.

Romaji: Katsute shinsou no shoujo wa Mujikaku mooshon Itai kurai ni afureta kyouki o sutte Seisan na shuraba de isshi mo Nishi mo matowazu Ureru eru eru hanmon Gesen no tsura kara harubaru Toukai Kerenmen hi sonaeta reijou no Virgin Gunshuu wa me o tsuke Yataramettara Tandeki shite eri eri nuku Senken no mei wa teimei da Tangan no kainaku hooligan Senjou ga meimetsu meitei Ubatte satte warau Ima ga shougai sai no teihen datte Ureitaku naru yo na Tsugouyoku tenmou nanka sonzai Shinai ya tte Hanmei shita no yo reijuu reijuu Hai hai kore ga unmei datte Hakisuteru wakarazuya Soko ni ai wa nai ai wa nai to Wameite ita Yaburareta berubetto roopu Yoi furafura nageite aruite ita Sukui nado nai to wakatte ita Subete o satotte shimaisou datta Otogibanashi mitai datte Kankyaku-sama wa Sazo tanoshii deshou ne urusai "netsu ga tsuieru made shouganai Kara mitete yaru" Seisai mo dokuga mo osorenu ba To ka ni Tsukeru yakuji wa nai Ranran sawagu uzoumuzou Surinukete Tantan hanatsu gendou Sukui no nai Kawaita me ni wa gouka ga saita Sou ne sayonara Ima ga shougai sai no teihen datte Ureitaku naru yo na Tsugouyoku tenmou nanka sonzai Shinai ya tte Hanmei shita no yo reijuu reijuu Anzensaku wa nai kono jigoku Kara Nukedashitai no sa Koko ni ai wa nai ai wa nai to Negatte ita Shoujo wa matta "shouganai" tte mou ikkai gurai Iwasete yaru yo naa Ketai na shoudou minukenaide Yudan kuranberii ni oboreru Furachi na hooligan Hai hai nanimo mondainai wa tte Hakisuteru shoujo ga Yue ni ai wa nai ai wa nai to Satotte utau Tachikiru wa berubetto roopu Modoranai berubetto roopu

This one song got more lore to it than all the Disney movies and series together.

_"I'll take care of you until you die."_ *("die?")* the fEAR, MENTAL PAIN AND SUFFOCATION, OMG. I LOVED THAT DETAIL. Strong emotions, just like the screaming at the end.

A bit of a weird comment, but I love all the extra little details put into mi_yuu's vocal covers. Like the "Hey, hey!"* at 1:05, "How noisy." at 1:44, and the yell at 2:50. It's little things but the way he does his vocals just fits so well with every cover he makes. Edit: DAMNN did this get popular? Uhh,,, thanks??? I’m not. Sure what to say. Um. People have some cool thing to say when their comment gets popular, but I’ll just. Uhhh. Thanks for enjoying this comment, and this video! It was really interesting to get to see all of y’alls takes on the sounds in this video. I really love how mi_yuu plays a variety of characters within the songs in his lovely voice, and emphasizes certain feelings that they are going through. It’s very mindblowing for me to see how much he’s put in his covers. *Yes, I’ve made a grave mistake by saying “Hey, hey!” instead of “はい、はい！” or “Yes, yes!” in this comment. Thank you for pointing that out! I believe I got confused because an earlier translation of the video had the “Hey, hey!”, though I may be wrong. In any-case, I’m not going to really edit the original message, but instead put an asterisk by it to point to what I’ve wrote here.

this song has helped me so much, as someone who’s an SA survivor and had to deal with being manipulated so many times i’d always listen to this song. ive been hyperfixated on it for as long as i can remember and it brings me so much comfort, tysm

I just watched Arandano, and it gives me the chills. After watching this again, I think Kalmia is a victim of a war or something where the country/kingdom they're from also keeps their kind as prisoners. Kalmia and her mom flee to a place where her kind stays hidden due to the fact that they stay young forever. The country/kingdom they're from probably lost in the war, and Ron, the guy who shows Gui the horns of Kalmia's kind, probably told Gui that they found hints to where they are hidden. From the Arandano mv, Gui might've become a soldier of high ranking. Gui then kills their kind, then takes Kalmia as a prisoner/prostitute. Although, at the end of Arandano, Gui might've actually liked Kalmia, but didn't know how to show his love, and instead cruelly treats her the way the orphanage he was in treated him. Kalmia kills Gui, and Gui smiles either because he got Kalmia to resent killing him or because he's finally released from this hellhole. Kalmia then goes to jail, where she meets Clay, who may or may not have grown up in the same orphanage Gui was from. Anyway, my brain juices are drained out, so I think I'll edit this later...?

and I thought Yuu outdid himself with Wozwald...

