I don't recall having encountered one of those. His later issues on Decca (1930's and 40's) were sometimes pressed on a lighter material for promotional, in-house, or personal use. Bing's personal copies of some of his Decca discs were pressed in multi-colored splatter wax, but I haven't seen Brunswicks like you describe. I will add that to things to look for. If you discover any history behind it, let us know!

Thank you so much! It's amazing to me that anyone outside my immediate circle pays any attention to these; much less those from other countries. Thanks for saying hello.

@@MarkAtnip To me it's a real joy to watch your videos!! I've been a music collector since I was a teenager and I have lots of 78rpm records too. I love watching your videos telling stories behind your records and everything! You are very good at that! Thanks for sharing those stories and beautiful music with all of us 🎶🎵

EDIT: The information below pertains only to Columbia and Victor (and the other labels they owned) as of around 1960. The source of the Gennetts and Vocalions which were made by Decca employees at around the same time could be related, or they could be an entirely different shebang. - - - Allan Sutton (the legendary discographer) wrote an article in 2012 (I think it was for the Journal of the Association for Recorded Sound Collections) in which he noted that a "benefactor" (who Sutton is aware of, but does not name) enlisted a night shift plant supervisor who could have such pressings made as part of the overnight work. At one point the supervisor was taking out 16 - 19 BOXES of records PER WEEK. He then began securing the assistance of other employees, who also helped in the process, both in terms of disc production and in terms of smuggling out discs. Eventually they were instructed by the security staff (who has apparently been made aware of the scheme) that they should slow down to avoid looking suspicious. Multiple employees were leaving with full cases of discs every evening. Other employees (including the archive librarian who was providing...or allowing the procurement of... stampers) were compensated with discs for ignoring the goings-ons. That adds up to a LOT of rare and expensive material in a hurry. This program was in addition to any copies the employees were stamping out for their own use over years and years. I will try and find that Sutton article for you. Thanks for chiming in, and I hope you have managed to get your hands on a few of these : )

@@MarkAtnip Fascinating info, thank you. First I've ever heard of that. I knew that this was going on in the 1990s, but didn't know it was happening as recently as 2012, and in such large volumes. Amazing. I guess it's still going on today?

@@codex3048 I clearly didn't type that correctly. lol The copies were being made around 1960. The article was done in 2012. That's why I am not a technical writer : ).

@@MarkAtnip Ok, I misread that. Thanks for clarifying. Based on this, probably safe to assume that the largest number of vinyl tests of prewar music date from the c. 1960 period.

I would like to be cool and say "That's a great record!" but I am not familiar with it (I don't think). It would be interesting to hear if you ever make a transfer or post the audio online.

Thanks, Mark. Unfortunately, I don't have a way to do that at the moment. The recorder on my phone does not give good results.@@MarkAtnip

Don't be sad about that. Most people never find test pressings of any kind, and the music on them is what makes the difference. I would rather have a common test of something I will listen to than a less common test of something I won't.

Hello! That storage unit was made by Bassett and was located at an antique shop in South Carolina. For my "usual" storage, I use Ikea shelving units... HOWEVER... when I assemble them, I reinforce the joints with thickened marine epoxy to make them extra strong. I know of many collectors that have used Ikea units for years without problems IF they are attached to the wall and secured, however I wouldn't use one unless it was at least secured to the wall with corner reinforcements and preferably with each joint secured with thickened epoxy. Free standing Ikea units without reinforcement can collapse, especially if hit from the side while bearing a lot of weight on the top shelves.

@@MarkAtnip Great information. Thank you so much!

I have only seen a few V-Disc tests including one that was unreleased. They are certainly scarce, and there are some pretty aggressive V-Disc collectors out there who would like to get their hands on V-Disc test press material, especially if it were unissued. As for party records, that's tougher, as a lot of party records look like test pressings. (white label, etc...) I am not sure how one would confirm that a party record is a test or not, unless it actually said "test" on the label. Party records are a fascinating sub-genera of the hobby.

Strangely enough, some companies do still care about their 100 year old material.

I hope not, because I plan on posting some of them. You seem to be a good person to ask: Would you rather have it posted in the video, even if it must be excerpted, or have it posted in full form in comments?

Many tests have been issued over the years on small labels - both on LP and CD, especially those devoted to early jazz. Usually the original companies - when they still exist and actually have this material - have zero interest in reissues unless there's money to be made.

​@@MarkAtnipI would consider putting it both on KZfaq for the sake of easier access, and on some kind of website that provides long-term archival in full, lossless form.

​@@tsuwaqueI don't know if you remember me, but I just wanted to know about your project.

There is not, but since you asked, I'll drop it into the Q&A I am planning on doing soon!

Hellllloooooo Zach! I have no idea how your message slipped through the cracks. I just saw it! A lot of rare Decca (along with Vocalion and Brunswick) material was (apparently clandestinely) pressed around 1960. If it is on vinyl or polystyrene, it's probably from this era. If it is on shellac, it could be an early test. Either way it's a really cool disc. If the first issue of this disc was on the Greatest Hits Album in the 70's, then your copy would be one of the VERY FEW available to 78rpm disc copies that exist, and there are some pretty aggressive Garland collectors out there that probably haven't seen a 78rpm copy. If you want to send the label (and let us know what the pressing material is) you can send it to: the78rpmchannel@gmail.com.