Album available // Marcelle Meyer plays Rameau: Suites, Livre & Pièces 🎧Qobuz bit.ly/3mpun4P Tidal bit.ly/3zccutJ 🎧Apple Music apple.co/3ktEXFk Deezer bit.ly/3gpTHUu 🎧Amazon Music amzn.to/4buchoU Spotify spoti.fi/3sDqXMV 🎧KZfaq Music bit.ly/3IIMbSO SoundCloud bit.ly/3qiLQ0y 🎧Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本... Jean-Philippe Rameau (1683-1764) re-invented on Piano by Marcelle Meyer / New Mastering. Click to activate the English subtitles for the presentation by Alexandre Tharaud (00:00-02:10) Les Sauvages - Suite en sol majeur (1:56:33) Menuet en rondeau - 1724 (00:00) Suite en mi mineur / in E minor Allemande (00:44) Courante (03:14) Gigue en rondeau (04:59) 2e et 3e gigues en rondeau (06:33) Le rappel des oiseaux (08:52) Rigaudons I & I l (11:51) Musette en rondeau (12:58) Tambourin (14:52) La villageoise - rondeau (16:12) - Suite en ré Majeur / in D Les Tendres plaintes (17:54) Les Niais de Sologne, avec 1er et 2e doubles (20:31) Les Soupirs (25:54) La Joyeuse (31:25) La Follette - rondeau (32:15) L'Entretien des muses (33:45) Les Tourbillons - rondeau (38:16) Les Cyclopes - rondeau (40:24) Le Lardon - menuet (43:06) La Boiteuse (43:35) - Suite en la mineur / in A minor Allemande (44:08) Courante (48:02) Sarabande (52:40) Les trois mains (54:08) Fanfarinette (58:18) La Triomphante (1:00:59) Gavotte et doubles Suite en sol Majeur (1:02:06) - Suite en sol majeur / in G Les Tricotets (1:08:53) L'Indifférente (1:10:25) Menuets I & Il (1:12:13) La Poule (1:14:35) Les Triolets (1:17:41) Les Sauvages (1:20:20) L'Enharmonique (1:21:56) L'Egyptienne (1:25:50) La Dauphine (1:27:54) - Premier Livre de Pièces de clavecin Prélude (1:30:43) Allemande (1:33:49) 2e Allemande (1:35:32) Courante (1:37:14) Gigue (1:38:58) Sarabandes I & II (1:40:33) Vénitienne (1:42:29) Gavotte Menuet (1:43:52) Menuet (1:45:17) - Pièces en concert La Livri - rondeau (1:46:31) L'Agaçante (1:49:14) La Timide - rondeaux I & Il (1:50:59) L'Indiscrète - rondeau (1:55:16) - Pièces de clavecin / 1946 Les Sauvages - Suite en sol majeur (1:56:33) Les Cyclopes - Suite en ré majeur (1:58:08) Les Tendres plaintes - Suite en ré majeur (2:00:53) La Villageoise - Suite en mi mineur (2:03:30) Les Soupirs - Suite en ré majeur (2:05:01) Gavotte et doubles - Suite en la mineur (2:08:55) Fanfarinette - Suite en la mineur (2:15:30) Le rappel des oiseaux - Suite en mi mineur (2:17:01) L'Entretien des muses - Suite en ré majeur (2:19:42) La Livri - Pièces en concert (2:24:06) L'Egyptienne - Suite en sol majeur (2:26:31) - Piano : Marcelle Meyer Recorded in 1953 & 1946 New Mastering in 2020 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr --- La Triomphante par Alexandre Tharaud : « Comment dire le choc éprouvé par la découverte des enregistrements de Marcelle Meyer quand on a dix-sept ans... Très loin du Conservatoire où son nom même n'était pas évoqué, je l'écoutais des nuits entières. Aujourd'hui l'envoûtement reste intact. - Marcelle Meyer, c'était avant tout un jeu qui ne ressemblait à aucun autre, un piano solide, charpenté, mis au service d'un chant d'une constante fluidité. Derrière la courbe, derrière le geste ample, quasi improvisé - n'a-t-on pas l'impression qu'elle vient d'ouvrir la partition ? - se dévoile un véritable travail d'orfèvre. Je découvrais chez elle, plus que chez tout autre, le désir et l' instinct. - Au-delà de ses enregistrements, une partie de sa bibliothèque musicale, qui m'a été transmise par sa fille et que je conserve jalousement, témoigne d'un répertoire gigantesque et d'une audacieuse curiosité. L' Octuor de Stravinsky y côtoie les oeuvres de Tommasini, Sabata, Rieti et Casella. Les Français Auric, Wiener ou Satie se retrouvent aux côtés de Tcherepnine et Bartók ! - Son engagement total dans la musique contemporaine de son temps, son amitié indéfectible pour les plus grands compositeurs, peintres et poètes, sa conviction que Rameau ou Couperin devaient être joués avec une passion égale à celle que l'on accorde plus volontiers à leurs voisins Bach et Scarlatti, sa foi en Chabrier, qu'elle défendait comme Ravel ou Debussy, en font le témoin visionnaire de son temps. Et à mon sens la plus grande pianiste française. » - Il n'y a pas eu plus intemporel que l'art de Marcelle Meyer. Sa première et plus légitime survie en fait vient de la façon dont elle réinventait Couperin et Rameau, les rendant donc actuels. Le plus étonnant est qu'elle ait trouvé (probablement instinctivement, cet instinct inexplicable mais infaillible qui tout simplement s'appelle le goût) le ton, le coloris, la fantaisie d'articulation et de phrasé, la liberté souveraine qui les a sauvés du caractère qu'on leur prêtait, celui de musiciens du passé, académiques. Eh bien, avec de l'académique, elle a fait tout simplement du classique. Étant ce qu'elle était, cela allait presque de soi. - La totalité de cet héritage nous est désormais commodément accessible. Par le simple fait d'être très fermement et jusqu'au bout elle-même, une interprète d'humilité et de génie, sublimant tous ceux qu'elle interprète. Dans le total effacement de soi qui est en même temps pleine expression de soi : une leçon d’artiste. --- Bach by Marcelle Meyer - Complete Inventions & Sinfonias, Partitas, Toccatas, Italian Concerto .. (Century's recording) : kzfaq.info/get/bejne/qdZ4dbeqxs3Kimg.html - Scarlatti by Marcelle Meyer - The Keyboard Sonatas, K 380 / NEW MASTERING (recording of the Century) : kzfaq.info/get/bejne/aa-ZrN2gntzIiXU.html - Jean-Philippe Rameau PLAYLIST (reference recording) : kzfaq.info/get/bejne/fbiAjNObsbadoXU.html