OK BUT WHY IS NO ONE TALKING ABOUT THIS IS KALMIA’S BACKSTORY FROM SHAMA

Lyrics- Katsute shinsou no shoujo wa Mujikaku mooshon Itai kurai ni afureta kyouki o sutte Seisan na shuraba de isshi mo Nishi mo matowazu Ureru eru eru hanmon Gesen no tsura kara harubaru Toukai Kerenmen hi sonaeta reijou no Virgin Gunshuu wa me o tsuke Yataramettara Tandeki shite eri eri nuku Senken no mei wa teimei da Tangan no kainaku hooligan Senjou ga meimetsu meitei Ubatte satte warau Ima ga shougai sai no teihen datte Ureitaku naru yo na Tsugouyoku tenmou nanka sonzai Shinai ya tte Hanmei shita no yo reijuu reijuu Hai hai kore ga unmei datte Hakisuteru wakarazuya Soko ni ai wa nai ai wa nai to Wameite ita Yaburareta berubetto roopu Yoi furafura nageite aruite ita Sukui nado nai to wakatte ita Subete o satotte shimaisou datta Otogibanashi mitai datte Kankyaku-sama wa Sazo tanoshii deshou ne urusai "Netsu ga tsuieru made shouganai Kara mitete yaru" Seisai mo dokuga mo osorenu ba To ka ni Tsukeru yakuji wa nai Ranran sawagu uzoumuzou Surinukete Tantan hanatsu gendou Sukui no nai Kawaita me ni wa gouka ga saita Sou ne sayonara Ima ga shougai sai no teihen datte Ureitaku naru yo na Tsugouyoku tenmou nanka sonzai Shinai ya tte Hanmei shita no yo reijuu reijuu Anzensaku wa nai kono jigoku Kara Nukedashitai no sa Koko ni ai wa nai ai wa nai to Negatte ita Shoujo wa matta "Shouganai" tte mou ikkai gurai Iwasete yaru yo naa Ketai na shoudou minukenaide Yudan kuranberii ni oboreru Furachi na hooligan Hai hai nanimo mondainai wa tte Hakisuteru shoujo ga Yue ni ai wa nai ai wa nai to Satotte utau Tachikiru wa berubetto roopu Modoranai berubetto roopu

i know this song is about slavery and human trafficking but can we please just acknowledge how POWERFUL his screams were, god damn

Okay but- "There is no love" in Japanese sounds far too similar to "Eye for eye" in English which is the most satisfying play on words

Kalmia's small braid at the beginning of the video is supposed to symbolize youthfulness (0:10). Braids are usually associated with childishness. At 1:31 is when her braid goes undone, because she is now in sex trafficking and lost her (mental) youth. Also, at 1:36 Livara even focuses that Kalmia's braid is gone. The reason why female servants under Gui bear braids is because sex trafficking takes people's youth away. Making them wear braids is insulting to their own youth, especially for Kalmia because her small braid was likely done by her mother.

Two years ago I discovered this song, it was always in my recommended. When I clicked on it and listened to the song I felt devastated. By the time I just got sexualy assaulted and this song made me feel that experience again. His voice take the song to another level, wooma's drawings are majestic and this whole video makes you feel the fear and mental pain of the protagonist and in the moment I discovered the song, it felt like a rapresentation of what I was feeling. Gets me really emotional every time I watch this

ルーブル美術館で流れてるんじゃねってくらい美しい。芸術って感じ。人間卒業してる歌声。

So, we not gonna talk about the effort Wooma put into this?

