Let's beat those tanks into plows. War is so pointless with the technology wielded today. Its not much to do about honor or defense of our tribe in our times. I respect you and you're service to our country in these difficult times.

We see it and yes, some of us get it.

Couldn't agree more.

would have been perfect for the movie "War Horse"

Nice! @Rush

When I first read about that, I laughed really hard at how cool that was. By far probably one of my favorite MO songs now.

Mainstream "bro country" like hunter hayes and florida Georgia line gets put on repeat while great bluegrass/country artist like Mandolin Orange get put in the back seat. It's a damn shame

So lucky you are ;-) I live thousands miles far from them and I'll probably never see them live...

💐😊🤗♥️

My God you are blessed. To be able to speak to Andrew is a dream of mine. He's such a talented musician. They make my heart melt. They bring me back to much happier and simpler times.

I love Mandolin Orange and this song. I have seen several different versions on you tube. But whoever shot this one nailed it. They so well caught the beauty and connection of these truly gifted artist s. It is also the first one of this song I have seen Andrew use the banjo for. They are such a blessing. I hope that they keep at it

Thanks, I to am a Canadian, and found these guys about a month ago. I have been reading comments and am so encouraged to hear our neighbors to the south agreeing, and speaking so positive. And also encouraged that even in such a difficult divided time there are some still able to make beautiful, meaningful music.

Sawmill tuning. the B is tuned up to a C

There appears to be multiple inquiries about the banjo tuning as Andy plays it in this performance. Making that deduction is always relative. For instance: as those of you who are familiar with old time claw hammer style playing, there are several “standard” tunings, based upon the location of the songs origin. And in this case, he is playing with a Capo placed on the 3rd fret (likely to elevate the pitch into a comfortable range for their vocals). But, those are guesses from one who, humbly, is not an old-time, claw-hammer player. I am, however, familiar with writing and recording six string acoustic guitar, and in this era of song style, the chord structure is quite similar to common era chord structure. Emily is, and has been, a clean and consistent chord stylist. She uses standard chord shapes, augmenting with double root fingering on strings 5 & 6, usually on the chorus, for descending bass lines. This becomes relevant when you are trying to establish the use of “drop pitch” root strings. From observing her performance in this song, she appears to be in standard tuning. She also applies a Capo. Her positioning is located on the 5th fret, therefore, to make things short, she’s playing in “Standard A”. That translates to pitch elevation of a 5th. So, playing a C chord in the 5th position elevates the pitch to sound equivalent to F chord. Translation being Emily is playing chord pattern for the key of F. Of course, I could be mistaken….