Thank you so much for this helpful video! I was literally close to tears with my Theory IV homework for the past hour trying to figure it out, scrolling through other videos & websites to help and after watching your video it finally makes sense.

This video was so helpful! Thank you!

This video is so helpful! Thanks much for posting it.

This video is so informative, thanks so much

Thank you, Dr. Meyer! Will be using your helpful videos for my theory courses. :D

It'll make sense if you learn more scales. C Harmonic MAJOR = b6 = Ab = F Lydian b3 , G mix b2 A Harmonic min = maj7 = G# = F lydian #2 , G# loc 4, bb7 Im still in C MAJOR/Amin as the parent key The full diminished are B, D, F, Ab B D F G# A melodic min #4 = D# = C Ion #2, #4, #5 A melodic min b5 = Eb = C ion b3, #4, #5 The full diminished are A , C, D#, F# A C Eb F# you can basically play any diminished chord into any chord G7 into C Major or C minor G7 G B, D, F. extend to G 7 add b9 B, D, F, Ab or E7 into A Major or A min or you could had played F dim into F# minor/A MAJOR The melodic min #4 or b5 will make more sense. There's NO Full diminished chords in the Melodic min scale. but now...you get to make it over the TONIC by inserting the tritone...The #4 still has the 5th MORE OPTIONS....C dim into C# Minor or C# MAJOR/A# minor D# dim into E MAJOR or E minor seeing the F# as aeo b5..will also help you.. You could had just play F# dim into G Major or minor You'll get used to changing a diminished into a Minor or TONIC F# minor/A MAJOR A harmonic MAJOR = D lydian b3 E7 ( Mix b2) F dim Common chords to A harmonic minor.... D min or dim E7 F dim or applying the ( N6) Bb maj7 or AUG to G minor D7 or F# while using the A melodic min or Bb7 D dim into Eb MAJOR or C minor or Bb7 ,C7 into F Major or F minor or F#7 into B min....or Bb dim or aug into B minor.... You can simply apply the N6 to B harmonic min b2.. walla C Maj7 to A minor again. E Harmonic min b5 = C HUNGARIAN MAJOR.. C Ion #2, #4, b7 it'll help you...becuase you can stack it like this C 3, 5 or C7 C #2, 5 or C min7 C #2, ,#4 or 1, #2, #4, 6 or 1, #2, #4, b7 If you also see it as Lydian dominant #2.... You'll associate it a PRE DOMINANT ( lydian).. when using the ( N6).. becuase you can alter that ( N6) maj7. Dominant. aug or dim

Dr Meyer, at 9:38, when respelling e fully dim 7, why is the natural sign necessary?

5:42 wouldnt that b natural diminished seventh chord be a 6/5 inversion since the root is B but the bass note is on D, the second note of the chord?

So few views. Don't understand