なんだろう……個人的な話なんだけど、ニコ動のほうが音圧厚くて濃い感じするから1回くらいニコ動で聞いてみて欲しい。 遊さんの音圧はニコ動向き。最高だよ。

1:05 ここがほんとに好きすぎる。この声で罵倒して貰いたい

えっ、宮下遊さんって男性なの！？ すっごいきれいな高い声だから、女性だと思ってた…すごい！

This might just be a coincidence but when he sings “there was no love here, this is no love” (2:41) it sounds like he’s saying “eye for an eye” and... man.... 😔😔

1:28 *plays* Me: Wha- Yu-YUU-SAN?!?!?!?!

loves how throughout the whole video, Kalmia is shown wearing a seemingly long, white gown (white being a symbolism of purity) then at the end of the video, she's shown wearing a pitch black dress (black being a symbolism of corruption) as if she gave up her purity.

演じてみたってついてても遜色がないくらいの感情の奔流に呑まれました。

Now let's wait for the fancy subtitles

Yuu's attention to detail and ability to take a song and truly make his cover HIS is what makes him stand out so much. This is an absolute masterpiece and he was really able to capture the turmoil and anguish of Kalmia. And the fact that he sang most of the song in his higher feminine-sounding voice was perfect. Beautiful and chaotic as always, Yuu! Keep up the amazing work! ♡ The screams as Kalmia gets her revenge on her captor are everything. They sound so tortured, but determined. And somehow sad? It's almost like a battle cry. Truly gives you goosebumps 18/12: 遊さんお誕生日おめでとうございます！素晴らしい１年になりますように！

I love how when he's speaking the guy's lines he adds another version of the line over it that says it mockingly. Like "This is your fate!" Has a second version dropped over it that just fits the song so well and sounds great.

0:21 - 0:32 is already so striking and alluring with its cadence but 0:33 - 0:42 is fucking _intoxicating._ It's so addicting it almost feels poisonous. I know I don't make any sense, but how he modulates his voice, the timing of when he modulates it, the phrasing of the verse, the emphasis on certain syllables, his unconventional inflections, and probably some other stuff I can't think of right now - I'm so obsessed with it, always have and always will.

3:24 Juiceを呷る 夜な夜な酔な 火遊びで 縊死する 女児の蝋が溶ける頃 音量上げて聴いたら死んだ…感謝でしかない🙏

なんかフト 聞きたくなるんだよな 歌聞いてるって言うより 芝居を聞いてる完成度があって 本当凄いなって思う

In 1:58 the lyrics are "there are no drugs that can be administered to horses and deer that do not fear restraint or poison fangs", and an interesting thing I noticed is that the Japanese word for idiot, baka, consists of the Kanji for horse and deer. This could mean that this line is meataphorical for "Idiots won't notice if someone does evil in front of them, because they're blind to that." Thanks for coming to my ted talk ^w^

the fact that the song sounds like it's saying "an eye for an eye" at times kinda fits with the video really well

""""全私が待ってた""""