Falling more in love with this elegant pianist every day. I've never heard anyone like her. A true genius!

L'enregistrement a presque 70 ans, mais quelle modernité, quelle liberté. Rameau ainsi interprété ne peut pas vieillir !

what feast to have!! Her recording made in the 1920s and remastered in the 1990s are a spectacular triumph for their quality and purity. Whoever did that work should've been given a posthumous Grammy for snatching such art from the dust bin of forgetfulness. Thank you.

Regarding the harpsichord/piano quarrel I note, as a harpsichordist, that Meyer plays the ornaments scrupulously according to Rameau's own instructions on how to play them - which in turn means that she studied the original score of the suites. Her articulation and dexterity of touch are astonishingly beautiful, and leave nothing to be desired as regards playing harpsichord music on the piano. Thanks so much for this upload!

Marcelle Meyer is something of a revelation to me. Her tonal clarity, the balance between hands, exquisite technique and ample power are remarkable. She is one of the great pianists, no question.

Thanks for this! I cant believe how good it sounds. I thought I'd heard Rameau before but this is totally different, and such a treat considering the age. She is amazing ❤

Rameau and Mrs Meyer have built a bond of artistic kinship that transcends time and style. No other performer has done Rameau's music for the keyboard justice better than Mrs Meyer did.

I love Rameau but never knew of this recording. What a gem. Marcelle Meyer is brilliant. Thanks for posting

Une grande dame née avec un piano et avec une grâce divine. Une joie immense envahie mon corps quand je l'écoute, à tel point que je me sens proche du paradis. Une pianiste unique qui inlassablement me rend moins triste dans un monde tellement cruel. Dieu, je te remercie de nous avoir donné naissance d'un tel prodige. ❤ J'apprends le violoncelle depuis dix ans et je puis vous dire que la musique est source de bonheur et de plénitude mais aussi beaucoup de travail sans relâche ❤❤❤

Quelle artiste,quelle sensibilité,quelle maitrise,quel rendu intelligible et envoutant.Elle est au niveau des plus grand(e)s !!

