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In this video, we showcase our innovative setup for live streaming a tennis match using PTZOptics Hive and vMix. Our setup allowed tennis coaches to view, control, and analyze the match footage remotely, providing a seamless and flexible experience.
Setup Details:
PTZOptics Hive: We connected PTZOptics Move 4K cameras directly to the cloud via Hive, enabling coaches to choose which camera to view and even control the cameras remotely. This feature allowed coaches to zoom in on specific techniques or zoom out to see overall strategies on the court.
vMix: We utilized vMix for live streaming and video recording, leveraging NDI video connections for high-quality, low-latency IP video.
PTZOptics Move 4K Cameras: Equipped with NDI connectivity, these cameras ensured smooth and efficient video transmission over the same network, enhancing our IP video workflow.
This setup provided an all-IP video solution, with all cameras and computers connected to the same network, except for remote computers accessing Hive through the cloud. Watch the video to see how this technology is revolutionizing tennis coaching and live sports streaming!
Key Features:
Remote Camera Control: Coaches could easily switch between cameras and control PTZ functions to focus on specific aspects of the game.
High-Quality Streaming: With vMix and NDI connectivity, the video quality remained top-notch, ensuring a professional live streaming experience.
Cloud Connectivity: PTZOptics Hive enabled seamless remote access, allowing coaches to manage camera views from anywhere.
Links & Resources:
Learn more about PTZOptics Hive: ptzoptics.com/...
Discover vMix: vmix.com
Check out PTZOptics Move 4K Cameras: ptzoptics.com/...
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► About:
PTZOptics is a manufacturer of robotic pan, tilt, and zoom camera solutions for a variety of broadcast applications, including both video production and live streaming. Established in 2014, PTZOptics disrupted the professional audio-visual industry when a group of engineers from a highly-respected systems integration firm created the first in a portfolio of cameras that was a part of their vision to create a “swiss army knife” for the complex needs of broadcast landscapes.
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