なかなか見つからないので 自分用にです。よろしければどうぞ ✂ーーーーーーーーーーーーーーーーーーーーーーーーーーーーーー✂ かつて深窓(しんそう)の少女は無自覚(むじかく)モーション 痛い位に溢(あふ)れた狂気(きょうき)を吸って 凄惨(せいさん)な修羅場(しゅらば)で 一糸(いっし)も二糸(にっし)も纏(まと)わず 熟(う)れる 獲(え)る 得(え)る 煩悶(はんもん) 下賎(げせん)の面(つら)から遥々(はるばる) 韜晦(とうかい) 外連(げれん) 面被(めいび)備えた 令嬢(れいじょう)のvirgin(ばーじん) 群衆(ぐんしゅう)は目をつけ矢鱈滅多(やたらめった)ら 耽溺(たんでき)して選(え)り択(え)り抜く 先見(せんけん)の明(めい)は低迷(ていめい)だ 嘆願(たんがん)の甲斐(かい)なくhooligan (ふーりがん) 煽情(せんじょう)が明滅(めいめつ) 酩酊(めいてい) 奪(うば)って去って嗤(わら)う 今が生涯(しょうがい) 最(さい)の底辺(ていへん)だって憂(うれ)いたくなるよな 都合(つごう)良く天網(てんもう)なんか存在しないやって 判明(はんめい)したのよ 隷従(れいじゅう) 隷従(れいじゅう) はいはいこれが運命だって 吐き捨てる分からず屋 そこに愛は無い 愛は無いと 喚(わめ)いていた 破(やぶ)られたベルベットロープ 宵(よい) ふらふら嘆(なげ)いて歩いていた 救いなど無いと解(わか)っていた 全てを悟(さと)ってしまいそうだった 御伽噺(おとぎばなし)みたい だって 観客様(かんきゃくさま)は さぞ楽しいでしょうね 五月蝿(うるさ)い 『熱が潰(つい)えるまで仕様(しよう)がないから観(み)ててやる』 制裁(せいさい)も毒牙(どくが)も畏(おそ)れぬ馬(ば)と鹿(か)に 付ける薬餌(やくじ)は無い 爛々(らんらん)騒ぐ有象無象(うぞうむぞう)すり抜けて 淡々(たんたん)放つ言動(げんどう) 救いのない 渇(かわ)いた眼(め)には業火(ごうか)が咲いた そうね さよなら 今が生涯(しょうがい) 最(さい)の底辺だって憂(うれ)いたくなるよな 都合(つごう)良く天網(てんもう)なんか存在しないやって 判明(はんめい)したのよ 隷従(れいじゅう) 隷従(れいじゅう) 安全策(あんぜんさく)は無い この地獄(じごく)から 抜け出したいのさ 此処(ここ)に愛は無い 愛は無いと 願(ねが)っていた 少女は舞った 『仕様(しよう)がない』ってもう一回ぐらい 言わせてやるよ なあ 卦体(きたい)な衝動(しょうどう) 見抜(みぬ)けないで 油断(ゆだん) クランベリーに溺(おぼ)れる 不埒(ふらち)なhooligan(ふーりがん) はいはい何も問題ないわって 吐き捨てる少女が 故(ゆえ)に愛は無い 愛は無いと 悟(さと)って歌う 断(た)ち切るわベルベットロープ ベルベットロープ 戻らないベルベットロープ

2:46 he went _off._ He embodied the emotions so much and it shows.

イヤフォンで聞いたらなんかもう凄すぎて頭が追いつかない。ほんとに大好きです。こんなこと言ってはいけないけど本家より歌みたの方が好きなんて生まれて初めてです。

I just realized that the girl Livara (mint colored eyes) killed the mercenary dude that tackled Kalmia when she was kidnapped, you can see a scene with the dude bleeding from the head and then it goes to a shot of Livara with blood on her face. She was waiting for Kalmia to come and finally free them, this was her chance.

遊さん大好きな人 ↓ ↓ ↓ ↓ ↓ ↓ ↳ﾜﾀｼﾓﾃﾞｽ

2:49 The way he shouts gets me every time, it has so much emotion. I love it so much.

I just realized that the way Miy_yuu pronounces the line "There's no love here" (ai wa nai) sounds like the English phrase "Eye for an eye," which refers to someone who was wronged taking revenge against the one who wronged them. Considering the ending, it fits in REALLY well with the dynamic between Kilma and her jailer. It's a really cool nod to the overseas English-speaking community!!!

Miyashita yuu has reached such a level of covering songs that his covers can be seen on the same level as the original songs agdksjs

煮る果実さんの曲でこの人を越える歌い手さんいないよね… 遊さん好き！！！！！

I think Kalmia betrayed Clay because she refused to believe they loved her or that she loved them. As seen by "there's no love, there's no love here". She probably thought there was no love in the world after her mother died

Can I just say that the singing at 2:22 is so good. Like his voice sounds so good like an actual blade.

3:00 イヤホンで聞くと、歌声が左右から聴こえてたのが左の女性が居なくなった瞬間右側からしか聞こえなくなるの鳥肌立った(伝われ)

Realizing Livara probably is Clay's mother makes it all the more sad, I think. Livara had her child taken from her (or rather, was taken from her child) and Kalmia had her mother taken. I think that's part of why Livara really didn't want Kalmia to die. Normally in that situation, if you could give someone the ability to kill themselves then that would be the "best" option - after all Kalmia at that point was a weak and depressed person, and she knew no matter what she would be trapped for her entire life. Yet Livara probably stopped her because she saw a daughter in Kalmia she no longer had. A kid without a mother. She even looks sad in the end, looking down on Gui and watching as Kalmia walks away. Maybe not only because Kalmia did what she couldn't, but because now she would have to bear the consequences. Perhaps in the end when Kalmia is shown changing appearances, this isn't only for us to see how the story comes together, but Livara herself seeing what she hopes Kalmia's future will be like... eventually, free and happy, as if nothing had ever happened.

