Thank you, I really appreciate that!

@@ThomasFransson I ordered one for my backup rollers only FX30. My biggest fear is the autofocus while we shoot highway rollers. Hopefully that's not an issue.

I've found the AF to be very stable and smooth. But I've no experience using it for automotive work. I will stop by your channel to see how it's done right.

@@ThomasFransson thanks!

I used it yesterday on my FX30 ( works well on FX3 too) wow!!! I am super impressed

I'm glad you found the info at last. Thank you so much, always happy to help!

Thank you, glad it was helpful

Thank you very much!

It's soo tiny!

Glad I could be of help! Thank you so much. Enjoy your new lens!

It will, can't remember what dimensions of adapter rings that comes with the matte box but smallrig sells other sizes unless you don't want to use a regular step ring if needed.

thank you .. ive done a bit of research & small rig do a adapter kit sold separately for smaller sizes @@ThomasFransson

Exactly

Update - the lens wasn’t tight enough, embarrassed

So glad it was an easy fix. Enjoy your new camera and lens.

Absolutely! - It's called the Smoke B Super affordable little machine. I reviewed it a while ago if you're more curious. kzfaq.info/get/bejne/Y7x1nLud3L_SoKs.html

You could always use active steady shot for hand held. It crops in a bit but takes a lot more of the shakes out. And shakes are usually less noticeable if you’re shooting at a wider focal length. Another option would be the Tamron 17-70 which has image stabilization. I did a comparison between the Sigma and Tamron in this video. kzfaq.info/get/bejne/e96mndV815nXp58.htmlsi=s2YCq20zjDIXwieu Personally I think 35mm on an aps-c camera can be a bit tight a lot of times.

Tack, kul att den var till hjälp. Du kommer nog digga denna gluggen!

Thank you

Nice! Long live silent auto focus!

Nothing that I've picked up on by ear or in recorded audio. But I've not had my ear directly against the lens. I wouldn't be surprised if the motor was giving off some faint "purr" when focusing. Does the sound get picked up in the audio?

My copy actually makes quite a bit of noise, especially in continuous AF. I can't remember if it has always been like this, or if it started making noise lately... Have your lens started making more noise, or has it been the same all along?

Not sure, I've never fiddled around with connceting the camera to the gimbal. I just press rec the old fashioned way ;)

An 18mm lens is always an 18mm lens, no matter if it's a full frame, aps-c or mft lens. It's the sensor size that attributes the crop factor. If you want to match an 18mm lens on a full frame camera in terms of field of view - you would have to take the crop factor of the FX30's aps-c sensor into consideration and use a 12mm lens - 12mm x 1.5x = 18mm

That would have been something! Ultra compact setup

The Sigma 28-70mm f/2.8 DG DN Contemporary is the full frame version and weighs 470g

@@Image1Nation Not enough for me; the 18-50mm would be amazing

because of physics. The apsc sensor is smaller than the full fram sensor, which means this lens which was made for apsc would not even fill the whole frame on full frame. But Jason Wong did a video on showing how he uses the sigma 18-50 you might want to check that it. Because in theory you can use this lens on full frame, you just have to crop the image a bit so that it fills the frame. For video this is an even smaller problem because there most of the time the stabilzation crop is already enough to fill the frame

Have yoi heard of the metadata that's accompanied with the fx3/fx30 allowing you RAW controls with the internal codec?

That was the Viltrox DC-550 (standard) Here's my review of it if you're interested. kzfaq.info/get/bejne/qLlnfcqHtsDToY0.htmlsi=oGlc0lB16b_qv1dn 1200nits and super affordable monitor.

It's a nice lens

Not likely unless it's used in that sort of environment every day. As always make sure to unpack gear and let it air after shooting in damp/rainy conditions.