The mastery of Meyer illustrates the beauty of Rameau. What a combination.

How wonderful it is that all the myriad subtleties in Rameau are made accessible by the piano. I am stunned at the perfect architecture in his music so fully exposed in this recording. It is as though one were seeing the rose window in Notre Dame in full sunlight rather than partial.

Ashamed to be previously unaware of Michelle Meyer’s performances. Her genius - no other word for it - seems to lay to rest old quarrels about piano vs harpsichord, etc. (& I am typically in the pro-harpsichord faction). Complete technical mastery & a transcendent sensibility in understanding a composer’s intentions, aligned with full awareness of her instrument’s potential, here gives us the most compelling expression of the great Rameau, in these works. Not just musicianship, but an apparent intellectuality in choosing just how best to bring forth a wide range of feeling in these pieces, shows Meyer’s mastery. Her links to Les Six, & others, spanning centuries, were no barrier to interpretations of real depth, from any source - no Bloomsbury dilettante here, seeking superficial “meaning,” in art or philosophy… Eh, bien! assurément... Elle est parmi les immortels.

This is heaven on earth! Much needed in these difficult times. She is one of my favorite pianists. Thank you for giving us the entire volume.

Необычайно красивая музыка Рамо . Прекрасное и утонченное исполнение,огромное спасибо за столь великолепную коллекцию произведений.!!!! My lovely Barocco music and Rameau best compositions specially! Thank you

素晴らしい演奏です。聞いていると心が落ち着きます。こんな音楽は初めてです。

From Wikipedia: Marcelle Meyer (French: [mɛjɛʁ]; 22 May 1897 - 17 November 1958) was a French pianist. She worked with a group of musicians known as Les Six of whom she was the favored pianist. Biography Marcelle Meyer was born in Lille, France on 22 May 1897. She was taught piano from the age of five by her sister Germaine, and entered the Conservatoire de Paris in 1911 at age 14, studying with Alfred Cortot and Marguerite Long and was awarded the "Premier Prix" at age 16. She then studied Ravel and Spanish composers with Ricardo Viñes. She coached with Debussy about how to play his Preludes after having met him when she played the premiere performance of Satie's Parade in 1917. Meyer became Erik Satie's favored pianist and premiered Francis Poulenc's Sonata for piano four-hands with the composer. She premiered several of his other works and recorded with him. In the early 1920s she played for Darius Milhaud and Stravinsky. She became famous for her talent[1] and gave recitals in England, Netherlands and Germany, as well as giving many premieres, including works by Honegger, Roland-Manuel, and Igor Markevitch. In 1922 Jacques-Émile Blanche painted Marcelle Meyer in the company of Jean Cocteau and Les Six, a group of composers consisting of Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, Francis Poulenc and Germaine Tailleferre. She died on 17 November 1958 in Paris after suffering a heart attack while playing at her sister's piano. The actor Pierre Bertin was her first husband, with whom she had a daughter (Marie Bertin). She later married Carlo Di Vieto, an Italian lawyer, with whom she had a second daughter (Anne-Marie Di Vieto).

Takes your breath away. Quite incidentally, it seems that she was a very good and lovely person too.

Simply amazing! I listened to her music for hours and still not enough. Her strong determination with freedom, techniques, deep understanding of the music is so clear through her music.

je decouvre avec emerveillement marcelle meyer que je ne conaisait pas ! 65 ans que j ecoute tout les jours de la musique clasique et baroque et je l avais jamais entendue ! ne desesperont pas il y a encore des surprises agreable . je la compare a glen gould , car comme lui elle se demarque de ses comptenporains . merci a alexandre tharaud . pierre xavier de chassot .

Non la conoscevo....e ascolterò tutto...conquistato da un suono ...Magnificat di un'interprete ; attento ad usare il riverbero di un Autore nell'altro...siano nel Parnaso...dove il femmineo intuito impone una grazia che svetta verso un approccio esemplare...e tutto sembra diventare Reo di Vita. Adesso !!!!!...la registrazione è un miracolo; chapeau ai tecnici del suono.