3:24からの最後の部分に紗痲のメロディー入ってるのがとてつもなく好き

i really really like the lyric "conveniently heaven allows such things to happen without punishment" because the first time it's used (1:00) it's out of sarcasm that her mother was killed and her fate was so cruel rite?? but at the end of the video when she says it again (2:29) it's like she's reclaiming it, using the cruel turn of events as a source of strength to do unto others as they've done to her. powerful stuff.

曲の最後のほうなんて言ってるのかなぁと思ってよくきいてみたら紗痲歌ってた…宮下遊やべぇよ

*_ROMAJI AND JAPANESE LYRICS_* *"キルマー"* Romaji: Kirumaa English: Kilmer かつて深窓の少女は無自覚モーション katsute shinsou no shoujo wa mujikaku mooshon 痛い位に溢れた狂気を吸って itai kurai ni afureta kyouki o sutte 凄惨な修羅場で一糸も二糸も纏わず seisan na shuraba de isshi mo nishi mo matowazu 熟れる 獲る 得る 煩悶 ureru eru eru hanmon 下賎の面から遥々 韜晦とうかいgesen no tsura kara harubaru toukai 外連 面被 備えた令嬢のvirgin kerenmen hi sonaeta reijou no virgin 群衆は目をつけ矢鱈滅多ら gunshuu wa me o tsuke yataramettara 耽溺して選り択り抜く tandeki shite eri eri nuku 先見の明は低迷だ senken no mei wa teimei da 嘆願の甲斐なくhooligan tangan no kainaku hooligan 煽情が明滅 酩酊 senjou ga meimetsu meitei 奪って去って嗤う ubatte satte warau 今が生涯 最の底辺だって憂いたくなるよな ima ga shougai sai no teihen datte ureitaku naru yo na 都合良く天網なんか存在しないやって tsugouyoku tenmou nanka sonzai shinai ya tte 判明したのよ 隷従 隷従 hanmei shita no yo reijuu reijuu はいはいこれが運命だって hai hai kore ga unmei datte 吐き捨てる分からず屋 hakisuteru wakarazuya そこに愛は無い 愛は無いと 喚いていた soko ni ai wa nai ai wa nai to wameite ita 破られたベルベットロープ yaburareta berubetto roopu 宵 ふらふら嘆いて歩いていた yoi furafura nageite aruite ita 救いなど無いと解っていた sukui nado nai to wakatte ita 全てを悟ってしまいそうだった subete o satotte shimaisou datta 御伽噺みたい だって 観客様は otogibanashi mitai datte kankyaku-sama wa さぞ楽しいでしょうね 五月蝿い sazo tanoshii deshou ne urusai 『熱が潰えるまで仕様がないから観ててやる』 "netsu ga tsuieru made shouganai kara mitete yaru" 制裁も毒牙も畏れぬ馬と鹿に seisai mo dokuga mo osorenu uma to ka ni 付ける薬餌は無い tsukeru yakuji wa nai 爛々騒ぐ有象無象すり抜けて ranran sawagu uzoumuzou surinukete 淡々放つ言動 tantan hanatsu gendou 救いのない sukui no nai 渇いた眼には業火が咲いた kawaita me ni wa gouka ga saita そうね さよなら sou ne sayonara 今が生涯 最の底辺だって憂いたくなるよな ima ga shougai sai no teihen datte ureitaku naru yo na 都合良く天網なんか存在しないやって tsugouyoku tenmou nanka sonzai shinai ya tte 判明したのよ 隷従 隷従 hanmei shita no yo reijuu reijuu 安全策は無い この地獄から anzensaku wa nai kono jigoku kara 抜け出したいのさ nukedashitai no sa 此処に愛は無い 愛は無いと 願っていた koko ni ai wa nai ai wa nai to negatte ita 少女は舞った shoujo wa matta 『仕様がない』ってもう一回ぐらい "shouganai" tte mou ikkai gurai 言わせてやるよ なあ iwasete yaru yo naa 卦体な衝動 見抜けないで ketai na shoudou minukenaide 油断 クランベリーに溺れる yudan kuranberii ni oboreru 不埒なhooligan furachi na hooligan はいはい何も問題ないわって 吐き捨てる少女が hai hai nanimo mondainai wa tte hakisuteru shoujo ga 故に愛は無い 愛は無いと yue ni ai wa nai ai wa nai to 悟って歌う satotte utau 断ち切るわベルベットロープ tachikiru wa berubetto roopu 戻らないベルベットロープ modoranai berubetto roopu vocaloidlyrics.fandom.com/wiki/キルマー_(Kilmer)

