Happy Monday BrassNation! We have a Solo with Piano Version of the famous and flashy "Csárdás (Czardas)" by Vittorio Monti arranged for you by Drew Fennell today. This awesome piece comes in two version: Solo with Piano and Solo with Brass Septet with transposing parts in every practical key and clef (Full List Below). Hope you enjoy this Euphonium Solo version! DOWNLOAD SHEET MUSIC & BACKING TRACKS at www.matonizz.com/product/csar...
MATONIZZ JP274s EUPHONIUM BUNDLE: www.matonizz.com/product/jp27...
Visit www.dfmusicinc.com for 10% discount with promo code "Matonizz"
Musicians:
Matonizz (Principal Euphonium at RCB)
Online Lessons: euphonium.legends@gmail.com
Instrument Used:
www.dfmusicinc.com/John-Packe...
/ matonizz
/ matonizz
/ matonizz
Birute Stundziaite (Piano)
Dmitry Babkin (Sound Engineer)
dbrave.bob@gmail.com
Below is the instrumentation of the piece (with optional substitute parts):
Solo in Bb (T.C. or in C (B.C.)
Cornet 1 in Bb (optional Trumpet/Flugelhorn)
Cornet 2 in Bb (optional Trumpet/Flugelhorn)
Horn 1 in F (optional Horn in Eb/Flugelhorn/Trombone/Baritone/Euphonium) Horn 2 in F (optional Horn in Eb/Trombone/Baritone/Euphonium)
Trombone 1 (optional Euphonium/Baritone)
Trombone 2 (optional Euphonium/Baritone)
Tuba (optional Bass Trombone)
Performance notes:
Composed in 1904, Vittorio Monti’s “Csárdás” has been widely performed over the years, both by the originally intended violin and by many other instruments. This arrangement is written primarily for solo cornet (trumpet/flugelhorn) or solo euphonium/baritone. It might also be performable on trombone, but it is most probable the tempo would need to be moderated to some extent.
Metronome marks are not given to allow flexibility to the performer, but the last section should be played as fast as possible. The slow section which begins the piece allows for quite a lot of rubato. The performer need not feel too constrained by the specific affectations called for on the page. The player may additionally choose to add additional rubato in the faster sections. Most important is that the playful, dancing quality of the music be maintained.
The running 16th-note passages may be articulated just as shown on the page, or if the performance is too heavy or perhaps uneven with so much double-tonguing, some slurring may be added to facilitate a bit more melodic sound from the player.
#monti #csardas #euphonium
EUPHONIUM, TUBA, TRUMPET, FRENCH HORN, TROMBONE, CORNET, BARITONE, TENOR HORN, FLUGELHORN, PERCUSSION
Affiliate links
Ultrabreathe:
amzn.to/2jLV8m6
Voldyne 5000:
amzn.to/2jNB2rF
Live Strong, Play Strong, Represent Clothing:
teespring.com/theunderdog
teespring.com/the-cowboy
teespring.com/therebellionstrong
teespring.com/thegodfatherstrong
0:00 - Csárdás (Euphonium Solo with Piano)
3:44 - JP274s Euphonium Bundle Deal