The admirably free-flowing yet meticulous phrasing of a nightingale.

Exquisite sensitive playing ..... She has really captured the joy and nobleness of Rameau.....I'm in awe

Rameau et son interprète sont élégants et légers comme un matin de printemps. C'est tout simplement Beau.

"Right now, there are people all over the world who are just like you. They're either lonely, they're missing somebody, they're depressed, they're hurt, they're scarred from the past, they're having personal issues no one knows about, they have secrets you wouldn't believe. They wish, they dream and they hope. And right now, they are sitting here reading these words, and I'm writing this for you so you don't feel alone anymore. Always remember, don't be depressed about the past, don't worry about the future, and just focus on today. If today's not so great don't worry! Tomorrow's a new chance. If you are reading this, be sure to share this around to make others feel better. Have a nice day!"💕🙏💗💕

YESS, thanks! It's amazing that this wonderful pianist understands how French baroque music should dance and sing all the while remaining elevated, decades before the whole revival got started! :D

Quiet, intimate and heartbreaking!!!!! Superb!!!!! Thank you!!!!

I can't praise this performance enough. Such eloquence, such elegant articulation... Absolutely sublime... Can't get enough of it.

Elle trouve des choses que même les plus grands ne pensent pas à chercher. Merveilleux.

I’m so grateful for this recording, and having discovered the gift of Rameau and Meyer… Truly, thank you so much for posting this entire recording.

Another remarkable, remastered recording that richly deserves the appellation "Century's Recording" which it is. Some comments completely miss the point, and get lost in spurious arguments of "authentic". This performance has nothing to do with simpletons. Marcelle Meyer was an incredibly gifted pianist who worked with a charmed circle, not just with Les Six but with Satie and Debussy. Her expressive interpretation of Rameau is definitive and influenced many composers of the 20th Century. When recorded it introduced the music of Rameau to the wider public. I am so grateful for this upload, which is truly a benchmark. I might add that this my go-to recording as it's sublime throughout. And it is simply the best to date!

Les tendres plaintes magnifique morceau. Merci !

Thank you Classic Music /References for more one more treasure of classical recordings from the past. My love for Rameau that had in Tharaud by favorite interpreter, now is enriched with this new, for me, interpreter.

Another gem by the great Marcelle Meyer! Thanks so much for allowing us to enjoy this extraordinary performer playing this musical treasure.

Exquisite and perfect for these times-and all times! I love Rameau! These pieces, like much music of the 18th century, are filled with such delicate emotion, understated, yet able to draw tears.

Je découvre. Je connaissais le nom mais pas le jeu. Quelle artiste incomparable quelle clarté et quelle modernité! Intemporalité de Rameau servi par une splendide interprète. Merci.

Tout cela est d’une fluidité musicale et technique incroyables. Un partage est nécessaire.

This is the first and so far only piano recording of Rameau that works!! Superb, wonderful playing. Even the variations which I normally find boring are delightful to hear!

귀하고 훌륭한 연주 감사합니다

Where has this wonderful pianist been all of my life???? I heard her play Bach and Scarlatti as well and she excels in everything I have heard her play. I will be looking for her boxed sets.

Oh my god. Sublime beauty, sensitivity, masterful technique. I'm listening this for an hour now and this and this is a revelation. Reminds me to time I first heard Bartók's Concerto or Gould's 1982 Goldberg recording. This is wonderful.

I was a bit sceptical (Rameau on piano?), but I couldn't stop listening, yes wonderful piano playing.

Quelle merveilleuse découverte que cette pianiste dont je n'avais jamais entendu parler... On ne se lasse pas d'écouter ses interprétations de Rameau. Quel jeu ! Ferme, sobre et élégant, qui dégage la mélodie tout en marquant le rythme avec une vitalité extraordinaire.