しょうがないってもう一回ぐらい... のアレンジがすんごい好きなんですけどwwwwwwwwww

もっと早く出会いたかった、素敵な歌声と表現力。

コメント欄見るとわかるけど 日本人だけじゃなくて 外国人さえも惹かれる魅力を持つ遊さん… なんて罪深い人なんだ…

キルマー待ってた人 ↓ ↓ ↓ ↓ ↓ ↓ ➝➝➝➝➝➝➝➝➝私

天才すぎる。どう生きてたらこのような歌い方ができるのか気になる。

I don’t know if anyone has pointed this out yet, but if you listen closely at 3:21 There is a faint voice singing the beginning of the previous song, Shama.

It is touching. I constantly listen to it. I was raped, and this song gives me strength. I love you, Miyashita Yuu! I couldn’t find enough strength to write it, although I’ve been listening to it from when the song came out. i know this song almost not about it, but... words "it's your destiny" were said by the offender to me too

宮下さんは曲に命吹き込みますよね、、ただ歌ってるんじゃなくて表現者って感じです、宮下さんが歌われることで私の中の曲のイメージを更に広げてくれます。だからストーリー性のある煮ル果実さんの楽曲と相性がよすぎて毎回涙腺熱くなります😢😢

Yo, no-one's pointed this out as far as I can see but there is a DEFINITE time-skip between 1:30 and 1:32, Kalmia's clothes get much more ragged, and she gets slightly taller. Kalmia's race ages MUCH slower than humans, and 'cause of that, it makes it all the more tragic. Like, this story was tragic enough as is, and I *knew* that time would have passed between the beginning and ending of the song, but I didn't think it would be THAT much. Sadge.

2:10 her hair looks like a scorpions tail, showing how if you mess with something in such a way, karma will eventually come back to haunt, or sting you

煮ル果実＋宮下遊＝神 一生ついてく……

things i noticed towards the end: -the parallel of the green-eyed woman (Livara) staring at kalmia's back is the same look clay had when she aided in kalmia's escape - the repetition of severing the "velvet rope". kalmia's braid resembles a rope and her hair is pink. when the song ends, u see images of kalmia in different stages of her life, one of which she has short hair, supposedly, severing the "velvet rope." -yuu's little bit of "Shama"

宮下遊さんのキルマーが一番好きです。ずっと聴いてられる...

I like the part of the video at 2:37 where the lyrics are "この地獄から" and the characters こand 地 are enlarged to make it look like the guy has a tail and horns.

まじかよ…想像の上の上行ったなぁ…少女の苦しさと男性のゲスさを良く表現されて最後の方とかもう言葉を無くすよね……改めて分かる宮下さんのすごさ。ほんとに宮下さんを推してて良かったぁ…

Fun fact: in 1:58 the lyrics say "there are no drugs that can be administered to horses and deer..." and actually the Kalmia flower (like the name of the song) is poisonous to both animals. Edit: Also, to add to this, the lyrics say 馬と鹿 (ba to ka), which literally means "horses and deer", but because of the unusual pronunciation of them in the song ("ba" and "ka" instead of "uma" and "shika" which is how they would usually be pronunced), we know it refers to the word 馬鹿 (baka) which means idiot. So the lyrics here have a double meaning.

the way the yell is sung is BEAUTIFUL AT 2:49

なんだろうこの……胸の奥にあるような………懐かしい…