He should use Rophone for his last name.

My name is Mike and I'm a studio engineer watching a studio engineer named Mike engineer in a studio

He should work with a piano player named Keys.

And DOES he ride a bike?

Me too. Shocked.

Plus, I thought I had somewhat professional approach to recording guitar. It's also nice to hear a guy like him to speak out my thoughts of microphones. You sure don't need a 10K vintage mic to record a great guitar sound.

Night and day

And people call me crazy for saying mid priced xlr cables sound better than cheapo ones. Here's proof that audio is fucked

@@notthatguy2753 speaking of which, price. I found cables, from the same factory, same color, same everything except the name, in a cheap store and was a bit shocked. The branded cables cost three times more.

That's how I like my porn

It's actually a 55° angle

Yup, this is my list as well.

It's probably to add more depth to the sound. By themselves they aren't good, but with all 4 they sound better. Idk just my guess

Do you have samples?

Jesse Cole yeah an a b between the 57 and the wa14 was what I was expecting

It probably sounds like an SM57 but with less high end and a little more bass

​@@ramencurry6672 True...but it would have been great to hear the spread it was capturing from the edge of the cone on out.

@@michaelyolch79 You’re right

Do you use amp sims typically?

I use that same combo. Love the Fathead II!

e906 and 57 combo!

Either the mixing console/desk or your DAW will have a phase button. Search "mixing console phase" and it'll all come up 👍

@@bassstellar Thanks. Im using Logic

also an e609/ sm57 combo works well.

Essentially he is checking for out of phase issues by listening not to the in phase signal, but rather to the out of phase signal. He plays with the faders until the sound is most out of phase. Then he pops the mics back into phase. Then he is certain he minimized cancellation issues. Does that make sense?

@@CandorBand ya! Thank you

@@CandorBand Hi Jason, thanks for the precision. I still have a question, maybe you could help as well :-) : does he put one mic signal to the left and the other the the right (on his daw) when he is checking the phase of each signal ? and then, once done, does he assemble the 2 tracks into one after popping back the 2 signals into phase ? well, I don't understand the process for " checking the faders and the phases of the 2 mic signals" ^^

Hi Geoffrey, no. The way I understand it is the signals are mono. If you pan either, then you will not hear the phase issues as much. Essentially, tinker with the faders and phase switch until it sounds as thin and hollow as possible. Then just flip the phase of one signal and it should be in phase.

@@CandorBand thanks for your feedback, much appreciated ! I will do a test in my studio 🙂

by playing two takes

Into the Void

It's an original piece we wrote for these videos. (I'm the guitarist in this video btw)

Nope. It's actually an original piece we wrote for these videos. (I'm the guitarist in this video btw)

Jacobs Realm awesome man I really like it!!! Great riff I’d love to hear more

Agree. I've been curious about the WA-14 for a little while and wondered how it would sound in this application.

Because of personal taste

You must be Swedish.

Yeah I heard that one and immediately thought thats it! When they both liked the 1st one I thought, Okay well damn:)

thinnest, most bass/mid cancelled

@@trevorjalla thank you!

Well, strange if you buy the cabinet strictly for recording! I, and probably most musicians, buy a cabinet because it simply sounds good. When you buy a cabinet you listen to the 4 speakers combined. Some audio-engineers might record the four speakers but that will maybe make the sound less direct. Also, when I record a cabinet I want the speaker with the most high end because that will give me the option to make it poke through the mix a bit more. At least that's how I look at it! xx

The Aston Starlight mic has a laser on it. I haven’t used one but it’s a great idea if you ask me.

@@tomnaumann2104, that looks really cool. I'm going to watch some videos on it! Thanks I have a 4/12 cab with different speakers in the studio and I mark on the cloth with a white crayon.

The yellow one is a Radial SGI studio interface.

If you're referring to the one on top of the amp, that is the Laney TI Boost.

No.. he said he sums them both to one track / mono

i went opposite. just purchased a 4×12 Laney cab. sounds amazing. its a buyers market with all the combo amp and amp-less trends.

Hahahahahah. Sadly you’re bot the first to say that

He just means making distinctions or differentiating between things.

@@in.der.welt.sein. I think the term he's looking for is 'process of elimination' - a 'process of discrimination' would be where he's already decided which speaker cones he dislikes before he's even heard them.

I'm sure he knew what he was saying. Just a play on words.

@Marko Fahrenheit you really had to bring politics into it didn't you?

@Marko Fahrenheit Prejudice and discrimination are synonyms, 2 words that mean the same thing. Like fool and idiot.

those are tonewheels 😈

They are just having fun, we too... maybe this is not for you

Apparently not much. I would never use the guitar sound that they ended up with. No amount of EQ could shape that into a usable tone.

@@SocialGore Are you for real? The sound of the first 2 sabbath albums inspired a million clone bands. Listen to paranoid or war pigs and try to convince anyone that it's not the most epic sounding guitar in the last 50 years.

@@Les537They are great albums, but recording quality has improved over the years. There is a reason that very few sabbath inspired bands are going for the EXACT same guitar tone.

😜😍

@@Les537 black sabbath and paranoid have guitar tones that stand up to modern recordings.

It's a Tony Iommi signature, like the amp. Methinks there's a choice involved in there, somewhere...

You can buy me a vintage Gibson if you want! The guitar is one of the Tony Signatures which has proper custom Gibson pickups in it. The amp we actually borrowed from Tony Iommis amp stock. They used that amp in the studio and on a few of the latest tours!

@@PickledDill907 Oh, I will now shut up. You rock.

@@brianjauch9958 honestly not usually a fan of Epis, I've owned a few and they've always been quite average. This model on the other hand is just fantastic once I set it up. Sounds great, play exceedingly well, built properly. Just wish it was mine!

Haha I think it’s too much gain