Quelle artiste, ça façon de joueux enlevé l'esprit, ❤

You know how people at piano recitals like to sit on the left side of the hall to watch the pianist’s fingers? I usually don’t because I think the sound is better sitting in the center. But this is one instance where I would have chosen the left side. Her technique on those ornaments is magnificent. As someone who studied harpsichord for a few years, I got a bit of a crash course on French ornamentation one summer with my teacher, and this would have qualified as perfectly elegant. When I hear a pianist play French Baroque, I always find myself asking two questions: Does it breathe, and does it dance. I think because of the influence of Chopin and his emphasis on cantabile, sometimes those issues are forgotten when it comes to this music. You want long, singing phrases, stretched to the max by rubato. But she does a wonderful job of bringing that lively Baroque sensibility to these pieces, while taking advantage of what the piano can do as well. A real revelation. Thanks for remastering them. Are they on CD? I’m wondering if the sound quality would be even better.

Thanks for this magnificent upload. Honored to be the first thumbs up for these great recordings by Meyer.

Indescribably beautiful - one of the all-time great pianists in absolutely sumptuous performances!

Maravilhosa! Uma grande inspiração🌹

Jean-Philippe Rameau et Marcelle Meyer sont élégants.

Merci Alexandre. Merci Marcelle!

Pure merveille. Merci. C'était l'époque où l'école française avait l'avantage.

Su majestad el piano ! Se oye divino , pese a que estas obras fueron escritas para clavicémbalo . La pianista es excepcional , de una sensibilidad exquisita. Podría escuchar a Rameau por horas y horas , en piano o clavicémbalo es fantástico . Gracias por compartir esta belleza @Classical Music/ /Reference Recording . Desde el sur del mundo una enamorada de la obra del gran Jean-Philippe Rameau !!

The best of Alfred Cortot's students and a lesson to any world class pianists of any known period for mastery of dynamics in ornamented music. There simply is nobody who has recorded a large set of ornamented music with such dynamics and fluidity. Even considering lowering to a level below her, there is still nobody. They're all at least two or three levels down and i mean competition winners and recorded titans included, all of them, even Rachmaninoff in his recordings.

Thank you for these truly extraordinary recordings of Marcelle Meyer. This is a total discovery for me: a musician all my life, much in France, I had never heard of Marcelle Meyer! She has a touch which is alternatively refined and of strength (not hard), with fluidity, a great sense of phrasing, and always with clarity. I think it is safe to say that she is representative of a French style: elegant, expressive, but also strong when needed, and always clear. I appreciate your making this available.

Thank you for these recordings of Rameau’s pieces…a solace for a sad time.

Une exceptionnelle intégrale Rameau, sans conteste la plus belle au piano, un ovni, on regrette que Marcelle Meyer ne soit pas plus connue...parce que ses Couperin, Scarlatti, Ravel et Debussy sont tous aussi beaux que ses enregistrements des pièces de Rameau !

Впервые слушала Рамо, раньше только знала, что есть такой композитор. Я не музыкант, но просто влюбилась в Рамо в этом чудесном исполнении. Спасибо огромное!

I've downloaded every link of her performances. What a library!

Musique de Rameau (ou de Bach, Scarlatti, Couperin, Duphly, etc.) jouée sur piano moderne: le parfait cocktail ! servi par une magnifique interprète sachant s'effacer pour laisser la place au génie de Rameau. Music by Rameau (or Bach, Scarlatti, Couperin, Duphly, etc.) played on modern piano: the perfect cocktail! served by a magnificent performer who knows how to step aside to make way for Rameau's genius.

Спасибо Ютубу, он открыл для меня Марсель Мейер, раньше о ней не слышал. Изумительная пианистка, ее Рамо великолепен. На мой взгляд, она одна из лучших интерпретаторов музыки этого композитора.

I will never get over how beautiful that music is. 😍 Such underrated beauty...

Les médecins soignent et Marcelle aussi. Merci de nous fournir gratuitement cette thérapie. Seul bémol (si j'ose dire ici) , mon stock de mouchoirs risque de partir plus vite que prévu 😢 👏

Thanks friends for sharing such a wondergul performance by Marcelle Meyer.

Immensely imaginative and subtle phrasing! All embellishments are beautifully interwoven and never irritating.

この動画に出会えて幸せです🥰　まるで前世でも聴いていたかと思う位心に響きます…😌

Beautiful, sensitive and romantic playing that is perfectly suited to Rameau. That Madame Meyer plays this on the piano illustrates the interest in discovering the music, rather than our present hidebound interest in "period performance practice". Thank you for posting this wonderful artist in these ageless works.

Listening to this over and over again. Brings refinement and higher standards into everything you see around. Thank you 🙏🙇‍♀️

Как красиво играет эта дама! Душа парит в небесах, а сердце исполнено радости от соприкосновения с такой чудесной музыкой! Интерпретация Рамо этой дамой - это чудо!❤👌🙏🙏🎉

Wundebare Musik!!! Großartig gespielt und prächtige Aufnahme !!! Danke schon !!! Tepper Michael.

Effortlessly expressive and life-affirming... She makes this 18th century music sound fresh and modern.

Прекрасное исполнение чудесного Рамо!

Bellísimo! Cuánta delicadeza y ternura en esta música y en su interpretación.

Beautiful music, thank you！

I have been listening to this amazing pianist over and over as I study for school. Thanks for the incredible uploads!

Beauty and conviction of articulation that is not surpassed in Baroque performance.

Marcelle Meyer joue Rameau : sans commentaire, pourtant j’en met un...mon dieu il n’y a pas plus beau !

Meyer is due for a Renaissance . Only beginning to hear her name now long after some enterprising company solicited these charming French Baroque recordings !

What an enchanting performance

Les soupirs has such an incredibly sweet melancholy

Thank you so much for sharing so beautiful music.

I often hear these pieces played on harpshichord but It's as good played on the piano !

Nothing less then brilliant.

Bravo, Marcelle Meyer era una pianista elegante, y muy buena.❤️, precioso.

Que gran descubrimiento de mi parte, no conocía a Rameau y me parece excelente su obra, así como también el virtuosismo de Meyer!

domains for unquarantined souls. thank you.

Thank you for giving us this, with all the information.

So tender and sweet is Rameau.

Listening to Maestro Rameau performed by Marcelle Meyer I feel myself as if being in the World of Angels !!! Tepper Michael.

I have his works on harpsichord, clavichord, but whoa ..piano? Lovely! thanks! An amazing early 20th c. interpretation and recording!

Thanks God I've discovered you: what a stunning collection, a goldmine for our heart and soul. I listen to you everyday, looking for unhearded (for me) masterpiece of the piano history...like this!!!

At 1.02++ Gavotte and double suite , impossible not to be electrified by such lightness and fluidity !!!!

une découverte que cette belle et talentueuse pianiste ; merci pour cela et pour ce beau moment de musique passé grâce à vous .

Very nice interpretation and beautiful sound considered it was recorded in 1953 & 1946.

Lovely legato line with lively authority. Tharaud's comments are inspiring. Interesting to compare her reading of this genre with Angela Hewitt's.

Incredibly deep and spacey, what a discovery of devine...thank you so much for lightning it to us amateurs.

What a Feast this past two weeks for me! It began with a KZfaq (YT) entry of works of Debussy interpreted by Walter Gieseking(G). My father told me decades ago that G was known as a gifted interpreter of Debussy. As I listened to that YT entry, I was totally captivated as the impressionist strains washed over me - stunned at what I had missed out on for 60 years, or so. ** Then a couple of days later I was listening to a YT entry by a pianist that was reputed to have been a student of Rosalyn Tureck(T). I had heard of T, but not heard any recordings (she died in 1958). Well, on YT there was an entry of T playing a Bach Allemande and Courante on a piano. The entry was probably made in the 1950s, because the sound quality was very good. T’s interpretation of the Allemande absolutely shimmered; I could not help comparing it to how G might have played it! ** Then, today, I stumbled on Meyer(M). Until now, I found Rameau to be mostly boring. As I write this I am hearing a pianist shine a 10,000 lumen light into the minds of Rameau and his French colleagues of the time. Definitely NOT boring. And even more astonishing, the Wikipedia entry for M says she was a friend of Jean Cocteau and Poulenc selected her to premiere some of his works. Really? M, a recognized interpreter of Rameau and Poulenc? How trite and amateurish it must seem to you for me to say at my advanced age, “Where has Meyer been all my life?” Or even “Where has Tureck been all my life?” ** In this Quarantine Spring we have the time to search out revelations on KZfaq. What an extraordinary benefit of the Internet! My friends: Make the year of 2020 your Musical Feast Year!

Beautiful music, tremendous performance

Minha inspiração diária.

Magnifique! Super!